The ballet is by John Neumeier, whose Nijinsky the company toured to Paris last year.
Sons of Anarchy's Kim Coates stars in Jerusalem, at Streetcar Crowsnest, as a countercultural folk hero who lives in a battered trailer in the forest.
Play’s racial themes are all too relevant, and it gathers steam in the second half, writes Karen Fricker.
Hamiltonian says motherhood got her ready as previews begin soon for her role as the ice princess in Disney’s Broadway adaptation of the massive hit film.
The play, from director Falen Johnson, features many compelling elements and performances. But at 70 minutes, Ipperwash feels both too full and lacking in detail, Carly Maga writes.
There's also beauty and humour in Jackie Maxwell's staging of Stephen Karam’s play, but size of the theatre keeps audience at a distance.
Tapestry Opera's offering is too abstract to really engage us with the characters, writes John Terauds, but the fresh ideas and Persian-flavoured music are both to be applauded.
New play at Passe Muraille can’t reconcile its dramaturgical impulses or the directions in which the story heads, but the characters and their experiences are fresh and intriguing, writes Karen Fricker.
Efforts to modernize Mozart’s tale in latest Canadian Opera Company production overwhelm and wreck it instead.
2018 edition includes works by Yolanda Bonnell, Diana Lopez Soto, Lois Weaver, Chayla Hunter, Vivek Shraya and plenty more.
Five instructors offer clear solutions to help make school, and professional theatre, a safer space for young actors.
Kat Sandler’s latest creation drops us into the aftermath of a police shooting and we find not only thoughtful drama but rip-roaring comedy.
Progress curators explain why local audiences should see work like Race Cards, Dis Merci and LOST in TRANS.
Despite their sultry routine and years-long partnership, Tessa Virtue and Scott Moir say they’re not together.