DOUBLE CITY MANIFESTO
A graphic short story, with words by Gregory Sholette and artwork by Christopher Darling
RICHARD MOSSE: THE IMPOSSIBLE IMAGE
The artist and photographer Richard Mosse talks about his latest film, The Enclave (2013)
FUTURE FICTIONS
frieze asks nine writers and artists to consider how narrative structures in fiction will change as technology advances
Video
Blog
55th Venice Biennale: Do Attitudes Still Become Form?
If old attitudes could become form again, what would they look like? Organized by the Fondazione Prada, the exhibition ‘When Attitudes Become Form: Bern 1969…
Current Issue
Based on a True Story
Sifting fact from fiction
Trials & Tribulations
Prisoners of conscience and creative acts
Buy Degrees
De Appel’s new course in art dealing
Around the World
National identity and ‘global fiction’
Private Views
Literature versus art history
Truth & Dare
Chilean director Pablo Larraín discusses the merging of fact and fiction in his films
Music
The strange case of rave-culture pulp-fiction
Belittled Women
What does the term ‘gallerina’ symbolize?
The Actual World
Are objects more real than words? Or, how poet and novelist Ben Lerner stopped being jealous and learned to love the virtual
In Focus: Aaron Flint Jamison
The spaces between rumour, information and circulation
Focus Studio Visit: Basel Abbas and Ruanne Abou-Rahme
A portrait of the West Bank that fuses fact and fiction
The Hunger
How artists visualize political reality through the artifice of fiction
Focus Interview: Aaron Angell
Studio pottery, anti-art, John Fahey and compost
In Focus: Anna K.E.
Sisyphean tasks and the failed Utopias of Modernist architecture
Act Natural
David Levine, whose work embraces theatre, performance and video, discusses acting and identity
Eye Witness
Is it an artist’s duty to bear witness to suffering? Journalism, documentary and the ethics of reporting
The Picture People
An excerpt from Men and Apparitions, a novel in progress
Picture Piece: The Cubies’ ABC
The Cubies' ABC - a 1913 children's book
Various venues
Sharjah Biennial 11
Iziko South African National Gallery
Umhlaba 1913 – 2013: Commemorating the 1913 Land Act
Musée d’Art Moderne de la Ville de Paris
Linder
Institut d’Art Contemporain
Sadaâne Afif
Koelnischer Kunstverein
Stefan Müller
Galerie Konrad Fischer
Painting – D’Hollander, Posenenske, Warboys
Supportico Lopez
Zin Taylor
Galerie Martin Janda
U.F.O.–NAUT JK
Barbara Seiler Galerie
Sarah Conaway
Christian Andersen
Rolf Nowotny
Lillehammer Kunstmuseum
Sophie Calle
Espai 13, Fundació Joan Miró
Julia Montilla
GAMeC
Giuseppe Gabellone
CO2
Gianni Politi
Darren Knight Gallery
Maria Kontis
Star Gallery
I’m Not Involved in Aesthetic Progress
Project88
Risham Syed
Beirut & Lisson Gallery
The Magic of the State
Open Eye Gallery
Mishka Henner
Hepworth Wakefield
Alice Channer, Jessica Jackson Hutchins & Linder
Hauser & Wirth
Sterling Ruby
Carlos/Ishikawa
Oscar Murillo
Current Shows
Kunsthalle Zürich
Alejandro Cesarco by Aoife Rosenmeyer
Tenerife Espacio de Artes
Regina José Galindo: Piel de Gallina by Ara H. Merjian
ShangART
Geng Jianyi by John Mateer
Sørlandets Kunstmuseum
Ane Graff by Matthew Rana
Virginia Commonwealth University
Tasmeem Doha 2013: Hybrid Making by Kurchi Dasgupta
Gazelli Art House
Niyaz Najafov by Josephine New
Galerie Kamm
Annette Ruenzler by Matthew Burbidge
Castlefield Gallery
Maurice Carlin by Carol Huston
Zachęta National Gallery of Art
Piotr Uklański by Kamila Wielebska
Art Gallery of New South Wales
We Used To Talk About Love by Ruth Learner
Galeria Foksal
Daniel Malone by Krzysztof Kosciuczuk
Museum für Gegenwartskunst
Tell It To My Heart: Collected by Julie Ault by James Voorhies
Monitor
Nathaniel Mellors by Mike Watson
Nature Morte
Bharti Kher by Kurchi Dasgupta
Manchester Art Gallery
Raqib Shaw by Carol Huston
Breenspace
On collaboration: Angela & Hossein Valamanesh and Raafat Ishak & Tom Nicholson by Eleanor Ivory Weber
Frieze Magazine
frieze_magazine
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Venice 2013 prizes: special mentions to Sharon Hayes and Roberto Cuoghi in the main show and to the Cyprus/Lithuania and Japan pavilions
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RT @frieze_de, in German: Jan Kedves über die Venedig-Biennale: Geklotze und das Gegenteil davon http://t.co/0rl4hScBiz
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Golden Lion pavilion: Angola; Golden Lion artist: Tino Sehgal. Silver Lion artist: Camille Henrot.
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Liked the Irish Pavilion? Find out more about the making of Richard Mosse's film in our frieze video online! http://t.co/FEw0fewXUI
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If you can't make it to 'When Attitudes Become Form', at least you can read about it on the frieze blog! http://t.co/oslgbdwaRa
From the Archives
From October 2007
Life in Film: Rosemarie Trockel
Rosemarie Trockel's ‘Life in Film’ from issue 110, October 2007
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