No exaggeration: I coughed hot soup out of my nose while reading the new hardbound volume of deadpan dadaist Michael Kupperman's Tales Designed to Thrizzle (Fantagraphics; $24.99). The strip that did it was one of the book's last, an alt-historical...
New York audiences are well accustomed to seeing nudity on the stage, but witnessing a man's junk ripen into a rock-solid boner has got to be a first. Before incriminating the Baruch Performing Arts Center for endorsing public lewdness, it should be...
What happens when F. Scott Fitzgerald meets Wes Anderson? Welcome to Kristopher Jansma's debut novel, The Unchangeable Spots of Leopards, a literary fun house that follows an unreliable narrator on his quest to write the next Great American Novel. T...
Although the band broke up three decades ago, Abba continues to reverberate across cultural frontiers. Icelandic artist Ragnar Kjartansson has cribbed the title of the Swedish pop giants' final album, The Visitors, recorded when the foursome was dis...
For Ann Richards, a Depression kid who rose to become an outspokenly liberal Democratic governor of Texas, everything in life was a challenge by which she refused to be fazed. A whip-smart woman with an epigrammatic, country-accented tongue and a no...
Target Margin, the experimental theater company led by artistic director David Herskovits, never takes the easier route when a twistier one presents itself. Take the title of its latest work, a translation of Peretz Hirschbein's Yiddish play Di Pust...
Sometimes a play's very datedness becomes reason enough to revisit it--and to be heartened to live in world where that play's concerns now seem almost foreign. A.R. Gurney penned The Old Boy in 1991, a time when it was an act of bravery for a candid...
The stories found in our history books aren't always exactly true. Little Lord's Pocahontas, and/or America, currently at the Bushwick Starr, uses the famous colonial story of the feisty Native American princess to illustrate the misconceptions our ...
A quote I often find myself recalling comes from the sociologist Erving Goffman: "Nothing exists like another person for bringing alive the world within oneself." Goffman, whose writings greatly influenced some key theater figures of the 1960s, incl...
For a comedy-drama about an African-American brother and sister trying to run an after-hours joint out of their basement, Dominique Morisseau's Detroit '67, at the Public Theater, requires a surprising amount of stage blood. Every scene takes place ...
What to do when your husband is dead, a revolution is raging in the streets--and your new monologue just isn't working? In Neva--written and directed by Chilean playwright Guillermo Caldern, and now playing at the Public--we travel to politically t...
It can't be a coincidence that "one-upmanship" has that "man" right in the middle of it, can it? Guys' hopeless need to trump each other powers the bravura (bro-vura?) comedy of Bill Irwin and David Shiner's Old Hats, a vaudevillian lark that's all ...
The improbably named Liz Magic Laser (yes, that really is her name) is a 21st-century Paddy Chayefsky. A hugely talented, unlikely 31-year-old art star who became famous in 2011 for staging I Feel Your Pain--a piece of interactive theater combining ...
To glimpse Donyale Werle's set for Rajiv Joseph's The North Pool at the Vineyard is to return to the futility, pettiness, and misery of high school. (And I actually liked my high school.) Joseph locates this contrived two-hander in the office of Vic...
Art is unjust. Its first rule is that there are no rules, and its second is that, if you don't have some to follow while you're creating it, a royal mess will probably result. This week, two new editions of old musicals are cases in point. One sets ...
Everybody loves Falstaff. The rotund knight--his appetite for life as large as his corpulent body, his respect for truth and conventional morality as small as his desire to pay his bar tab--is one of Shakespeare's best-beloved creations. He's so viv...
In the opening scene of Lucy Loves Me, at INTAR Theatre, Milton (Gerardo Rodriguez, deliciously perverse) a bachelor in a robe, wrings a bleeding chicken into the bathtub. Then, stripping to a thong, Milton spread-eagles over the tub and mimes inter...
She clambers up through a trap door, emerging onstage with a collection of tatty faceless dummies in tow. They're swathed in duct tape, and names are stenciled on their chests: One is John (her first husband), another Bobby (his brother), and a third...
We get ourselves through the monotony of daily life however we can. The stories told about high-school football are filled with bigger hits. The memory of our first kiss tastes a bit sweeter. We lie to ourselves simply because it's often just easier ...
"Authors are just notoriously difficult," says the publicity director in Jessica Francis Kane's story "How to Become a Publicist" from her 2002 collection Bending Heaven. While this might be true of some writers, we can't imagine anyone saying it of ...
A sense of humor about the macabre, as well as a love for the underbelly of American society pervades "Zoe Strauss: 10 Years," a survey of Strauss's work currently open… More >>
Many among the crowd that gathered around a patch of graffiti on the corner of a vacant, crumbling building in Tribeca earlier this month had no clue why they stopped… More >>
What do you picture when you hear the word magician? Maybe David Copperfield. Or a birthday party. "Magic suffers from the people who do magic," Derek DelGaudio says. DelGaudio and Helder Guimarães,… More >>
Sometimes, a few well-delivered laugh lines are what makes a production tick. Other times, though, straining for levity strikes a sour note—especially when the subjects at hand are rape, murder,… More >>
Fictional characters are such hapless creatures. Doomed to lives composed of unfortunate choices, secrets, and tragic flaws, their faith supported by mere circumstantial evidence, they flounder in the footlights. These… More >>
Classic Stage Company’s new production of Romeo and Juliet—ably directed by Tea Alagić—has a lot going for it. Unfortunately, some of its virtues are double-edged. It’s admirably uncluttered: The sparse… More >>
When Sean O'Casey put pen to paper for Juno and the Paycock, the 1924 Dubliner domestic drama set against the ghastly Irish Civil War, the playwright's country was in a… More >>
Odd that a play so steeped in loneliness should burst with such life. The Team's RoosevElvis, a stirring, absurd, and grandly human historical-cosplay road-trip fantasia, centers on a depressed North… More >>
The Roundabout's Broadway house specializes in well-upholstered revivals. Few come better carpeted, curtained, and papered than The Winslow Boy, Terence Rattigan's 1946 play about a family seeking justice for a… More >>
As David Adjmi's Marie Antoinette begins at Soho Rep, actors array tiers of delectable pastel macarons. You might be tempted to snatch one. Restrain yourself. Adjmi is a playwright with… More >>