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Edouard Manet’s ‘The Railway’ mixes modern Paris and homages to the past.
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Amazon’s new LA noir detective drama ‘Bosch’ gets better and better as it builds, says TV columnist Nancy deWolf Smith.
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Young idealists try to save the world from cruel cavaliers and capitalists in Acorn’s Restoration drama ‘New Worlds.’
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The CBS reboot of Neil Simon’s ‘The Odd Couple’ leaps the decades with some 21st-century humor in a comforting format.
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Praiseworthy productions of ‘The Iceman Cometh’ and ‘Between Riverside and Crazy’ have just been remounted off Broadway.
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A Florida-based production of ‘Glengarry Glen Ross’ proves the suburbs can handle David Mamet’s gritty drama as well as the big city, writes Wall Street Journal drama critic Terry Teachout.
‘Water and Shadow’ at the Virginia Museum of Fine Arts engenders a renewed appreciation for the emotional range printmakers can achieve.
The most notable dancers at the New York City Ballet this season? In a departure from the norm, they’re the men.
Recent protests at the Met Opera and Carnegie Hall signal a new turn in the relationship between art and politics.
A look inside the National Cowboy Poetry Gathering, which celebrates the arts of the American West.
An album that balances warmth, wisdom and authority, ‘Tomorrow Is My Turn’ continues a remarkable period for Rhiannon Giddens.
With adroit dissonances and harmonic ambiguity, Fauré’s Requiem is a work of aural beauty and subtle expression.
Hollywood, casinos, hot springs and the military inadvertently helped turn Palm Springs into a midcentury design mecca.
Christine Goerke made a spectacular role debut as Brünnhilde; a powerful, reimagined ‘Don Giovanni.’
The curator of Dutch and Flemish paintings at the Metropolitan Museum of Art died on Tuesday in the Metro-North commuter rail accident.
With 83 categories and its own agenda, the Grammys can be a confusing event.
A record label proves successful by bucking commercial trends.
A museum honors the Eighth Air Force, which destroyed Nazi Germany’s industrial might.
In mentoring, outreach and repertoire, Michael Tilson Thomas believes in inclusiveness.
‘Everest’ tells the true story of three climbers trapped on that mountain in a blizzard in May 1996.
35 years after his death, the pianist remains a huge influence on jazz.
Thomas Walther’s impressive photography collection is now an impressive exhibition at the Museum of Modern Art.
A noir-themed pairing of operas presents innocent women and controlling men.
A collection looks at the early work of Keisuke Kinoshita, who would make some of the most significant films of the postwar period.
A concert played on treasured instruments in the Chamber Music Hall of the Berlin Philharmonic honors International Holocaust Remembrance Day.
An all-Chopin program closed out Mariinsky Ballet’s run in Brooklyn.
Challenging the design of country and the complacency of Americana, the Lone Bellow’s ‘Then Came the Morning’ defies genre.
Cuba’s impressive architecture has unintentionally undergone ‘preservation by poverty.’ That might change soon.
Breaking no new ground, a show at the Museum of Modern Art merely recycles received wisdom, with artists who are market-vetted and gallery-approved.
A film series at Anthology Film Archives in New York looks at the work of the great Russian director Aleksei Guerman.
The prolific saxophonist Chris Potter expands his quartet on the new album ‘Imaginary Cities,’ bringing in hints of South Asia and Béla Bartók.
For centuries, evidence of ancient Sheba and Qataban had poked out of dunes, but nobody had systematically rolled back the sands. Wendell Phillips changed that.
Acoustic flatpicking master Norman Blake produces his first album of original songs in 30 years.
Woody Allen’s 1960s stand-up character tapped into a personal neurosis.
‘Lincoln Speaks: Words That Transformed a Nation’ at the the Morgan Library and Museum traces the president’s development of a personal, public language.
St. Petersburg’s renowned Mariinsky Ballet visits Brooklyn to perform ‘Swan Lake,’ ‘Cinderella’ and more.
Controversy looms over this year’s Oscar race for Best Original Score thanks to the Academy’s nitpicking and red tape that led to the exclusion of a praised soundtrack.
Payola led to the downfall of Alan Freed, the man who coined the term ‘rock ’n’ roll.’
‘Road to Berlin: European Theater Galleries’ at the National World War II Museum looks at how the Allies captured the Nazi stronghold and won the war.
Giovanni Battista Moroni was a lesser-known master admired by clients for the startlingly lifelike way in which he portrayed them, the particulars of their clothing and their settings.
Recent performances explore the inner psyche, connect pleasure with pain, and reveal the dark past of a religious figure.
Richard Linklater’s “Boyhood” records time’s passage in a uniquely photographic way.
New Music Gathering 2015 featured performances by musical mavericks at an enterprising conference.
A weird and wonderful collection of works—including a painstakingly restored masterpiece—from the macabre and humorous James Ensor.
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The updated Cooper Hewitt museum makes 21st-century technology mesh with a Neo-Georgian building.
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A six-part program from the Royal Danish Ballet highlights the troupe’s principals and soloists.
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Robert Herridge’s TV programs changed the way people viewed jazz.
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An exhibition at the Center for Italian Modern Art showcases intimate themes, nontraditional materials and richly inflected surfaces from Medardo Rosso, an artist fascinated by light.
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Toronto’s Aga Khan Museum features diverse, high-quality works to dispel the idea of a homogenous aesthetic.
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Now in its third year, the Prototype Festival brings together a collection of contemporary pieces that push at the conventional boundaries of opera and theater.
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Now at the Peabody Essex Museum in Salem, Mass., the work of a master craftsman in a colonial furniture-making center.
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The Walters Art Museum in Baltimore features a collection that spans ancient Egypt to the early 20th century.
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Producer and multi-instrumentalist Mark Ronson once again proves that he has superb taste in funk and R&B; on ‘Uptown Special.’
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‘Picturing Mary: Woman, Mother, Idea’ at the National Museum of Women in the Arts takes a look at the most common female subject in Western art history.
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Through his parents and porn stars, day laborers and discarded images, the underappreciated photographer Larry Sultan shrewdly observed that postwar artificial paradise: the California suburbs.
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One of jazz’s living legends quietly released a new record last month.
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A look at Frank Gehry’s new museum, Fondation Louis Vuitton, inspired by the Grand Palais and his love of yachting.
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After 23 years of guitar pop and indie rock, Guster tries something new on ‘Evermotion.’
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Hundreds of cultural heritage sites in war-torn Syria have been looted, damaged or even completely destroyed.
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On view at London’s National Gallery, Rembrandt’s late works, now centuries-old, are so audacious that they still look radical today.
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The clash between musical tradition and residents of New Orleans is being played out through ordinances and the City Council.
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Susan Stroman celebrated her house debut in Franz Lehár’s ‘The Merry Widow,’ and Handel’s ‘Saul’ got a dramatic staging in Trinity Wall Street’s Twelfth Night Festival.
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The rivalry between Salvador Dalí and Pablo Picasso resulted in some of the 20th century’s most recognizable art.
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Dial Records is a missing link between jazz and rock ’n’ roll.
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The breathtaking paintings that accompany the medieval Winchester Bible emphasize the holiness of the texts they illustrate.
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Ensemble work highlights the burgeoning skills of saxophonist Jon Irabagon and guitarist Mary Halvorson.
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Film programs celebrating the centenary of Orson Welles give us the opportunity to reflect on a career that was as volatile as it was influential.
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The dazzling objects in ‘Treasures from India: Jewels from the Al-Thani Collection’ at the Metropolitan Museum of Art have back stories as rich as their materials.
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Cafe Society was one of the first fully integrated nightclubs in the nation, featuring acts from Billie Holiday to Zero Mostel.
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Some of the best new jazz releases aren’t new at all, but are unearthed and restored decades-old live recordings.
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The soundtrack to ‘Mr. Turner’ is as multifaceted as the film’s title character.
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The J. Paul Getty Museum features Counter-Reformation tapestries and a recently acquired—and pricey—Impressionist painting.
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The Alvin Ailey American Dance Theater is an influential troupe, but recent performances underutilize its impressive dancers.
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Now at the Metropolitan Museum of Art: the first exhibition devoted to Cézanne’s wife, a frequent sitter for his portraits.
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A new high-definition set of recordings shows why Greek-American soprano Maria Callas remains a legend.
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A series at the Film Society of Lincoln Center examines John Huston, whose work includes ‘The Maltese Falcon,’ ‘The Treasure of the Sierra Madre’ and ‘Chinatown.’
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The art music of Israel is performed at the Kennedy Center in the Pro Musica Hebraica series, recently featuring the Ariel Quartet.
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Anger combined with compassion produces art of lasting intensity in ‘Conscience and Conflict: British Artists and the Spanish Civil War’ at the Pallant House Gallery.
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The final New York performances of Alexei Ratmansky’s version of ‘The Nutcracker’ by the American Ballet Theatre.
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V.S. Gaitonde’s art shows that the West didn’t hold a monopoly on abstraction.
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Change is messy; preservation must be balanced against needs, but also against quality of experience.
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A new film about Holi, directed by Prashant Bhargava with music by Vijay Iyer, pays homage to Stravinsky’s ‘Le Sacre du Printemps.’
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In style, technique and the goals of his work, photographer Duane Michals remains an outsider.
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Lyric Opera of Chicago, celebrating its 60th anniversary season, is finishing up 2014 with a pair of imposingly scaled productions with stars to match: ‘Porgy and Bess’ and ‘Anna Bolena.’
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Clark, whose self-titled seventh album is full of Latin influence, features a unique sound palette on each of his records.
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Walter Liedtke, a Met curator and one of the victims of the Metro-North commuter rail accident on Tuesday, illuminates the central moral problem of human experience depicted in Rembrandt’s ‘Aristotle With a Bust of Homer.’
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Franz Kline’s ‘The Bridge’ uses charged brushstrokes to capture urban architecture and a dynamic industrial environment.
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Stanley Spencer’s paintings in the Sandham Memorial Chapel fuse religious faith with secular reality.
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Henry Hobson Richardson’s Allegheny County Courthouse and Jail in Pittsburgh features a broad range of cultural references, delicate touches and solid construction.
Milton Steinberg’s ‘As a Driven Leaf’ is a historical novel that examines an age-old conflict that challenges thoughtful people to this day.
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‘Four Last Songs’ (1948) by Richard Strauss suggests that dying is not the end, but rather a transition.
‘Gaslight,’ the 1944 film directed by George Cukor about treachery, thievery and murder in Victorian-era England, is a chilling look into human psychology.
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Beethoven created a virtuosic showpiece out of a mundane tune with his “Diabelli Variations.”
The new space opera from the Wachowski siblings reflects the planet-size woes of the genre.
A 7-year-old is thrust into a custody battle between her black and white families.
Auteur Jean-Luc Godard takes on modern life and 3-D with a cryptic vengeance.
Jihadists impose Shariah law in a West African village, suppressing joy in the process, Joe Morgenstern writes.
Xavier Dolan’s study of a tight, if toxic, mother-son bond.
Tensions grow beneath the waves as a submarine crew looks for the wreck of a treasure-laden Nazi U-boat.
A documentary portrait of Russian ice-hockey legend Vyacheslav ‘Slava’ Fetisov explores Cold War history and modern life.
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Julianne Moore stars as a Columbia University professor diagnosed with early onset Alzheimer’s.
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America and China team up to track down mysterious cyber-terrorists.
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Beloved children’s stories get the big-screen treatment in this comic chronicle of a Peruvian bear’s adventures in London.
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A worker returns from medical leave to her job at a solar-panel factory, only to discover that a crucial vote among her coworkers will decide her future.
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A brother and sister dive into Irish folklore as they explore a family mystery in ‘Song of the Sea.’
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Vast northern vistas provide the setting for a classic confrontation between a little guy and an implacably corrupt government, Joe Morgenstern writes.
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Viewers will root for horrible things to befall the horrible characters in ‘The Slap,’ NBC’s new show about the fallout of a grown man slapping a child.
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By the beginning of the 19th century, tuberculosis had killed one in seven of all the people who’d ever lived.
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The origin story of everyone’s favorite sleazy lawyer from ‘Breaking Bad.’
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On PBS, ‘Shakespeare Uncovered’ makes the plays feel spicy just by taking a fresh look.
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‘Big Giant Swords’ lives up to its name with a parade of insanely large blades and their crazed makers.
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‘Breaking Greenville’ makes fun of podunk TV stations in Mississippi, but ends up skewering an entire profession.
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‘The Americans’ and ‘Allegiance’ have one thing in common: enemy assets living quietly in the suburbs until called to their duty.
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By looking at a film that was restored after sitting for decades in the archives of the Imperial War Museums, ‘Night Will Fall’ documents the sights recorded when the British liberated Bergen-Belsen, as well as the discoveries of the major death camps.
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Rainn Wilson plays a serially offensive detective in Fox’s ‘Backstrom’ and the jokes don’t all bite, writes Wall Street Journal television columnist Nancy deWolf Smith.
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Who will Syfy’s remake of the time-travel mystery about a viral apocalypse freak out most? asks Wall Street Journal TV columnist Nancy deWolf Smith.
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In 1953 England, the hero of the glorious ‘Grantchester’ chases criminals, soothes souls and tries to heal his own heart, writes Wall Street Journal TV columnist Nancy deWolf Smith.
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‘Downton Abbey’ returns with high fashion and drama—and a new dose of modernity, including brownshirts, assignations and more, writes Dorothy Rabinowitz.
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HBO’s ‘Togetherness,’ about strivers in east Los Angeles, is a winning mix of pathos, comedy and confusion, writes Dorothy Rabinowitz.
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Scotland Yard gets a PR overhaul fit for the digital age in ‘Babylon,’ Sundance Channel’s new show about craven politics, imbecilic law enforcement and media relations gone pear-shaped, writes critic John Anderson.
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Sons compete to take over their father’s record label—along with its power and profits—in ‘Empire,’ which begins Wednesday on Fox, writes critic John Anderson.
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In ‘Ripley: Believe It Or Not,’ PBS tells the story of a huckster who traveled the world, parlaying a taste for the weird into a lucrative career, writes critic John Anderson.
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A schoolteacher from Nevada fights corruption in Washington after being elected to Congress in Maxwell Anderson’s ‘Both Your Houses.’
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Thornton Wilder’s rarely seen ‘The Matchmaker’—which was turned into the musical ‘Hello, Dolly!’—gets a fun and serious staging in Sarasota, Fla.
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A schnook loses his bride-to-be in a card game with a gangster in the stage version of ‘Honeymoon in Vegas,’ writes Wall Street Journal drama critic Terry Teachout.
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Nick Payne’s ‘Constellations’ tries to plot the entirety of a marriage, but the play has one glaring problem, writes Wall Street Journal drama critic Terry Teachout.
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A bride-to-be’s ne’er-do-well ex-boyfriend shows up on her parents’ doorstep on her wedding day in Lewis Black’s ‘One Slight Hitch,’ writes Wall Street Journal drama critic Terry Teachout.
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A despondent narrator comes up with a list of things that make life worth living in Duncan Macmillan’s ‘Every Brilliant Thing,’ writes Wall Street Journal drama critic Terry Teachout.
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Two fractured families air their hardships over a meal at a struggling restaurant in ‘Pocatello,’ writes Wall Street Journal drama critic Terry Teachout.
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The composer Harold Shapero is the rare artist whose brilliant work has received critical acclaim time and again yet he has failed to maintain widespread renown, writes Wall Street Journal drama critic Terry Teachout.
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Terry Teachout explains why these two Christmas songs are perennially chosen as musicians’ favorites.
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Terry Teachout on the ‘truthiness’ of colorized historical photos.
The BBC radio program “Desert Island Discs” just aired its 3,000th episode—but why hasn’t it ever caught on in America?
A ruling in the EU could have a chilling effect on free speech—and is being tested as a pianist tries to clean up his digital footprint.
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