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Review: Fable Heroes

Maurice Tan
11:00 AM on 04.30.2012
Review: Fable Heroes photo


One part hack, one part slash, and one part four-player cooperative Fable with puppet heroes. Fable Heroes would be the last thing you would expect Lionhead Studios to come up with if Fable: The Journey hadn't been announced already.

In true Lionhead fashion, Fable Heroes is a game that made me feel emotions I hadn't felt in more than a year, but perhaps not the kind that it intended to elicit.

Fable Heroes (Xbox Live Arcade)
Developer: Lionhead Studios
Publisher: Microsoft Studios
Released: May 2, 2012
MSRP: 800 Microsoft Points

First things first: no, this is not that (non-)linear Kinect game where you shout at your horse. Fable Heroes is the result of Lionhead's yearly "Creative Day," during which employees can come up with creative new ideas (think Double Fine's Amnesia Fortnight). Although the four-player, hack-and-slash genre may not be the most innovative of gaming experiences on offer, Fable Heroes does sport some creative touches where you least expect them.

Each player selects one of ten hero puppets that represent characters from the Fable series, then either goes online to fight through some of Albion's more memorable locations together or sticks with offline solo and local co-op play. It's your regular hack-and-slash fare, with normal and "flourish" attack moves serving as your quick and heavy attacks, while the right trigger is reserved for an area-of-effect attack that costs health every time you use it.

You shouldn't really think too hard about why you are in control of puppets -- which can look creepy or cute depending on your point of view -- and neither should you think about why the menagerie of Fable enemies, such as Balverines, Hobbes, and Sand Furies, isn't in puppet form itself. In fact, Fable Heroes doesn't require much of your cognitive capabilities at all.

Hacking and slashing your way through the six levels in Albion is as straightforward as it can be. You follow a path, collect coins which count towards your score and which act as currency for upgrading abilities, and kill enemies until a "Go" sign says you can progress. At some point before the end of a level, a choice of two paths is offered, one of which usually leads to a boss or a button-mashing mine cart or boat ride mini-game. As easy as all of that sounds, it's not as smooth an experience as it should be.

For starters, the controls are sluggish. Especially when playing as Garth or Jack of Blades -- who float in mid-air -- it's very hard to have any sense of precision as to where you are in relation to the ground. This is slightly less of a problem with the melee characters, while ranged characters like Reaver also control a bit odd when switching from stationary ranged pistol attacks to running around to collect coins.

The controls are not so much a problem when it comes to dispatching enemies, as you'll just aim in their general direction and mash the same button over and over again for what is usually the entire duration of a level. Where it does become an issue is when you try to pick up coins. As long as you don't get hit, your multiplier bar will increase with each enemy kill, and it will only slowly decrease when you don't kill anything for a while. The higher your multiplier, the more coins you'll collect when running over them.

On the Normal and Challenging difficulty settings, it's these coins that define how well you did in a level. The player who has the highest coin score at a level's end will stand victorious on a podium, while the player who was least successful in their scramble for monetary gain is rewarded with a sad trombone. In what is a very creative visual solution to indicate how long coins remain on the playfield, large coins spin around and only flicker and disappear after falling flat on one side. However, all coins of any size and value disappear far too quickly, making it a scramble for coins to get on the victory podium for trash talking's sake. What's worse, the act of collecting coins is bothersome since it can be very hard to gauge where your character is on the 3D playing field, usually meaning you'll walk right past these coins instead of picking up them up.

This results in chaos, with players often running and rolling in all directions except the piece of ground where the biggest coin is located, simply because the controls and the slightly tilted camera angle don't allow for the kind of precision movement required to pick up every coin on the ground. During solo play, the AI puppets also seem to randomly decide to steal your coins or wait for you to pick them up. The only time this shouldn't become an issue is on the Family difficulty, where players collect coins for a shared pool which is later distributed among each of the four puppets, but even then, it's a hassle to do such a basic thing as collecting all coins before they disappear.

Another big problem with the use of coins as a primary competitive driver is that, any time a player dies, the hero puppet turns into a spectral form which can deal damage but can't pick up coins until you collect a heart item which provides health. Until puppets are "leveled up" a bit, death can come easily to melee characters. This means that, as a ranged character, you can risk a tiny bit of damage then steal any heart that appears so that other (melee-oriented) players will eventually die, steal all the coins, and laugh as your co-players rage. In solo play, the AI will take care of this job for you, stealing hearts away from the player even if they desperately need them.

After a level, each of the four characters is awarded dice depending on how many coins they have collected. These are used in a board game of sorts, where a throw of the die moves your character to spots where you can upgrade specific abilities. Increased damage against certain types of enemies or against the highly repetitive bosses, increased speed, and new puppets to play with are among the range of upgrades you can purchase with the coins you've tried so hard to walk over. Over time, each puppet (even those that are AI-controlled in solo play) will become powerful enough to make an already easy game even easier.

As uninspired as Fable Heroes is when it comes to its core design, it offers a surprisingly nice touch with its credits level. Here, you can destroy the developer team's names while some enemies wield letters as weapons. It's a fun way to do a credits sequence, and it ends up being a full-fledged level to boot. After playing through the six levels and the bonus credit level, you are awarded access to Dark Albion, where you can play through all these levels again.

Dark Albion levels are (surprise, surprise) dark versions of Albion levels. They are slightly more challenging, but the level layouts are the same. This means that if you want to "complete" Fable Heroes, you can either choose to spend the hour or so to run through each Albion level once and leave it at that, or you can play through each level in both regular Albion and Dark Albion twice, to unlock each path for each level. Essentially, you'll have to play every less-than-exciting level four times for completion's sake.

Even though the combat is a matter of mashing buttons, the controls make a chicken-kicking mini-game almost impossible to play, power-ups often work against you while they are considered to be positive by the game, and the biggest drive behind cooperative and competitive play -- collecting coins -- is poorly implemented due to a lack of precise control and the short lifespan of coins, none of these aspects are the title's biggest crime. Fable Heroes is merely boring beyond belief.

No matter if you are playing in co-op or on your own, you'll have trouble paying attention to what is going on in the game. Due to the extremely simple combat and repetitive nature of the levels, it can be played on autopilot while you read about something slightly more exciting on a second screen, such as the family history of 16th century Dutch Stadtholders. If you are playing with a child, the kid will likely prefer to talk about his or her grades rather than focus on the messy action on-screen. It is by far the most boring gaming experience I've had in years, and I'm hard-pressed to imagine anything more coma-inducing than playing all of the levels on offer more than once, other than perhaps watching a Steven Soderbergh film without sound or subtitles or listening to Anvilania's national anthem for five hours straight. Having to play through each level four times just to complete the game can at best be considered a punishment.

Fable Heroes is a mediocre game at best, largely due to imprecise controls that are exacerbated by its scoring mechanics. If it was even slightly exciting to play, all of its issues could be overlooked in favor of a capability to provide simple cooperative family entertainment. Unfortunately, it is not.


THE VERDICT



3.5 /10
Poor: Something went wrong somewhere along the line. The original idea might have promise, but in practice the game has failed. Threatens to be interesting sometimes, but rarely. Check out more reviews or the Destructoid score guide.





Legacy Comments (will be imported soon)


I bet this was only for the most hardcore fans of fable too
Bullshit review.

Sadly Fable Heroes is just so emotionally compelling, it's unlike anything else on the market, Maurice is obviously missing the point and playing the game completely wrong.
It cant be worse than bloodforge.
I hear this one sucks pretty bad but the NEXT ONE!? ON MAN, the next one will rock!
xOMG KITTEHx, you are joking, right? I haven't played the game, so I can't be sure, but your statement sounds like a nonsensical parody on things Molineux would say.
Of course it sucks, because the next one will always be better.
... Whew! I'm a bit relieved. It might be a shock to my old heart to see the Fable series actually fight the downward side of the bell curve it's been on since Fable 2! Hopefully the not-on-rails Fable Journey continues in this direction or I will be tres disappointed.

If nothing else, the fact that the Fable series continues to deteriorate is one of those predictable aspects of gaming.

Kind of a shame... but hopefully now that Molyneux has left, we'll either eventually see better Fable games (which I doubt given Microsoft's recent push for Kinect/casual games), or something different from Molyneux that shows he's capable of the charm and fun of Fable 2.
Fable is dead. Even if it aint the same gameplay type..still..it's dead.
Good Guy Maurice Tan



Plays bad games so you don't have to.
Fable 1 was a great game, that is still fun to play today. Sadly, the snake oil salesman that is Peter Molyexnkyununxxxxsio has taken the series to shit. I hear he is gone now. Figures.
@omg kitteh
Even if the game is emotionally ocmpelling, the controls do sound bad.
And while I see video games as a medium of art, a game still needs to be fun and engaging, which judging from the review (no personal opinions until the game drops), seems like neither.
And you can't "play" a game "wrong;" A designer is supposed to encourage different types of play, not tell everyone to play a certain way.
Jesus christ.
Oh my goodness. I was looking forward to this game as someone who likes the Fable games. It had a cute look. :( But I trust your reviews.
not surprised. i've just been waiting for all these arcade next titles to blow through so i can get my hands on minecraft.
Looks like ish.
Guys, I'm sure KITTEH is running the sarcasm bit.
Ah too bad. I remember the previews actually looking really fun :(
Lionhead must have the greatest marketing team if their games are still able to sell after Fable 2 -_-
"That last Fable sucked guys!" ( http://bulk2.destructoid.com/ul/225629-header.jpg )

No lie.
"Fable Heroes is the result of Lionhead's yearly "Creative Day," during which employees can come up with creative new ideas (think Double Fine's Amnesia Fortnight)."

Even on their "creative" days they're stuck in this horrible Fable rut.

Sort of happy to see that the game was so terrible through a review and a score, only because when I saw it on XBL I looked at it and nearly puked in my mouth. Now I don't have to feel so bad about making a flash judgment.

This is the sort of project that makes me wonder if the industry is really as hurt as it says it is (I know it really is, but rhetorically speaking) because theres literally no reason money should have been thrown at this.
I wasn't a fan of fable one or two, but i did complete them. I skipped three because of how i felt about its predecessors, but i was honestly hoping for a decent coop experience out of this. I guess i'll save my money. Wouldn't it be funny if Fable: The Journey validated both the Kinect and Lionhead though?
Lets face it - they only made this game so Fable: the Journey could break the cycle of being worse than the previous Fable. Unless The Journey is worse than this. In which case... sigh
Yes it's really lousy, but is it on the list of top 10 best non-dance kinect games? Maybe.
This isn't the Kinect Fable, The Journey is.

But I'm surprised anyone thinks that'll fare much better, unless Kinect is relegated to some tacked-on voice control stuff like the few other so-called 'core-gamer' Kinect games.
Other reviews seem to agree, this game is garbage.
@AgentOrange Nothing is worse than Bloodforge..actually Deep Black is, but that's another story.
That series has always been a waste of time.




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