"It's probably the most realistic way of expressing what situation I'm in - all these people trying to take things away from me, and the gorilla finding a diamond that I don't know I have and then stealing it. 'Army of Me' is so much about me actually learning that I have to defend myself. I have to stand up and fight the fucking gorilla. Once I've got the diamond and I run away with it, it becomes massive 'cos it's mine. But if the gorilla had kept it, it would have gone really tiny. That's surrealism for me."

Written by Björk & Graham Massey. Produced by Nellee Hooper & Graham Massey and Björk. This is the second video directed by Michel Gondry (1995) for Björk.

Nellee Hooper profile at allmusic.com
Michel Gondry videography


GREATEST HITS

  01

all is full of love

02

hyperballad

03

human behaviour

04

jóga

05

bachelorette

06

army of me

07

pagan poetry

08

big time sensuality

09

venus as a boy

10

hunter

11

hidden place

12

isobel

13

possibly maybe

14

play dead

15

it's in our hands

FAMILY TREE

++

EXTRA


go to videogallery!

Album Version
ABA All-Stars Mix
ABA All-Stars Instrumental Mix
Massey Mix
Featuring Skunk Anansie
Featuring Skunk Anansie (+ Skin Vocals)

QUOTE

Interview by David Hemingway. Reprinted by kind permission of Record Collector.

It's actually written to a relative of mine who had been a bit out of order for a while. I'm not sure why I wrote it. Maybe I felt that Debut had been such a polite, shy album - there was a side of me that was so shy and such a beginner, I was very flattered when everyone loved Debut but also a bit confused because it wasn't really me. Maybe 'Army Of Me' was an attempt to balance it out.

QUOTE

Skunk Anansie in Consumable, 1995 

We're labelmates with Björk, signed to the same in-dependent label in England - and one of the people at the label played her our album. She was just about to release the "Army of Me" single and she stumbled upon the idea of getting us to do a rock version of the song. It was recorded and mixed in something like seven hours. When she heard it she asked us to do 'Top of the Pops' [British TV show] with her, which we all mashed up.

REVIW

director-file.com

Björk’s second solo album, Post, was cause for celebration. To set up the debut of the album, the new track “Army of Me” was leaked to the soundtrack of the Lori Petty movie Tank Girl. The song is as destructive as its title suggests: “And if you complain once more, you’ll meet an army of me.”

Likewise, the video sees Björk on the rampage in a massive tanker truck. She is on a mission to set her loved one free from an art museum that holds him captive as a (dead? asleep?) display. But first, her tank breaks down (there’s a vagrant inside the engine) and she needs to refuel it. Her teeth hurt, so she goes to the dentist (a gorilla), who finds a unique treasure inside her mouth. Björk continues...

"..And when Michel gets his strokes of genius and, in the video for 'Army of Me', wants a dentist that's a gorilla to find a diamond in my mouth, some people call it nonsense. But it's probably the most realistic way of expressing what situation I'm in - all these people trying to take things away from me, and the gorilla finding a diamond that I don't know I have and then stealing it. 'Army of Me' is so much about me actually learning that I have to defend myself. I have to stand up and fight the fucking gorilla. Once I've got the diamond and I run away with it, it becomes massive 'cos it's mine. But if the gorilla had kept it, it would have gone really tiny. That's surrealism for me."

Like any action/adventure flick, “Army of Me” called for some sizable special effects. The tank itself is quite large. New to Gondry’s video canon is the use of mirrors to multiply: multiple Björks are created at the dentist’s and in the museum.

Gondry is a treat with visual details in defining his realities, and he provides in “Army of Me.” The museum sequence furnishes an example: Before Björk bombs it, there are many artworks on the walls, each piece reflecting the apparent banality of the museum. One area shows a person observing a work which is a painting of a person in an art museum observing a work. After the explosion, everything is torn apart, bathed in smoke. Björk comes and retrieves her loved one, crying small diamonds onto his shoulder.

A few scenes of “Army of Me” were edited for some broadcast networks. Bombs and explosions aren’t permissible in some countries, and thus three versions of the video were edited. One version features Björk minus bomb running out of the museum, with the message ‘to be continued’ on the screen. The second version shows Björk merely planting the bomb. The third, full version shows the complete sequence.

PICS  video stills

stand up
you've got to manage
I won't sympathize
anymore

and if you complain once more
you'll meet an  army of me

you're alright
there's nothing wrong
self-sufficience please!
and get to work

and if you complain once more
you'll meet an army of me

you're on your own now
we won't save you
your rescue-squad
is to exhausted

and if you complain once more
you'll meet an army of me

 
Army Of Me CD1
apr 1995. cd in jewelcase 
01. army of me
02. cover me - cave version 
03. you've been flirting again  - icelandic
04. sweet intuition 
Army Of Me CD2
apr 1995. cd in jewelcase 
01.  army of me - aba all-stars mix
02. army of me - massey mix
03. army of me - ft. skunk anansie
04. army of me - instr. aba all-stars

QUOTE

Dazed&Confused, issue 16, january 1996

The tunes I wrote with Graham, I actually wrote before "Debut", and I saved them for this. I met him in 1990; that was when we were really sparking big time off each other, and for a few years we sent each other tapes, and then when I started doing "Debut" with Nellee it just became very obvious that it would end up as a very musical affair between me and Nellee. So I talked to Graham and decided to keep the other songs because they were just too different. So I saved "Army of Me" and "Modern Things" for this album, and then Howie has been one of my closest friends in England for over three years and that just kind of happened one afternoon. That song we wrote in an hour.

© bjork.com 2002