She grew up listening to '70s soul and '80s hip-hop, but Erykah Badu drew more comparisons to Billie Holiday upon her breakout in 1997, after the release of her first album, Baduizm. The grooves and production on the album are bass-heavy R&B, but Badu's languorous, occasionally tortured vocals and delicate phrasing immediately removed her from the legion of cookie-cutter female R&B singers. A singer/songwriter responsible for all but one of the songs on Baduizm, she found a number 12 hit with her first single, "On & On," which pushed the album to number two on the charts.

Born Erica Wright in Dallas in 1971, Badu attended a school of the arts and was working as a teacher and part-time singer in her hometown when she opened for D'Angelo at a 1994 show. D'Angelo's manager, Kedar Massenburg, was impressed with the performance and hooked her up with the singer to record a cover of the Marvin Gaye/Tammi Terrell duet "Precious Love." He also signed Badu to his recently formed Kedar Entertainment label, and served as producer for Baduizm, which also starred bassist Ron Carter and members of hip-hop avatars the Roots on several tracks. The first single, "On & On," became a number one R&B hit in early 1997, and Baduizm followed it to the top of the R&B album charts by March. Opening for R&B acts as well as rap's Wu-Tang Clan, Erykah Badu stopped just short of number one on the pop album charts in April. Her Live album followed later in the year.

In 2000 she returned with her highly anticipated second studio album, Mama's Gun, which was co-produced by Badu, James Poyser, Bilal, and Jay Dee and contained the hit single "Bag Lady." Worldwide Underground, a loose affair billed as an EP despite being longer than many full-lengths, was released in 2003. Her next step, 2008's New Amerykah, Pt. 1: 4th World War, was a heavy and abstract release featuring collaborations with the members of Sa-Ra and Georgia Anne Muldrow; it reached number two on the Billboard 200 and Hot R&B/Hip-Hop Albums charts. New Amerykah, Pt. 2: Return of the Ankh, looser and more playful than Pt. 1, followed in 2010.

John Bush, Rovi

One of a handful of neo-classic soul artists to emerge following the late-'90s success of artists like D'Angelo and Lauryn Hill, Atlanta's India.Arie stood poised at the beginning of 2001 to make a major impact. A studied songwriter and guitar player rooted in the R&B, soul, Motown, and blues of the past, but grounded in the post-hip-hop urban world of today, Arie's debut, Acoustic Soul, was rich with textured songs, hooks, and impressively mature lyrics, considering the artist had only been writing songs for five years.

Born in Denver, CO, to parents from Memphis and Detroit, music was always in Arie's life. The family moved to Atlanta when India was 13 and after high school she began playing guitar at the encouragement of her mother. Involvement in the fertile Atlanta urban music scene led to the formation of an artist's collective called Groovement and an independent label, EarthShare, which released a compilation CD featuring Arie's first songs. A second-stage slot on the 1998 Lilith Fair tour garnered major-label interest, but Arie eventually signed with Motown after being assured of having full artistic control.

Work on Acoustic Soul dragged out over nearly two years, but Arie's relentless pursuit of perfection and musical integrity yielded very pleasing results: as successful a graft of classic soul and modern hip-hop-style productions yet attempted. The album's first single, "Video," received strong radio and club play early in the year, and the full-length followed in March. Just over a year later, Arie had completed her second record, Voyage to India, and it appeared in September 2002. Four years later the singer hit number one on the Billboard charts for the first time with Testimony: Vol. 1, Life & Relationship, which also netted her three Grammy nominations. Testimony: Vol. 2, Love & Politics was released in February 2009.

John Duffy, Rovi

The Fugees translated an intriguing blend of jazz-rap, R&B, and reggae into huge success during the mid-'90s, when the trio's sophomore album The Score hit number one on the pop charts and sold over five million copies. The trio formed in the late '80s in the New Jersey area, where Lauryn Hill and Prakazrel Michel ("Pras") attended a local high school and began working together. Michel's cousin Wyclef Jean ("Clef") joined the group (then called the Tranzlator Crew), and the trio signed to Ruffhouse/Columbia in 1993. After renaming themselves the Fugees (a term of derision, short for refugees, which was usually used to describe Haitian immigrants). Though the group's debut album, Blunted on Reality, was quite solid, it reflected a prevailing gangsta stance that may have been forced by the record label.

No matter how pigeonholed the Fugees may have sounded on their debut, the group had obviously asserted their control by the time of their second album, The Score. With just as much intelligence as their jazz-rap forebears, the trio also worked with surprisingly straight-ahead R&B on the soulful "Killing Me Softly With His Song," sung by Lauryn Hill. Elsewhere, Clef and Pras sampled doo wop and covered Bob Marley's "No Woman No Cry," giving the record familiarity for the commercial mainstream, but keeping it real with insightful commentary on their urban surroundings. The Score became one of the surprise hits of 1996, reaching number one on the pop charts and making the Fugees one of the most visible rap groups around the world. During 1997, the crew played on the Smokin' Grooves tour, and took time out while Hill gave birth to a child and Clef issued a solo album, The Carnival Featuring the Refugee Allstars. In 1998 Hill released her smash record The Miseducation of Lauryn Hill and in 2000 Clef released his second solo disc, The Ecleftic: 2 Sides II a Book. In turn, their solo success cast further doubt on another Fugees release.

John Bush, Rovi

By mixing R&B with a sultry dose of neo-soul, Alicia Keys became an international star in 2001 with the release of her debut album. Songs in A Minor sold more than 50,000 copies during its first day of availability and eventually moved over ten million units worldwide, thus setting the stage for the 20-year-old's long career. Although she shared the charts with R&B contemporaries like Destiny's Child, Keys' talent distinguished her as a different sort of diva, one who played a variety of instruments and penned the majority of her songs without outside help. The Diary of Alicia Keys cemented her popularity two years later, and Alicia Keys spent the rest of the decade refining her now-signature sound.

Alicia Augello Cook was born in Harlem in early 1981. Raised by her Italian-American mother, she enrolled in classical piano lessons at the age of seven and began writing songs four years later. An education at the Professional Performance Arts School helped develop her vocal skills, and Alicia graduated at the age of 16 as the class valedictorian. Two Columbias loomed on the immediate horizon: Columbia University and Columbia Records, both of whom had extended offers to the talented student/musician. Although she attempted to make both options work, Alicia found it difficult to juggle the two commitments and chose to focus exclusively on her music career. Assuming the stage name of Alicia Keys, she began working with Columbia and contributed a song to the Men in Black soundtrack, but disputes with the label resulted in her contract's termination.

Keys bounced back by aligning herself with Clive Davis, the president of Arista Records, but work on her debut album stalled when Davis was ousted from the company in 2000. Davis soon formed his own label, J Records, and welcomed Keys back into the fold with an aggressive publicity campaign (including an influential appearance on "The Oprah Winfrey Show"). Songs in A Minor was then released in June 2001 and debuted at the top of the charts, eventually netting five Grammys and rising to platinum status in ten different countries. Released in 2003, The Diary of Alicia Keys enjoyed similar Grammy-certified success, and Keys released a book of poetry the following year.

A live CD/DVD package, Unplugged, arrived in 2005 and followed Keys' two previous releases to the top of the charts, even if it failed to win any of the four Grammys for which it was nominated. She then entered the acting world, starring in both Smokin' Aces and The Nanny Diaries in 2007, before issuing the pop-influenced As I Am later that year. It became her fourth consecutive number one album, and she was nominated for another handful of Grammys as a result, with "Superwoman" winning the award for Best Female R&B Vocal Performance in early 2009. As the year drew to a close, Keys returned to the top of the Billboard charts with "Empire State of Mind," a Jay-Z single that featured her vocals, and released her fourth studio album, The Element of Freedom. Although it went platinum, The Element of Freedom didn't reach number one in the U.S., becoming her first album to miss the top slot. It "did" reach number one in the U.K., though, marking Keys' first chart-topping album in Europe and highlighting her status as a global artist.

During the next two years, Keys married producer Swizz Beatz, gave birth to a son, collaborated with Eve on the single "Speechless," appeared somewhere in Kanye West's "All of the Lights," and went on a brief tour in celebration of her debut album's tenth anniversary. She wrote and, with her husband, co-produced "Angel" for Jennifer Hudson's I Remember Me. In 2012, she assisted Emeli Sandé (Our Version of Events) and Miguel (Kaleidoscope Dream) prior to releasing Girl on Fire, her fifth studio album. It was issued on RCA -- in the wake of J Records' dissolution -- that November and featured collaborations with her husband, as well as Sandé, Salaam Remi, Jeff Bhasker, Frank Ocean, and John Legend.

Andrew Leahey & Andy Kellman, Rovi

Neo-soul singer and pianist John Legend combined the raw fervor of contemporaries Cody ChesnuTT and the burning precision of D'Angelo. Born John Stephens, Legend was a child prodigy who grew up in Ohio, where he began singing gospel and playing piano at the tender age of five. Legend left Ohio at 16 to attend college in Philadelphia, and it was there that he first found a larger audience. Not yet out of his teens, Legend was tapped to play piano on Lauryn Hill's "Everything Is Everything" in 1998. After completing college, he moved to New York, where he began to build a loyal following playing in nightclubs and releasing CDs that he would sell at shows. He also became an in-demand session musician, playing and occasionally writing for a wide array of artists, including Alicia Keys, Twista, Janet Jackson, and Kanye West.

It wasn't until West signed the young talent to his new label that the Legend name was adopted with 2004's Solo Sessions Vol. 1: Live at the Knitting Factory. Get Lifted, Legend's first studio album, was released later in the year. On the strength of enduring single "Ordinary People," the album reached the Top Five of the Billboard 200. This led to three Grammy Awards: Best R&B Album, Best R&B Male Vocal Performance, and Best New Artist. Once Again, which peaked at number three on the Billboard 200 and number one on the R&B/Hip-Hop Albums chart, followed in October 2006 and eventually went platinum. Live from Philadelphia, sold exclusively at Target stores, was a successful stopgap release -- a Top Ten album, despite its limited retail presence. October 2008's Evolver spun off the sprightly crossover hit "Green Light" but managed only gold-selling status. Legend followed it with September 2010's Wake Up!, in which he was backed by the Roots. The album featured covers of still-relevant, socially-aware songs like Harold Melvin & the Blue Notes' "Wake Up Everybody" and Donny Hathaway's "Little Ghetto Boy."

Wade Kergan & Andy Kellman, Rovi

When her debut album, What's the 411?, hit the street in 1992, critics and fans alike were floored by its powerful combination of modern R&B with an edgy rap sound that glanced off of the pain and grit of Mary J. Blige's Yonkers, New York childhood. Called alternately the new Chaka Khan or new Aretha Franklin, Blige had little in common stylistically with either of those artists, but like them, she helped adorn soul music with new textures and flavors that inspired a whole generation of musicians. With her blonde hair, self-preserving slouch, and combat boots, Blige was street-tough and beautiful all at once, and the record company execs who profited off of her early releases did little to dispel the bad-girl image that she earned as she stumbled through the dizzying first days of her career. As she exorcised her personal demons and softened her style to include sleek designer clothes, she remained a hero to thousands of girls growing up in the same kinds of rough places she came from. Blige reinvented her career again and again by shedding the bad habits and bad influences that kept her down; by the time her fourth album, Mary, was released in 1999, she had matured into an expressive singer able to put the full power of her voice behind her music, while still reflecting a strong urban style. With her fifth album, No More Drama, it wasn't just Blige's style that shone through the structures set up for her by songwriters and producers, it was her own vision -- spiritual, emotional, personal, and full of wisdom, it reflected an artist who was comfortable with who she was and how far she had come.

Born in the Bronx on January 11, 1971, Blige spent the first few years of her life in Savannah, Georgia before moving with her mother and older sister to the Schlobam housing projects in Yonkers, New York. Her rough life there produced more than a few scars, physical and otherwise, and Blige dropped out of high school during her junior year, instead spending time doing her friends' hair in her mother's apartment and hanging out. When she was at a local mall in White Plains, New York, she recorded herself singing Anita Baker's "Caught Up in the Rapture" into a karaoke machine. The resulting tape was passed by Blige's stepfather to Uptown Records CEO Andre Harrell. Harrell was impressed with Blige's voice and signed her to sing backup for local acts like Father MC. In 1991, however, Sean "Puffy" Combs took Blige under his wing and began working with her on What's the 411?, her debut album. Combs had a heavy hand in What's the 411?, along with producers Dave Hall, Mark Morales, and Mark Rooney, and the stylish touches that they added to Blige's unique vocal style created a stunning album that bridged the gap between R&B and rap in a way that no female singer had before. Uptown tried to capitalize on the success of What's the 411? by issuing a remixed version of it a year later, but it was only a modest success creatively and commercially.

Her 1995 follow-up, My Life, again featured Combs' handiwork, and if it stepped back stylistically from its urban roots by featuring less of a rap sound, it made up for it with its subject matter. My Life was full of ghetto pathos and Blige's own personal pain shone through like a beacon. Her rocky relationship with fellow Uptown artist K-Ci Hailey likely contributed to the raw emotions on the album. The period following the recording of My Life was also a difficult time professionally for Blige, as she severed her ties with Combs and Uptown, hired Suge Knight as a financial advisor, and signed with MCA.

Released in 1997, Share My World marked the beginning of Blige's creative partnerships with Jimmy Jam and Terry Lewis. The album was another hit for Blige and debuted at number one on the Billboard charts. Critics soured somewhat on its more conventional soul sound, but Blige's fans seemed undaunted. By the time her next studio album, Mary, came out in 1999, the fullness and elegance of her new sound seemed more developed, as Blige exuded a classic soul style aided by material from Elton John and Bernie Taupin, Stevie Wonder, and Lauryn Hill. Mary made it obvious that the ghetto fabulous style and more confrontational aspects of her music were gone, while the emotive power still remained.

That power also helped carry the more modern-sounding 2001 release No More Drama, a deeply personal album that remained a collective effort musically yet reflected more of Blige's songwriting than any of her previous efforts. The Mary J. Blige on No More Drama seemed miles away from the flashy kid on What's the 411?, yet it was still possible to see the path through her music that produced an older, wiser, but still expressive artist. In 2003 she was reunited with P. Diddy, who produced the majority of that year's patchy Love and Life album. The Breakthrough followed two years later and was a tremendous success, spawning a handful of major singles. By the December 2006 release of Reflections (A Retrospective), The Breakthrough's lead single, "Be Without You," had spent nearly a year on the R&B chart, while the album's fifth single, "Take Me as I Am," had been on the same chart for over four months. A year later Blige came out with her eighth studio album, Growing Pains. It was her third consecutive studio album to top both the Billboard 200 and the R&B/Hip-Hop Albums charts. While on tour with Robin Thicke during 2008, Blige began working on Stronger with Each Tear, which was released near the end of the following year and came one spot short of topping the Billboard 200. My Life II...The Journey Continues (Act 1), previewed through the Eric Hudson-produced single "25/8," followed in 2011 with appearances from Beyoncé, Drake, Rick Ross, and Busta Rhymes.

Stacia Proefrock, Rovi

A star in the R&B world before she was even out of her teens, Aaliyah's promising career was tragically cut short by her death in a plane crash at age 22. Even with only three albums under her belt, she'd already earned a place as a talented trendsetter among the R&B elite. Following a successful transition to a more mature image, Aaliyah played a major role in popularizing the stuttering, futuristic production style that consumed hip-hop and urban soul in the late '90s. Her work with Timbaland, especially, was some of the most forward-looking R&B of its time, even while the competing neo-soul movement was gaining prominence. Aaliyah's death came on the heels of her third and most accomplished album, making it especially unfortunate that she was robbed of a chance to continue her creative development.

Aaliyah Dana Haughton was born January 16, 1979, in Brooklyn, and named after a Swahili word meaning "most exalted one." Her uncle, Barry Hankerson, was a manager and entertainment lawyer who was married to Gladys Knight for a time, and her mother, also a singer, enrolled Aaliyah in voice lessons before she'd even started school. Still very young, she moved with her family to Detroit, where she sang in several school plays. At age nine, she successfully auditioned for the TV show Star Search, where she performed "My Funny Valentine" (and lost). Two years later, thanks to her uncle Hankerson's connections, she spent five nights in Las Vegas performing as part of Gladys Knight's revue. In addition to his niece, Hankerson was also managing a rising R&B star named R. Kelly, and introduced the two in 1992. Kelly soon took Aaliyah under his wing and began writing and producing songs for her.

Aaliyah's debut album, Age Ain't Nothing but a Number, was released in the summer of 1994 and quickly became a platinum-selling hit on the strength of two smash singles, "Back & Forth" and "At Your Best (You Are Love)" (the latter an Isley Brothers cover). Both songs hit the pop Top Ten and went gold, and "Back & Forth" went all the way to number one on the R&B charts, while "At Your Best" fell one spot short. Late in the year, Aaliyah found herself at the center of controversy when rumors spread that the 15-year-old singer had married Kelly, who was more than ten years her senior. Although both camps were resolutely tight-lipped, documents later confirmed that the two had wed in the state of Illinois that August and gotten an annulment shortly thereafter. By the time the media buzz died down, the two had parted ways both personally and creatively.

In 1996, Aaliyah released her follow-up album, One in a Million, which signaled a newly emerging maturity. She worked with several different producers, most notably Timbaland, who co-wrote several tracks with his songwriting partner, Missy "Misdemeanor" Elliott (soon to become a solo star in her own right). Several of these -- "If Your Girl Only Knew," "One in a Million," "4 Page Letter" -- became hits, with "If Your Girl Only Knew" going all the way to the top of the R&B charts. The Diane Warren-penned ballad "The One I Gave My Heart To" was also a Top Ten R&B hit, and One in a Million wound up going double platinum. In the meantime, Aaliyah graduated from high school (in 1997) and contributed several songs to film soundtracks. "Journey to the Past," from Anastasia, was nominated for an Oscar, and in early 1998 she had a major hit with "Are You That Somebody?" from Eddie Murphy's Dr. Dolittle (in which she also made a cameo appearance).

Aaliyah took her time recording a follow-up, and put the process completely on hold to start an acting career. She co-starred with martial-arts master Jet Li and rapper DMX in 2000's urban Shakespeare adaptation Romeo Must Die, and her accompanying soundtrack single, "Try Again," became her first number one hit on the pop charts that summer. Aaliyah subsequently completed filming on the Anne Rice vampire flick Queen of the Damned, playing the title role as a vampire queen, and was cast in a prominent role in the two sequels to The Matrix. Plus, she finally finished her long-awaited third album, with Timbaland again handling the most prominent tracks. Released in the summer of 2001, Aaliyah completed the singer's image overhaul into a sensual yet sensitive adult. The record received excellent reviews, and the first single, "We Need a Resolution," was a Top 20 R&B hit.

About a month after the album's release, Aaliyah traveled to the Bahamas to film a video for its second single, "Rock the Boat." On August 25, she and several members of the crew boarded a small twin-engine Cessna plane returning to the mainland. The plane crashed shortly after takeoff, exploding on impact; Aaliyah and seven other passengers were killed instantly, and the ninth later died at a Nassau hospital. Investigations into the crash showed that the plane had been loaded far past its weight capacity, and that pilot Luis Morales had recently been arrested for crack cocaine possession (traces of which, along with alcohol, were found in his system); furthermore, the charter company, Blackhawk International Airways, had not authorized him to pilot the craft in question. Naturally, the R&B community reacted with an outpouring of shock and sorrow, and Aaliyah became the singer's only chart-topping album, eventually going double platinum. "Rock the Boat" and "More Than a Woman" were both posthumous Top Ten hits on the R&B chart, and Queen of the Damned was a commercial success upon its release in early 2002, topping the box office in its first week. As details continued to emerge from the plane crash investigation, Aaliyah's parents filed suit against Blackhawk Airways, Virgin Records, and several other companies. At the end of 2002, the posthumous album I Care 4 U entered the charts at number three; it mixed some of the singer's biggest hits with a selection of unreleased material. The title track was a Top 20 pop hit, and "Miss You" topped the R&B charts early the next year.

Steve Huey, Rovi

Along with fellow founders D'Angelo and Erykah Badu, Maxwell was enormously important in defining and shaping the neo-soul movement that rose to prominence over the latter half of the '90s. Drawing his greatest inspiration from the concept of the R&B auteur (looking to artists like Prince, Marvin Gaye, Stevie Wonder, etc.), Maxwell recorded some of the most ambitious R&B of his time, becoming wildly popular and often earning critical raves in the process. What was more, his recurring theme of romantic monogamy set him apart from the vast majority of his bump'n'grind lover-man contemporaries.

Maxwell was born May 23, 1973, in Brooklyn, NY; he adopted his middle name as his stage moniker, keeping his real identity a closely guarded secret out of concern for his family's privacy. Born of Puerto Rican and black Caribbean stock, Maxwell suffered the loss of his father (in a plane crash) when he was just three years old. The experience made him a deeply religious child, and he first began singing in his Baptist church. Still, he didn't really get serious about music until age 17, when he began writing his own songs using a cheap Casio keyboard given to him by a friend. Initially influenced by early-'80s urban R&B, he progressed rapidly, and by 1991 he was performing on the New York club scene, despite ridicule from classmates who couldn't imagine the shy, awkward teenager doing anything of the sort. After making a name for himself, he signed a recording contract with Columbia in 1994.

Maxwell recorded his debut album Maxwell's Urban Hang Suite that year, working extensively with several collaborators: songwriter Leon Ware (who'd co-written much of the material on Marvin Gaye's I Want You album in 1976), guitarist Wah Wah Watson (who'd also worked with Gaye), and multi-instrumentalist Stuart Matthewman (a longtime cohort of Sade). Maxwell's Urban Hang Suite was a romantic concept album in the vein of Gaye's greatest '70s work, with a more modern flavor courtesy of Prince's influence; inspired by a brief but intense affair, the record's giddy celebration of committed monogamy could have come off as old-fashioned as its classic influences, given the marketplace dominance of hip-hop soul at the time. Partly for those fears, it wasn't released right away, although a series of shake-ups in Columbia's management played a bigger role in the delay. It wasn't until the spring of 1996 that Maxwell's Urban Hang Suite finally appeared. Sales were slow to take off at first, even though Maxwell scored some airplay with "...Til the Cops Come Knockin'." The gold-selling second single "Ascension (Never Wonder)" lit the fuse, however, and Urban Hang Suite went platinum before a year had passed, also earning a Grammy nomination.

Now elevated to sex-symbol status, Maxwell capitalized on his breakthrough with the MTV Unplugged EP, taken from his live MTV performance. It attracted attention and acclaim outside the R&B community with the left-field cover choices "This Woman's Work" (by art rocker Kate Bush) and "Closer" (the Nine Inch Nails hit). Additionally, the Unplugged version of "Whenever, Wherever, Whatever" earned him another Grammy nomination (for Best Male Pop Vocal). Anticipation for his second full-length album was high, and when Embrya was released in 1998, it entered the charts at number three. Reviews were more mixed this time around, with some critics charging that Maxwell's ambition had crossed the line into indulgence; still, the record duplicated its predecessor's platinum sales. In 1999, Maxwell scored his biggest hit to date with the single "Fortunate," an R. Kelly composition he recorded for the soundtrack of the film Life; it was a mammoth success, ranking as the number one R&B hit of the year in Billboard magazine. Later that year, he also cut two songs for the soundtrack of The Best Man.

In August 2001, Maxwell returned with his third full-length album, Now, which was touted as a return to the more straightforwardly romantic atmosphere of his debut. It entered the album charts at number one and quickly launched a hit single in "Lifetime." Maxwell didn't resurface until 2008, when he performed Al Green's "Simply Beautiful" as part of the 2008 BET Awards. A handful of intimate performances prefaced his fourth studio album, BLACKsummers'night (the first installment in a promised trilogy of albums), released in July 2009. "Pretty Wings," its lead single, was in the Top 20 of the R&B/Hip-Hop chart within three weeks of its May release.

Steve Huey, Rovi

A mature R&B vocalist who excelled most with slower, sensual material ("Slowly, Surely," "I'm Not Afraid," "My Love") and was versatile enough to pack plenty of punch with anthems of pride and self-empowerment ("Golden," "Family Reunion," "Hate on Me"), Jill Scott grew up in north Philadelphia and began her performing career reading her own poetry. She was heard by Ahmir "?uestlove" Thompson, drummer in the Roots, who invited her to join the band in the studio, resulting in the co-composition "You Got Me," a 1999 Top 40 pop hit that actually featured Erykah Badu instead of Scott herself. Subsequently, she collaborated with Eric Benet, Will Smith, and Common, and broadened her performing experience by touring Canada in a production of the Broadway musical Rent.

Signed to Steve McKeever's newly formed Hidden Beach label, she released her debut album, Who Is Jill Scott? Words and Sounds, Vol. 1, in July 2000. One of the most favorably reviewed R&B albums of the year, the set peaked within the Top 20 of the Billboard 200 chart and reached number two on the Top R&B/Hip-Hop Albums chart. Experience: Jill Scott 826+, featuring a lengthy live set on one disc and studio material (including a soaring collaboration with 4hero) on a second disc, appeared the following summer. Scott's star power soared over the next year, eventually earning her a Grammy nomination in early 2003 for Best Female Vocal Performance for "A Long Walk."

Beautifully Human: Words and Sounds, Vol. 2 and The Real Thing: Words and Sounds, Vol. 3, both of which debuted in the Top Five of the Billboard 200, followed in 2004 and 2007, respectively. A compilation containing several of her most notable guest appearances, titled Collaborations, was also released in 2007. The same year, Scott appeared in a pair of movies, Tyler Perry's Why Did I Get Married? and Hounddog, which set the stage for her starring role in The No. 1 Ladies' Detective Agency, an HBO series that debuted in 2009. A switch to Warner Bros. -- which followed some legal conflict with Hidden Beach -- yielded 2011's The Light of the Sun, led by "So in Love," a collaboration with Anthony Hamilton. The album debuted at number one on the Billboard 200. The following month, Hidden Beach released The Original Jill Scott from the Vault, Vol. 1. Within a year, the label initiated a three-volume series of remixes dubbed Crates: Remix Fundamentals.

Andy Kellman & William Ruhlmann, Rovi

D'Angelo was one of the founding fathers and leading lights of the neo-soul movement of the mid- to late '90s, which aimed to bring the organic flavor of classic R&B back to the hip-hop age. Modeling himself on the likes of Marvin Gaye, Stevie Wonder, Prince, Curtis Mayfield, and Al Green, D'Angelo's influences didn't just come across in his vocal style -- like most of those artists, he wrote his own material (and frequently produced it as well), helping to revive the concept of the R&B auteur. His debut album, Brown Sugar, gradually earned him an audience so devoted that the follow-up, Voodoo, debuted at number one despite a five-year wait in between.

Michael D'Angelo Archer was born February 11, 1974, in Richmond, VA, the son of a Pentecostal minister. He began teaching himself piano as a very young child, and at age 18, he won the amateur talent competition at Harlem's Apollo Theater three weeks in a row. He was briefly a member of a hip-hop group called I.D.U. and signed a publishing deal with EMI in 1991. His first major success came in 1994 as a writer/producer, helming the single "U Will Know" on the Jason's Lyric soundtrack; it featured a one-time, all-star R&B aggregate dubbed Black Men United. That helped lead to his debut solo album, 1995's Brown Sugar. Helped by the title track and "Lady," Brown Sugar slowly caught on with R&B fans looking for an alternative to the hip-hop soul dominating the urban contemporary landscape; along with artists like Erykah Badu, Lauryn Hill, and Maxwell, D'Angelo became part of a retro-leaning, neo-soul revivalist movement. Brown Sugar received enormously complimentary reviews and sold over two million copies, and D'Angelo supported it with extensive touring over the next two years.

And then -- not much of anything happened. D'Angelo took some time off to rest and split acrimoniously with his management; meanwhile, EMI went under, leaving his 1998 stopgap release Live at the Jazz Cafe out of print. On occasion, D'Angelo contributed a cover tune to a movie soundtrack, including Eddie Kendricks' "Girl You Need a Change of Mind" (Get on the Bus), the Ohio Players' "Heaven Must Be Like This" (Down in the Delta), and Prince's "She's Always in My Hair" (Scream 2). He also duetted with Lauryn Hill on "Nothing Really Matters," a cut from her Grammy-winning blockbuster The Miseducation of Lauryn Hill. Still, fans awaiting a proper follow-up to Brown Sugar remained frustrated -- at first by no news at all, and then by frequent delays in the recording process and the scheduled release date. Finally, the special-guest-laden Voodoo was released in early 2000 and debuted at number one, an indication of just how large -- and devoted -- D'Angelo's fan base was. The extremely Prince-like lead single, "Untitled (How Does It Feel)," was a smash on the R&B charts and won a Grammy for Best Male R&B Vocal; likewise, Voodoo won for Best R&B Album. Reviews of Voodoo were once again highly positive, although a few critics objected to the looser, more atmospheric, more jam-oriented feel of the record, preferring the tighter songcraft of Brown Sugar.

Steve Huey, Rovi

Philadelphia-born Taalib Johnson, aka R&B artist Musiq (Soulchild), grew up the oldest of nine children. The son of a die-hard '70s soul music fan, Musiq performed at Philly showcases like the Five Spot and Wilhemina's until his management team, Mama's Boys (Jerome Hipps and Michael McArthur), brought him to the attention of Def Jam Records. Musiq's debut album, 2000's Aijuswanaseing, was recorded mostly at Touch of Jazz Studios in Philadelphia. His first single, "Just Friends (Sunny)," appeared on the soundtrack to Nutty Professor II: The Klumps, and two years later, Musiq released his second album, the spiritual and personal Juslisen, which debuted at number one on "Billboard"'s Top R&B/Hip-Hop Albums chart. The following year brought the widely acclaimed Soulstar, and after moving to Atlantic, Musiq released Luvanmusiq, (2007), OnMyRadio (2008), and MusiqintheMagiq (2011). While his albums largely retained a laid-back, ballad-oriented sound, two of his biggest hits -- "B.U.D.D.Y." and "Anything" -- were uptempo club numbers that sampled disco hits from 1981 (Taana Gardner's "Heartbeat" and Central Line's "Walking Into Sunshine," respectively).

Kerry L. Smith, Rovi

Able to rap, sing, and write songs that had everyone from John Legend to Roots Manuva singing her praises, Estelle Swaray got her start in London's renowned hip-hop record store Deal Real. Her fellow employees encouraged her to take a chance and get on the mike on-stage; soon she was playing numerous London clubs and appearing with the likes of Manuva and Rodney P. Local hero Skitz asked her to appear on his 2000 album, Countryman, and soon she landed on albums by the likes of the 57th Dynasty and Blak Twang. She made her solo debut in 2003 with the Excuse Me 12" on the Paradise Isle label, but her breakthrough track came in 2004 when "1980" was released by the V2 label and reached number 14 on the U.K. pop chart. A street-level mixtape series called Da Heat and further 12"s like "Free" and "Go Gone" helped build a loyal following, and Estelle gave back to the U.K. hip-hop scene by forming her own Stellarents label to sign new artists. In October 2004, V2 released her debut album, The 18th Day. Three years later, U.S. R&B singer John Legend announced that Estelle would be the first signee to his Homeschool label, distributed by Atlantic in the U.S. Her sophomore album, Shine, was released in April 2008 and peaked at number six in the U.K., while its biggest single, "American Boy," topped the U.K. chart and, in the U.S., reached the Top 10 of Billboard's Hot 100. In February 2012, following the Top 30 Hot R&B/Hip-Hop single "Break My Heart" (featuring Rick Ross), Estelle released album number three, All of Me.

David Jeffries, Rovi

Whether she was singing pop-friendly urban soul or acting in her own family-oriented sitcom, Brandy's winningly wholesome persona helped catapult her to stardom during her teenage years. She scored the longest-running number one female duet in chart history (teamed with Monica on "The Boy Is Mine"), a testament to her mainstream appeal, and she spent several years as the title character on Moesha, the top-rated series on the fledgling UPN network during the late '90s. As she grew older, her music increasingly mined the middle ground between urban R&B and soft adult contemporary pop, and thanks to her consistent exposure in other arenas, it became more popular than ever.

Brandy Rayana Norwood was born February 11, 1979, in McComb, MS, and began singing in church at age two. When she was four, her father was hired as music director at a church in Carson, CA, and after singing a few years later, she decided to pursue a professional singing career, inspired by Whitney Houston. With the help of her family, she began hunting for a record contract, and in 1992 began singing backup for the kiddie R&B group Immature; after enrolling in the Hollywood High Performing Arts Center, she also launched an acting career, appearing in films like Arachnophobia and Demolition Man. She eventually landed a record deal at the mere age of 14 after performing at an Atlantic Records talent showcase; around the same time, she won a supporting role on the short-lived ABC sitcom Thea. In 1994, Brandy released her self-titled debut album, which immediately produced Billboard Hot 100 Top Ten smashes in "I Wanna Be Down" and "Baby," both of which hit number one on the R&B chart; "Brokenhearted" and "Best Friend" went on to smaller successes, and Brandy went on to sell over four million copies during the next several years. She toured with Boyz II Men in 1995, and for a time dated group member Wanya Morris.

In 1996, Brandy scored her biggest hit yet with "Sittin' up in My Room," a song she recorded for the Waiting to Exhale soundtrack; it hit number two pop and number one R&B. Early that year, she also debuted on UPN as the star of Moesha, parlaying her musical success into a concurrent acting career. In fact, she took a lengthy hiatus from recording to concentrate on Moesha; apart from "Sittin' up in My Room," her only real activity over the next couple of years was the Set It Off soundtrack single "Missing You," on which she teamed with Chaka Khan, Gladys Knight, and Tamia. In 1997, she branched out by taking the title role in Disney's made-for-TV version of Cinderella, appearing alongside her idol Whitney Houston; the film's star power and integrated cast made it a significant ratings success. Finally, Brandy set about recording her second album. Never Say Never was released in the summer of 1998, and its first single, the Monica duet "The Boy Is Mine," was a mammoth hit, topping the Hot 100 for a staggering 13 weeks. In its wake, "Top of the World" (featuring guest rapper Mase) and "Have You Ever?" were both substantial hits as well, with the latter becoming Brandy's first solo number one Hot 100 hit. Never Say Never spun off an additional three singles -- "Almost Doesn't Count," "Angel in Disguise," and "U Don't Know Me (Like U Used To)" -- on its way to sales of over five million copies.

Meanwhile, Brandy's acting career continued to blossom; in 1998, she landed her first major theatrical film role in I Still Know What You Did Last Summer, and the following year, she appeared in another TV movie with Diana Ross called Double Platinum. After being hospitalized for dehydration in late 1999, she cut back her schedule somewhat, concentrating mostly on Moesha until the show was canceled in the spring of 2001. The same year, she voiced a character in the animated film Osmosis Jones, and secretly married producer/songwriter Robert Smith. In early 2002, Brandy released her third album, Full Moon, which entered the Billboard 200 chart at number two and spun off an immediate hit in "What About Us?." That summer, Brandy gave birth to her first child, and her pregnancy became the subject of an MTV documentary series.

The singer's fourth album, Afrodisiac, was released in 2004. Its lead single, "Talk About Our Love," was produced by Kanye West and peaked at number 36 on the Hot 100. Although the reviews were positive overall, the album didn't sell as well as any of her previous releases and the singer subsequently split from her longtime label. In December 2006, while driving on the San Diego Freeway, Brandy hit the car in front of her -- an accident that killed the driver and caused a four-car chain reaction. She recorded her fifth album, Human, an adult contemporary R&B leaning set that was released in December 2008 and peaked at number 15 on the Billboard 200. It was her lone release for Epic. A couple years later, she starred beside her brother and parents in the reality television series, "Brandy & Ray J: A Family Business". A soundtrack of sorts was released in 2011. She teamed up with Monica once more for the single "It All Belongs to Me" prior to the collaboration-heavy Two Eleven, released in 2012.

Steve Huey & Andy Kellman, Rovi

Destiny's Child rose to become one of the most popular female R&B groups of the late '90s, eventually rivaling even TLC in terms of blockbuster commercial success. Their accomplishments came in spite of several abrupt personnel changes, which were accompanied by heated, well-publicized feuds in the media and the courts. In fact, for a time, Destiny's Child were known for that drama just as much as their music. Once the group stabilized again, though, they emerged with even more hitmaking power than ever before.

Destiny's Child were formed in Houston, Texas, in 1990, when original members Beyoncé Knowles and LaTavia Roberson were just nine years old; the two met at an audition and became friends, and Knowles' father Mathew set about developing an act based on their singing and rapping, taking their name from a passage in the Book of Isaiah. Beyoncé's cousin Kelendria "Kelly" Rowland joined the group in 1992, and shortly thereafter they landed an appearance on "Star Search", where they performed a rap song. The quartet's lineup was finalized (for the time being) when LeToya Luckett joined in 1993, and they spent the next few years working their way up from the Houston club scene, eventually opening for artists like SWV, Dru Hill, and Immature. Finally, in 1997, Destiny's Child were offered a recording contract by Columbia.

The group made its recorded debut on 1997's "Killing Time," a song included on the soundtrack of the blockbuster "Men in Black". Their self-titled debut album was released in early 1998, featuring production by Wyclef Jean and Jermaine Dupri, among others. Its lead single, the Jean-produced "No No No," was a smash hit, selling over a million copies and topping the R&B charts. The follow-up singles -- "With Me" and "Get on the Bus," the latter of which was taken from the soundtrack of "Why Do Fools Fall in Love?" -- didn't quite duplicate the success of "No No No," although Destiny's Child would eventually go platinum (after the group's later success). Destiny's Child reentered the studio quickly, bringing in producer Kevin "She'kspere" Briggs to handle the majority of their next record. Lead single "Bills, Bills, Bills" became the group's first number one pop hit (and second R&B number one) in the summer of 1999 and, paced by its success, the accompanying album, The Writing's on the Wall, entered the charts at number six upon its release.

That was just the beginning of the group's breakout success. The second single, "Bug a Boo," didn't perform as well, but the third single, "Say My Name," was another massive hit, their biggest so far; it hit number one on both the pop and R&B charts for three weeks apiece in early 2000, and made Destiny's Child a pop-cultural phenomenon. However, at the peak of "Say My Name"'s popularity, the group splintered. In December 1999, Roberson and Luckett attempted to split with manager Mathew Knowles, charging that he kept a disproportionate share of the band's profits, attempted to exert too much control, and unfairly favored his daughter and niece. While they never intended to leave the group, relations naturally grew strained, and when the video for "Say My Name" premiered in February 2000, many fans (not to mention Roberson and Luckett) were surprised to find two new members -- Michelle Williams and Farrah Franklin -- joining Knowles and Rowland. Infuriated, Roberson and Luckett took legal action in March, suing both Knowles and their former bandmates for breach of partnership and fiduciary duties. A war of words followed in the press; meanwhile, the next Destiny's Child single, "Jumpin' Jumpin'," hit the Top Ten, and The Writing's on the Wall went on to sell a whopping eight million copies.

The personnel-turnover drama still wasn't over; in July 2000, just five months after joining, Farrah Franklin split with the group. The official reason was that Franklin missed several promotional appearances and concert gigs, although in later interviews she spoke of too much negativity and too little control in the group environment. Now reduced to a trio, Destiny's Child was tapped to record the theme song for the film version of "Charlie's Angels"; released as a single in October, "Independent Women, Pt. 1" raced up the charts and spent an astounding 11 weeks at number one. Destiny's Child were now indisputable superstars, the biggest female R&B group on the scene, and they quickly began work on a new album to capitalize. In the meantime, toward the end of 2000, Roberson and Luckett dropped the portion of their lawsuit aimed at Rowland and Knowles in exchange for a settlement, though they continued to pursue action against Knowles' father; as part of the agreement, both sides were prohibited from ripping each other publicly.

Beyoncé had long since emerged as the group's focal point, and on the third Destiny's Child album, she assumed more control than ever before, taking a greater hand in writing the material and even producing some of the record herself. While recording sessions were going on, Rowland released the first Destiny's Child solo track; "Angel" appeared on the soundtrack of Chris Rock's "Down to Earth". Former members Roberson and Luckett also announced the formation of a trio called, coincidentally, Angel, and Farrah Franklin set about starting a solo career.

Survivor -- whose title was reportedly inspired by a DJ's crack about Destiny's Child members voting one another off the island, much like the popular CBS reality series -- hit stores in the spring of 2001, and entered the charts at number one. The first two singles, "Survivor" and "Bootylicious," were predictably huge hits, with the latter becoming the group's fourth number one pop single. A cover of Andy Gibb's "Emotion" was also successful, albeit less so, and Survivor sold well -- over four million copies -- but not as well as its predecessor. Toward the end of the year, the group released a holiday album, 8 Days of Christmas, and announced plans for a series of side projects, including solo albums from all three members (to be staggered over the next year and a half, so as to avoid competition). In early 2002, shortly after This Is the Remix was released to tide fans over, Roberson and Luckett sued the group again, claiming that some of the lyrics in "Survivor" made reference to them (in violation of the earlier lawsuit settlement).

The first Destiny's Child solo album, Michelle Williams' all-gospel project Heart to Yours, was released in April and featured a duet with gospel legend Shirley Caesar. Meanwhile, Beyoncé won a leading role opposite Mike Myers in the third Austin Powers film, "Goldmember", playing blaxploitation-style heroine Foxy Cleopatra; her first solo single, the Neptunes-produced "Work It Out," appeared on the soundtrack, and her full solo album, Dangerously in Love, became a huge hit upon release in mid-2003. Despite much critical speculation, the trio reunited the following year and released Destiny Fulfilled in November 2004. In October 2005, the #1's compilation was issued, followed by the Live in Atlanta DVD and CD sets in 2006 and 2007. The members continued solo careers. Rowland had considerable success with Ms. Kelly and Here I Am, both of which reached the Top Ten. Meanwhile, Beyoncé, who married Jay-Z in 2008, solidified her status as the planet's biggest pop star with the platinum albums B'day, I Am...Sasha Fierce, and 4. The group reunited in 2012 to record a new song, the Pharrell-produced "Nuclear," for the Love Songs compilation, which was released in January 2013 -- just prior to their halftime performance at Super Bowl XLVII.

Steve Huey, Rovi

Marsha Ambrosius and Natalie Stewart are the funky divas behind the neo-soul duo Floetry. Ambrosius and Stewart emerged in the mid-'90s as songwriters in demand. They're behind some of the new millennium's biggest hits, too. The pair has written tracks for Michael Jackson, Jill Scott, Glenn Lewis, and Bilal. While they're highly respected behind the scenes, Floetry is their way of moving up front.

Ambrosius is the songstress to Stewart's spoken word impresario or "floacist" role. The two met due to their love of basketball. Stewart, who hails from London, was a superstar on her court, while Ambrosius wowed fans in her local English neighborhood. They were competitive, but not rivals, so a friendship was formed. Music was also a passion. Ambrosius relished in her reggae roots while Stewart found herself grooving to funk and soul. While attending Brits Performing Arts School, Ambrosius studied business and finance, but made room for courses in voice, performance technique, and recording. Stewart split her time between acting and directing. Later, Ambrosius and Stewart headed to college.

Ambrosius planned to attend Georgia Tech University on a basketball scholarship, but injury forced her to bow out. Stewart headed for Middlesex University, eventually transferring to North London University. Still, they two kept in touch and raved about music. It wouldn't be until Stewart's girl group, 3 Plus 1, disbanded that Floetry would actually give music a serious shot.

In 1997, Ambrosius and Stewart began writing songs and playing shows in and around London. Three years later, they moved to America in search of something bigger. A brief stint in Atlanta didn't pan out, but their time spent in Philadelphia proved golden. Ambrosius and Stewart befriended Julius Erving III, basketball great Julius Erving's son, in mid-2000. Floetry and Erving clicked instantly. Erving signed on as their manager and hooked the ladies up with Jeff Townes, aka DJ Jazzy Jeff, for some recording. That's when the deals started trickling in -- Floetry were official and living out a dream. In 2002, they inked a deal with DreamWorks and touched up their own work for a debut album. Floetic appeared in October 2002, and its follow-up, Flo'Ology, reached the Top Ten upon release three years later.

MacKenzie Wilson, Rovi

Pop-oriented R&B singer Amerie, the daughter of a Korean mother and an African-American father who was a career military member, grew up on bases from Alaska to Germany. As a youth, she gained an appreciation of the classical arts (from her mother) and of music (from her father), and she also studied dance from an early age and performed in talent contests. After her high-school graduation, her family settled down in Virginia while she began to attend Georgetown University, from which she later graduated with a degree in English and fine arts. While living in Washington, D.C., she met producer Rich Harrison, who worked with such performers as Mary J. Blige, and began developing demos with him. This led to a deal with Rise Entertainment and, in turn, Columbia Records. In the spring of 2002, Rise/Columbia released Amerie's debut single, "Why Don't We Fall in Love." By the time her first album, All I Have, appeared that July, the single had reached the Top 20 of the R&B/hip-hop chart and the Billboard Hot 100. Her follow-up, Touch, was released in 2005, peaking at number five on the Billboard album chart while yielding the number one single "1 Thing"; it was a significant improvement over her debut, due in large part to her songwriting input on almost every song. Because I Love It, her third album, followed in 2007; though it was her strongest album yet, plans for a U.S. release fell through. The following year, she signed to Def Jam after splitting with Columbia. She recorded her fourth album, In Love & War, and released it in November 2009.

William Ruhlmann & Andy Kellman, Rovi