DigiFilm

Research Brief
Production Costs
Crew Sizes
Industrial Changes
Image Quality
Aesthetics & Style
New Filmmakers
Smaller Productions
Big Productions
Julia Morris
Christopher Grose
Post Production
Distribution
Cinemas
Digital Distribution
Digital Projectors
Analogue Distribution of Digital Films
Sharmill Films
MPDAA
David Hawkins
Simone Govic
Franziska Wagenfeld
Day and Date Distribution
Some Day and Date Numbers So Far
Against Day and Date
For Day and Date
Forms of Piracy
What is Piracy
Piracy Stats
Combating Piracy
Online Distribution
Exhibition Costs
New forms of Exhibition
References

COMPLETE REFERENCE LIST 

#1: BBC News. “Glitch Hits online Film Launch,” in bbc.co.uk website. 10 September 2003. http://news.bbc.co.uk/1/hi/entertainment/film/3085204.stm. viewed on 29 May 2005.

#2: Rebecca Baillie. “TV PROGRAM TRANSCRIPT,” in ABC, the 7:30 Report. 30^th August 2005 broadcast. http://www.abc.net.au/7.30/content/2005/s1449603.htm, viewed 21 April 2005.

#3: David Barda. “The Inevitability of Digital Cinema,” in Inside Film. August 2002.  

#4: Email interview with Joel Hedrick of Motion Picture Distributors of Australia . Conducted on 30th May 2006 by Mithila Gupta.

#5 Darcy Antonellis. “Digital Cinema Distribution,” in Understanding Digital Cinema. Focal Press: USA, 2005, pp. 206-225.

#6: Email interview with Simone Govic- Producer. Conducted on 21^st May 2006 by Mithila Gupta.

#7: Email interview with Franziska Wagenfeld- Producer. Conducted on 26th May 2006 by Mithila Gupta.

# 8: Email interview with Justin Batchelor of Sharmill Films. Conducted on 30^th May 2006 by Mithila Gupta.

#9: Gary Gentille. “Sony Introduces New Digital Projector,” in C-News May 19 2006. http://cnews.canoe.ca/CNEWS/TechNews?NewStuff?2006/05/19/pf-1588314.html, viewed 29 May, 2006.

#10: Fran Molloy. “The Death of Film,” in The Age- Live Wire. 22 September 2005, Page 1-2.

#11: Robin Usher. “The Digital Revolution is here and Film is Dead, “in Media Monitors. 11^th April 2002.

#12: Edvard Pettersson. “Slow Birth of Digital Cinema,” in The Australian- IT Business. 5 February 2005, p. 5.

#13: Randall Stross. “Is Mark Cuban Missing the Big Picture?” in The New York Times. 18 December 2005.

#14: Breznican, Anthony (2006). "Movies as you like them, on the same day!" Jan 12, USA Today, retrieved from here(HYPERLINK to http://www.2929entertainment.com/Index.cfm?FuseAction=Page&PageID=1000026&ArticleID=65)on 24/5/06.

#15: Bylund, Anders (2006). "IFC, Comcast starts day-and-date distribution service". Ars Technica, January 3, retrieved from here(HYPERLINK to http://arstechnica.com/news.ars/post/20060301-6294.html) on 23/5/06.

#16: Crabtree, Sheigh. (2006) "'Titanic' Director: Digital Cinema will Save Biz". Reuters, April 24th, retrieved from here(HYPERLINK to http://www.starpulse.com/news/index.php/2006/04/24/james_cameron_says_digital_3_d_will_brin) on 26/4/06.

#17: Corliss, Richard (2006). "A Conversation with George Lucas". Time Magazine, March 14.

# 18:Corliss, Richard (2006). "Speilberg at the Revolution". Time Magazine, March 14.

#19: Corliss, Richard (2006). "Can This Man Save the Movies? (Again?)". Time Magazine, March 20.

#20: Cuban, Mark. (2006) "What Business are theaters in?". BlogMaverick.com, Jan 20th, retrieved from here(HYPERLINK to http://www.blogmaverick.com/entry/1234000010073495/) on 15/3/06.

#21: Cuban, Mark. (2005) "Movies and Theaters - Let's make the Customer King and Make more Money". BlogMaverick.com, 25th May, retrieved from here(HYPERLINK to http://www.blogmaverick.com/entry/1234000127044892/) on 15/3/06.

#22: Epstein, Edward Jay. (2005) "Gross Misunderstanding - Forget about the box office". The Hollywood Economist, May 16, 2005, retrieved from here(HYPERLINK to http://www.slate.com/id/2118819/) on 17/3/06.

#23: Gentile, Gary. (2006) "Hollywood to Sell Digital Films Online". Associated Press, April 3rd, retrieved from here(http://news.yahoo.com/s/ap/20060403/ap_en_mo/online_movies) on 7/4/06.

#24: Hornaday, Ann (2006). "'Bubble' Vision: With His New Movie, Steven Soderbergh and Co. Hope to Launch A Sweeping Change in the Way Audiences Get to See Films", Jan 22, Washington Post, retrieved from here(HYPERLINK to http://www.2929entertainment.com/Index.cfm?FuseAction=Page&PageID=1000026&ArticleID=66) on 24/5/06.

#25: King, John (2006). "Warner Bros. Signs Download Day-and-Date Deal With BitTorrent" Animation World Network, May 9th, retrieved from here (HYPERLINK to http://news.awn.com/index.php?ltype=top&newsitem_no=16911?int_check=yes&ltype=top&newsitem_no=16911) on 24/5/06.

#26: Longworth, Karina (2006). "Why Day/Date Isn't Ready to Save The Day". Cinematical.com, Mar 9, retrieved from here(HYPERLINK to http://www.cinematical.com/2006/03/09/why-day-date-isnt-ready-to-save-the-day-laws-and-sausages) on 24/5/06.

#27: Mazin, Craig (2006) "Lessons On The Bubble". The Artful Writer, January 30, retrieved from here(HYPERLINK to http://artfulwriter.com/archives/2006/01/lessons_on_the.html ) on 24/5/06.

#28: Silverman, Jason (2006) "Bubble Fails to Rock Tinseltown". Wired.com, Feb, 13, retrieved from here(HYPERLINK to http://www.wired.com/news/technology/0,70202-0.html) on 23/5/06.

#29: Stevens, John (2005). "Why is Mark Cuban releasing films simultaneously in theatres, DVD, and TV?". Nivi.com, May 19,2005, retrieved from here(HYPERLINK http://www.nivi.com/blog/article/why-is-mark-cuban) to  on 17/3/06

#30: Williams, Jason (2006). "Just Say No to Direct-To-Vids". Wired Magazine, April 06, pg 44.

#31: Neill, Dave & Anthony Pessino. “Theatre Piracy,” on Film Distribution and Cyber Piracy University of North Carolina, March, 2004. http://www.unc.edu/courses/2004spring/law/357c/001/projects/djneill/moviepiracy/digitaldistribution.html, viewed March 2006.

#32: “Digital Cinema – Rise against the Reel”, IDA singapore, November 2003, http://www.ida.gov.sg/idaweb/media/PressRelease_LeadStory_Main.jsp?leadStoryId=L83&versionId=1, viewed March 2006.

#33: Hesseldahl, Arik. “Attack of the digital movie,” Forbes, March 2002, http://www.forbes.com/2002/03/18/0318digitaldistribution.html, viewed March 2006.

#34: Ransford, Marc, “University’s first student-produced high-definition film wins Student Academy Award,” Ball State University, May 2005, http://www.bsu.edu/news/article/0,,33793--,00.html, viewed April 2006.

#35: “Digital Revolution Transforming Entertainment Industry, Says Filmmaker”, University of Connecticut, http://www.advance.uconn.edu/2000/000417/00041714, viewed April 2006.

#36: Billips, Scott. Digital Moviemaking (2^nd edition). Michael Wiese Productions, Studio City, CA, USA: 2003.

#37: Willis, Holly. New Digital Cinema: Reinventing the Moving Image. Wallflower Press, London: 2005.

#38: Magid, Ron. “Exploring a New Universe: George Lucas discusses his ongoing effort to shape the future of digital cinema.” The American Cinematographer. September 2002. http://www.theasc.com/magazine/sep02/exploring/index.html, viewed on May 12^th.

#39: Magid, Ron. “Brave new Worlds”, American cinematographer. September 2002. http://www.theasc.com/magazine/sep02/brave/index.html, 14 may.

#40: “Digital cinematography,” http://en.wikipedia.org/wiki/Digital_cinematography#Culture, viewed May 2006.

#41: Holben, Jay. “Hell on Wheels: Paul Cameron and Dion Beebe, ACS push hi-def video to its limits for Collateral, which chronicles a hit man’s nocturnal killing spree.” 2004.

#42: Cellini, Joe. “Macs, Lies & DV Tape: Oscar-winning director Steven Soderbergh cuts his first digital film.” Apple Hot News. (Written date unavailable) http://www.apple.com/hotnews/articles/2002/04/fullfrontal/fullfrontal1.html, viewed on 16 may 2006.

#43: Author unknown, “Why Digital”, DVFilm: Digital Transfers. http://www.dvfilm.com/chapter.htm, viewed on May 2006.

#44: Kasch, Andrew. Wolf Creek, The Horror Channel. November 14, 2005. http://www.horrorchannel.com/index.php?name=Reviews&req=showcontent&id=644, viewed May 20, 2006.

#45: McKimmie, Jackie. “Geoffrey Wright on the power of HD”, AFC website, 2006, http://www.afc.gov.au/newsandevents/afcnews/converse/wri/newspage_285.aspx, viewed June 2006.

#46: Wiedemann, Steve. “Film Formats and HDTV: A Case for the Future-Proof Standard”, Filmmaking Careers. 2005: http://www.filmmaking-careers.com/hdtv.html, June 2006.

#47: “Byrne’s other major challenge is keeping HD’s superior depth-of-field capabilities from overwhelming foreground images…, ‘These cameras can see everything, and it’s hard to get soft backgrounds,’ says Byrne. ‘Everything is so sharp all the time.” -- http://www.cinematographers.nl/THEDoPH2.htm

#48: Goldman, Michael. "Fight or Switch?", Cinematographers- Film vs Digital Video. 2004: http://www.cinematographers.nl/THEDoPH2.htm, June 2006

 #49: Wikipedia, 2006. Internet Piracy. Movie Piracy. Viewed 14^th April 2006.

 http://en.wikipedia.org/wiki/Internet_piracy#Movie_piracy

#50: Motion Picture Association. Theatrical Camcorder Piracy, Viewed 19^th April 2006.

http://www.mpaa.org/piracy_theatrical_cam.asp

#51: Groves, Don. “Piracy. Motion Pictures”. Variety. Vol. 387. May 27 – Jun 2,

     2002. Isu. 2;  pg. 13, 1 pgs. New York

#52: Taylor, Jim. 2006. DVD Frequently Asked Questions. What are copyright issues?, Viewed 19^th April 2006.

http://www.dvddemystified.com/dvdfaq.html#1.11

#53: Australian Visual Software Distributors Association, Viewed 20^th April 2006.

http://www.avsda.com.au/

#54: Motion Picture Association. MPA Asia Pacific, Viewed 19^th April 2006.

 http://www.mpaa.org/inter_asia.asp

#55: Motion Picture Association. Asia Pacific Piracy Fact Sheet, Viewed 10^th May 2006

http://www.mpaa.org/AsiaPacificPiracyFactSheet.pdf

#56: Bush, Simon. 2005. Review of Technological Protection Measures. Australian Visual Software Distributors Association, Sydney. Viewed 11^th May 2006.

http://www.aph.gov.au/house/committee/laca/protection/subs/sub025.pdf

#57: Australia Government, Attorney General’s Office, 2005. Fair Use and Other           

      Copyright Exceptions An examination of fair use, fair dealing and other exceptions in

      the Digital Age. Issues Paper, Viewed 20^th April 2006.

http://www.crimeprevention.gov.au/agd/WWW/agdHome.nsf/Page/Publications_2005_Copyright_-_Review_of__Fair_Use_exeption

#58: Bell, David. Cyberculture : the key concepts. New York : Routledge. 2004. Pg 56- 68

#59: Torr, James D. “Internet Piracy”. Farmington Hills, MI : Greenhaven Press, 2005. Pg

      32, 47

#60: Strangelove, Michael. “The empire of mind : digital piracy and the anti-capitalist

       Movement”. Toronto, London : University of Toronto Press, 2005. Pg 72 - 75

#61: Taylor, Jim. “DVD demystified : the guidebook for DVD-video and DVD-ROM.”

       New York : McGraw-Hill, 1997. Pg 54

#62: MPA Worldwide market Research and Analysis, 2005. Theatrical Market Statistics     

      Report, Viewed 3^rd May 2006.

#63: MPA Worldwide market Research and Analysis, 2005. International Theatrical    

      Snapshot, Viewed 3^rd May 2006.

#64: MPA Worldwide market Research and Analysis. 2005 Movie Attendance Study.

      Viewed 3^rd May 2006.

#65: N/A. “Video to Film”, Film versus Video. 2005: www.vtpcorp.com/htm/vidfilm.htm, May 2006

#66: N/A. “New Insights in an Ongoing Debate”, Film vs. Video- Advantages and Disadvantages. 2006: http://www.cybercollege.com/filmtap.htm, June 2006.

#67: N/A, “Cinematography”, Digital Filmmaking Secrets. 2005: http://filmschoolonline.com/web_DFS/cinematography.htm,

June 2006

#68: N/A. “Friday- June- 09- 2006”, Cinematography Mailing List. 2005: http://www.cinematography.net/Pages%20GB/hd-latitude.htm, June 2006