DigiFilm


Research Brief
Production Costs
Crew Sizes
Industrial Changes
Image Quality
Aesthetics & Style
New Filmmakers
Smaller Productions
Big Productions
Julia Morris
Christopher Grose
Post Production
Distribution
Cinemas
Digital Distribution
Digital Projectors
Analogue Distribution of Digital Films
Sharmill Films
MPDAA
David Hawkins
Simone Govic
Franziska Wagenfeld
Day and Date Distribution
Some Day and Date Numbers So Far
Against Day and Date
For Day and Date
Forms of Piracy
What is Piracy
Piracy Stats
Combating Piracy
Online Distribution
Exhibition Costs
New forms of Exhibition
References

Big Productions

by Chelvendra Sathieaanandha

 

HD hasn’t really changed the type of films with the big budget. I’m not trying to discount the big Hollywood filmmakers here – a handful of them have made a semi-permanent dive into shooting on HD – for example, Lucas (Star Wars) and Rodrigeuz (Sin City). However, George Lucas was already making the type of films he is making now, almost thirty years ago. And although Sin City was a very unique looking film, it showed how ridiculously close to film, HD can look.

 

 

So HD definitely can be used to mimic film, and it seems the larger budget films are doing just that. For example, Lucas mixed up the use of film and digital in Starwars Episode 1[1], and not many people picked it. But, what is changing here is the process of filmmaking, where digital effects are potentially easier and the recorded image can be seen almost in real-time and editing can start on the same day of the shoot[2].

The emergence in a new style and the “type” of films created will more so be seen on the low-end, not-so-film-quality-capable cameras, that are available to the smaller productions.


 

[1] Magid, Ron. “Exploring a New Universe: George Lucas discusses his ongoing effort to shape the future of digital cinema.” The American Cinematographer. September 2002. http://www.theasc.com/magazine/sep02/exploring/index.html, viewed on May 12th.

[2] “Digital cinematography,” http://en.wikipedia.org/wiki/Digital_cinematography#Culture, viewed May 2006.


Research Brief ] Production Costs ] Crew Sizes ] Industrial Changes ] Image Quality ] Aesthetics & Style ] New Filmmakers ] Smaller Productions ] [ Big Productions ] Julia Morris ] Christopher Grose ] Post Production ] Distribution ] Cinemas ] Digital Distribution ] Digital Projectors ] Analogue Distribution of Digital Films ] Sharmill Films ] MPDAA ] David Hawkins ] Simone Govic ] Franziska Wagenfeld ] Day and Date Distribution ] Some Day and Date Numbers So Far ] Against Day and Date ] For Day and Date ] Forms of Piracy ] What is Piracy ] Piracy Stats ] Combating Piracy ] Online Distribution ] Exhibition Costs ] New forms of Exhibition ] References ]

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Last updated: 06/13/06.