DigiFilm


Research Brief
Production Costs
Crew Sizes
Industrial Changes
Image Quality
Aesthetics & Style
New Filmmakers
Smaller Productions
Big Productions
Julia Morris
Christopher Grose
Post Production
Distribution
Cinemas
Digital Distribution
Digital Projectors
Analogue Distribution of Digital Films
Sharmill Films
MPDAA
David Hawkins
Simone Govic
Franziska Wagenfeld
Day and Date Distribution
Some Day and Date Numbers So Far
Against Day and Date
For Day and Date
Forms of Piracy
What is Piracy
Piracy Stats
Combating Piracy
Online Distribution
Exhibition Costs
New forms of Exhibition
References

Smaller Productions

by Chelvendra Sathieaanandha

 

“Scotty, you know why video always looks so crappy?” Well I proceeded to ramble about resolution and sample rates, then he interrupted me, “Video always looks so crappy ‘cause there’s so many crappy people shooting it.” – Scott Billups on James Wong Howe (Hud, Rose Tattoo, Molly Maguires)

 

For the professional consumer, digital video can provide the platform to make cheaper guerilla-style movies with a minimal cast and crew – a good example of this would be the film “the Magician” that came out last year; digital video can also provide the scope for larger sale productions which can be shot more cinematically[1], but without the huge costs involved with film for those trying to hone their skills, and attempting to break into the industry.

Equipment for these sort of projects are widely available, and even though, low-end HD cameras do not produce an image comparable to film, the image still can be projected to look very appealing simply because of the high resolution.

Another of the graduates I interviewed said - after shooting on film, he’s really only going to shoot on HD, so that he can try new stuff out and not spend a fortune. For many people, including myself, digital, whether its miniDV, or HD, is a format to try new things out on, and practice making films which would be extremely difficult without digital technology.

The graduates interviewed agreed, that they would not have made the majority of their productions if digital video was not around, and that the competitive landscape is changing because, although it’s not easy to make a film and it takes resources and motivation, more people can make films and try new innovative things, because its so damn cheap.


 

[1] Billips, Scott. Digital Moviemaking (2nd edition). Michael Wiese Productions, Studio City, CA, USA: 2003.


Research Brief ] Production Costs ] Crew Sizes ] Industrial Changes ] Image Quality ] Aesthetics & Style ] New Filmmakers ] [ Smaller Productions ] Big Productions ] Julia Morris ] Christopher Grose ] Post Production ] Distribution ] Cinemas ] Digital Distribution ] Digital Projectors ] Analogue Distribution of Digital Films ] Sharmill Films ] MPDAA ] David Hawkins ] Simone Govic ] Franziska Wagenfeld ] Day and Date Distribution ] Some Day and Date Numbers So Far ] Against Day and Date ] For Day and Date ] Forms of Piracy ] What is Piracy ] Piracy Stats ] Combating Piracy ] Online Distribution ] Exhibition Costs ] New forms of Exhibition ] References ]

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Last updated: 06/13/06.