After Earth (2013)
Average Rating: 3.8/10
Reviews Counted: 179
Fresh: 20 | Rotten: 159
After Earth is a dull, ploddingly paced exercise in sentimental sci-fi -- and the latest setback for director M. Night Shyamalan's once-promising career.
Average Rating: 3.7/10
Critic Reviews: 39
Fresh: 4 | Rotten: 35
After Earth is a dull, ploddingly paced exercise in sentimental sci-fi -- and the latest setback for director M. Night Shyamalan's once-promising career.
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Average Rating: 2.9/5
User Ratings: 102,198
Movie Info
A crash landing leaves teenager Kitai Raige (Jaden Smith) and his legendary father Cypher (Will Smith) stranded on Earth, 1,000 years after cataclysmic events forced humanity's escape. With Cypher critically injured, Kitai must embark on a perilous journey to signal for help, facing uncharted terrain, evolved animal species that now rule the planet, and an unstoppable alien creature that escaped during the crash. Father and son must learn to work together and trust one another if they want any
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Cast
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Will Smith
General Cypher Raige -
Jaden Smith
Kitai, Kitai Raige -
Zöe Kravitz
Senshi Raige -
Sophie Okonedo
Faia Raige -
Lincoln Lewis
Running Cadet -
Sacha Dhawan
Hesper Pilot -
Chris Geere
Hesper Navigator -
Kristofer Hivju
Security Chief -
David Denman
Private McQuarrie -
Glenn Morshower
Commander Velan -
Jaden Martin
Nine-Year-Old Kitai -
Sincere L. Bobb
Three-Year Old Kitai... -
Monika Jolly
Female Ranger -
Diego Klattenhoff
Veteran Ranger
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All Critics (179) | Top Critics (39) | Fresh (20) | Rotten (159) | DVD (2)
Most disappointing is the film's lack of ambition, as what could have been a sparky mainstream space opera becomes just another tedious jungle chase movie.
The movie takes off from a concept as basic as a videogame, and it sticks to that concept, without surprise.
A film in which the text and subtext-an effortlessly gifted father presses his less-talented son to follow in his footsteps-are in perfect alignment. Alas, only in one of the two does the story end happily.
By the standards of M. Night's Shyamalan's recent films, After Earth is surprisingly not horrible.
It's no classic, but it's a special movie: spectacular and wise.
It's impossible to take this movie seriously, certainly not as seriously as it takes itself.
Pompous, humourless tosh.
After Earth isn't the all-out disaster some would have you believe, but it certainly isn't the win Shyamalan sorely needs at this point. What happened to the guy who made Unbreakable?
Shyamalan's worst habits end up overwhelming the most formidable assets at his disposal: the Smiths.
As the story moves along with an almost medicating dullness, so antiseptic and square and insulated from any fun or spark or non-self-seriousness, the entire movie has that plastic-wrap feel of a hermetically-sealed Hollywood vanity project.
The thinness of the story is its greatest undoing, culminating in an anticlimax that is distinctly unsatisfying.
...a step in the right direction for beleaguered filmmaker M. Night Shyamalan...
By any fair measure, After Earth is actually quite a nifty, pacy adventure film, even though it was directed by M. Night Shyamalan, who has not made a good film since his 1999 debut The Sixth Sense.
Uneven father-son post apocalyptic space adventure still a minor comeback for the director.
The dejected Will Smith is forced to inject himself with pain relief. The label warns that the drug could cause extreme drowsiness and impaired vision. One can only imagine that Will was suffering from both when he agreed to film this daft script.
This movie... is about nobody's pleasure or deep vision. It is, instead, about positioning two actors in the power structure of the film industry.
It is ironic that a film about a son following the legacy of his father has seen the Smith family shoot themselves in the foot in their second outing as a collective.
Part Scientology tool, part extremely ill-conceived familial gift (wouldn't it be better to let your kid go to school than ask him to endure endless takes in a greenscreen studio?) and part blatant money-making attempt.
Stay home. Paint something. Watch it dry. It'll be more rewarding.
Shyamalan mashes up the man-vs-nature journey with some post-apocalyptic sci-fi stuff, and neither manages to hold audience interest.
Visually impressive but sadly incredulous, "After Earth" is only redeemed by the performances of the Smith family.
At least it's a step-up on The Happening and The Last Airbender. Compared to those, After Earth looks like Citizen Kane. But that's not saying much.
It made me believe I'd been transported to a Hollywood studio backlot, where Smith family movies are made.
It makes Oblivion look like 2001 in comparison.
At its core, the movie is a formulaic coming-of-age story about a precocious son trying to prove his worth to his overbearing absentee father, as well as a predictable tale of wilderness survival against the odds.
If you're going to engage the audience, you need someone who is strong and charismatic. Jaden Smith is not that.
Audience Reviews for After Earth
Super Reviewer
Super Reviewer
In a sloppy bit of exposition, we're told that humans left planet Earth after we made it too unsustainable. The human race then colonized an alien world except that the indigenous aliens weren't too happy about this. The aliens made a space monster, known as an Ursa, which would track and kill human beings by sniffing out their fear pheromones. Cypher Raige (Will Smith) rises in the ranks of the Ranger corps because he has the unique ability to "ghost." Because the man does not register fear he is able to sneak around the Ursa as if invisible. His relationship with his teenage son, Kitai (Jaden Smith), is strained at best. Dad has been gone a long time and has high standards for his boy; the kid has to refer to him as "sir" even at the dinner table. Father and son are traveling through space when their ship crash-lands on good old Earth. Cypher's legs are broken and he entrusts his son to make the trek to send out the distress call. The dangers of Earth, we're told, have only magnified since humans left, and the Ursa onboard their ship has escaped.
Oh boy, where to even start with this one?
I've got a great idea, let's take one of the world's most charismatic actors and then turn him into a stone-faced hardass, terse with words of encouragement, and mostly sidelined so that his son can go on his stupid hero's journey. I suppose Smith deserves some credit for stepping outside his comfort zone to play against type, but that praise only matters when the portrayal works. Smith is arguably miscast in his own passion project. That's because this was really a $130 million dollar birthday present to his son, trying to use dad's star power to establish Jaden as a star. It's less a movie and more like a product launch. On its face, I don't really have an issue with this. Nepotism has been alive and well in Hollywood for over 100 years and those in power have been producing vanity vehicles for their beloved for even longer. What I chafe at is that the finished product is so lacking and unconvincing. Jaden was cute in 2010's The Karate Kid remake, a movie that was far better than it ever should have been. Unfortunately, After Earth came at that special time in his life known as puberty, so he gets his lanky, squeaky-voiced, awkward growth stage forever captured on film. Thus when he gets into a huff, squeals at his dad, and then become the world's most improbable super warrior by film's end, it mostly brings about snickers. You don't buy a second of this character's ascent to hero.
Let's tackle the ultimate elephant in the room here, namely the involvement of Shyamalan. This is his first project he didn't conceive; Smith himself came up with the story and personally hired Shyamalan. Who deserves more of the blame? There's a reason why the marketing for After Earth has not breathed a word about Shyamalan's involvement. In my theater, when the end credits appeared and it opened with Shyamalan's director credit, the guy behind me remarked, "Well, that figures." His sense of dissatisfaction now had a tangible culprit. It's almost become a joke how much of a critical punching bag Shyamalan has become as a filmmaker. The man has genuine talent but it's five duds in a row (I am counting The Village) and not even the world's most bankable star could have saved this movie. As anyone who witnessed the atrocious Last Airbender can attest, Shyamalan is not a filmmaker who works well with a big special effects canvas. I'd suggest that Shyamalan, besides taking some time off, which may be a self-prescribed death sentence in Hollywood, find a smaller project to foster, perhaps something more personal and intimate. Nobody except the sadistic enjoys watching once-promising talents keep hitting a brick wall. Then again, people also dislike having to pay for terrible movies, especially when the director of said terrible movies keeps getting the opportunity to deliver more disappointment.
The plot, which Shyamalan is credited as a co-writer for, is so dull that I found myself almost falling asleep. You would think father and son surviving crash on a hostile alien world would be packed with survival thrills and excitement. You'd be wrong. It's as if Shyamalan takes a page from Smith's ranger character, and just goes about its business in the most thankless, ho-hum, undeterred manner. When we have characters that don't react to the danger they're in it has the misfortune of feeling less real, less urgent, and less dangerous. This was a problem with The Matrix films when Neo became a super being because then the stakes evaporated. It's hard to sympathize with characters that don't reflect the reality of their setting. With that said, so much of this script is just Kitai running off and running into different animals. He meets monkeys. He meets a tiger. He meets an eagle. He meets a slug. Scintillating stuff. Such ambition. If this is what the execution was going to be like, why didn't Smith and Shyamalan just make the planet an actual alien world? It would certainly open up the storytelling options. Or they could have gone in the opposite direction, setting this survival tale on a modern Earth. That would probably have made it much more relatable and resonant and also far cheaper.
The character back-story is also woefully familiar and just as ineffective. Before it even happened, I knew that there would have to be some tragic personal history so that Kitai could overcome his past. We're given some cringe-worthy moments of flashbacks to the family's happier times, when Kitai's older sister Senshi (Zoe Kravitz) was still alive. It's a plodding and contrived plot device for the father to preposterously blame his son for, who was like seven years old at the time. I kid you not, during one of these oh-so-necessary flashbacks, Senshi tells dad she got a copy of Moby Dick and a boy let her hold it. Dad doesn't get it, though I don't know if this is meant to be some lame sex joke. This back-story is ladled in with no real logical connection to events. All of a sudden, Cypher will be thinking about his broken leg and then, whoosh, we're thinking about Moby Dick.
There's also the issue of its tenuous grasp on reality. I know this quality is a give-and-take depending upon the tone of the sci-fi film, but After Earth is so drearily self-serious that it becomes even more unbearable when it so clearly conflicts with credulity. This movie's big message that it pounds into your head repeatedly is that fear is a choice, fear is not real, and that fear is a hindrance for mankind's progress. This is nonsense. Fear is what kept our ancestors alive rather than trying to play with larger predators. Fearlessness is a great way for your species to end. You know an animal without fear? Lemmings. The fact that the movie has to literalize this conflict in the form of a fear-smelling alien monster is just beyond absurd. Let's keep this literalizing-of-theme going; maybe next the aliens will fashion a monster that smells intolerance or illiteracy. Why are these aliens even genetically creating a monster to do their dirty work? If they have the superior scientific prowess to create a gnarly beast, I'm pretty sure they can take care of mankind. On top of this assertion, why would you make a beast that is effectively blind and only reliant upon one sense and then you limit that one sense to "fear"? Why not just have the alien monster smell human beings? That seems to make a lot more sense.
What also buggers my mind is the fact that, according to After Earth, everything on the planet has evolved to kill humans. First, I don't think substantial leaps in evolution work in meager thousand-year spans; secondly, these evolved creatures are really just slightly larger versions of familiar animals, which doesn't really make much sense either; and lastly, if humans have been off planet for a thousand years, how did these animals evolve to kill something they no longer have any interaction with? Then there's the fact that the Earth drops rapidly into freezing temperatures overnight, for no good reason. How do all those plants survive? As an extension, Kitai's super suit is just a prime example of a poorly developed idea that just as easily could have been abandoned. He has a special leotard that changes to his environment. We'll watch it change colors though we're never given any worthwhile reason why this is happening. However, Kitai's suit will not shield him from Earth's sudden temperature drops. So he's wearing this super suit that adjusts to his environment... except temperature? If you're going to present something all super scientific and then give it such obvious limitations, then you never should have introduced it in the first place. This is an ongoing theme with the film.
Then there are just nit-picky things like my total distaste for the production design of this movie. The spaceships look so chintzy. They have plastic flaps separating sections, like what you'd see in an office building when there's construction. The spaceship interiors, as well as home interiors, also look like some bizarre mix of honeycomb and bamboo. I'm all for thinking outside the box when it comes to futuristic design, but this is just stupid. One of the great possibilities of sci-fi is to capture our imagination with out-of-this-world visuals, the unfamiliar, the spectacle of the alien. If your spectacle is good enough, it can even save a so-so movie, like last year's Prometheus. Being stuck on Earth, only slightly different, emphasis on slightly, fails to deliver anything visually that will captivate an audience too often settling into boredom. Apparently After Earth looks pretty much like Earth except for Mount Doom popping up. The special effects are also lackluster and the score by James Newton Howard will try and trick you at every turn into thinking what's happening onscreen is a lot more interesting than it is.
If you value your entertainment, please ignore After Earth. It doesn't even work from a derisive enjoyment angle. The movie is lethargic and unimaginative to its core. It's predictable at every turn and underwhelming throughout. The plot consists of the most boring father-son team in recent memory and a hero's journey that feels false at every step. This big-budget star vehicle doesn't work when its star doesn't have the intangibles to be a star, nor does it help when the story is so poorly developed. The science feels boneheaded, the characters are dreary, the pacing sluggish, the spectacle clipped, and the world building to be bland. The shame is that this premise, even this exact same premise on a future Earth, could have easily worked as a suspense thriller. Smith seemed more interested in building an After Earth enterprise, since companion books were commissioned, and extending the reach of the Smith family empire. Making a good movie, it seems, was secondary. Being fearless also has its disadvantages.
Nate's Grade: D
Super Reviewer
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- General Cypher Raige: Do you know where we are?
- Kitai Raige: No, sir.
- General Cypher Raige: This is Earth.
Discussion Forum
Topic | Last Post | Replies |
---|---|---|
Tomatometer predictions? | 2 months ago | 275 |
Guys, what's wrong with M Night as a director? He's just had some bad writing for his last bunch of films. | 13 days ago | 263 |
Thoughts? | 15 days ago | 120 |
The twist at the end of the movie is... | 6 hours ago | 74 |
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Foreign Titles
- After Earth (DE)
- After Earth (UK)
The plot is as old as the hills, ye olde coming of age drama between a father and his boy, this one happens to be set 1000 years in the future on a distant planet. Put simply Will Smith ('Cypher Raige'...really? is that space age name cool enough for you Mr Smith?) thinks his boy is a failure for not becoming a space ranger action figure type bloke, so there is much resentment between the two. On a final mission Smith Sr. brings Jr. along for the experience, but they hit a snag midflight with pesky asteroids and are forced to crash land on Earth. Now its up to Smith Jr. to save the day and gain his fathers respect by saving both their lives, can he manage it?! tune in next week folks, same channel, same tim...
Oh and there's that whole planet Earth being made uninhabitable from man made pollution issues and humans having to abandon it...part. Now Earth is some huge wild jungle free from mankind (not any trace at all? really? no ruins?) and has evolved into a ferocious predator filled world that time has forgotten. All that was missing was Doug McClure.
The main problem with this film which I think everyone has mentioned is the fact Jaden Smith is a seriously lacking actor, he clearly has no natural talent for it and comes across wooden, lifeless and amateurish...although he is still young for sure. Its quite clear Smith Sr. is creating a fast food/instant movie star situation with his boy by getting him in big movie roles and trying to force him to the top. Smith Sr. wants this to happen big time in my opinion, I'm sure Smith Jr. does too but I don't think he's actually got the flair or natural ability.
The other issue is Smith Sr. tries to act seriously here, or tries something, not sure what, but it doesn't work. His performance is terrible, verging on B-movie standards. He's suppose to be a by the books, hard lined, emotionless, fearless, stoic military leader who certainly doesn't mollycoddle his son in any way. This means Smith Sr. is basically an unlikable character, not good, but it also means that Smith Jr's goal is to be like his father, an emotionless robot with no soul. This pretty much means that both the lead characters are unlikable and emotion in the film is cold and forced, or so it feels.
At no point did I really care about either of the lead characters, even at the very end, I didn't give a hoot frankly. The human emotion was as plastic looking as the ships interior, and that's pretty darn plastic!. So Smith Sr. sits out all the action in this film and simply sits around looking stern, whilst Smith Jr. is our hero and has the same expression of a goldfish the entire time. Oh he also whines quite a bit too, he's actually a bit annoying.
Smith Sr. gives Jr. this all encompassing speech about what to do and what not to do before sending him on his way. Then literately within the first five minutes of setting off the kid ignores what his father says, gets himself chased by a posse of large killer baboons and finally stung by a poisonous leech, no wonder this kid failed his space cowboy test thing. Luckily they just happen to have the correct antidote for the leech bite so never mind. I did feel sorry for him towards the end though, he reaches the tail end of the ship and finds out he's now gotta climb a huge volcanic mountain on top of it because the flare/beacon thing has no signal! these space age service providers huh sheesh!.
The whole film looks good as do all films these days, the special effects are touch and go, CGI in abundance of course but not the best. The scenic views of Nova Prime are very nice at the start as are all the location shots throughout but props and sets are curiously average looking. As I already said the interior of the spaceship is very odd, its all beige and looks like its been made out of cardboard and plastic, visibly shakes too. What was that carwash brush section that Jaden walks through?? what the hell was that?!, plus all the equipment used and the 'Ursa' egg all looked very poor.
One thing that did spring to mind throughout, why doesn't anyone have any futuristic guns of some kind? surely these space ghosts would carry a gun for emergencies?. It just seems so forced that this accident happens and they are stranded on a prehistoric Earth with only a Predator spear to protect them, trying to make it a desperate primeval survival flick much??. Plus the suits both the Smith boys wear, they are futuristic gizmo's right, don't they at least have an internal temperature control? surely that is an obvious gadget to include when designing?. No oxygen supply, battery pack, extra weapons concealed anywhere etc...pretty useless suit really isn't it, all it did was change colour.
The overall message about us humans is pretty definitive if you ask me, we messed up our own planet to the point that we had to abandon it, we then find another planet and claim it as our own when it clearly belongs to another alien race (or is looked after by another alien race). All this says to me is the human race are in fact like a disease, we are infectious and bad for a planets ecosystem. In this film clearly we have upset another race by invading this planet, why don't we just find another planet?.
Its not all bad, I liked the mystery behind the alien race that unleashes the Ursa, nothing given away there which is fine, I quite liked the Ursa too. I think they captured a futuristic Earth without humans nicely...that's about it. Its a weak survival film really, you're never in any sort of fear about what's gonna happen, you know everyone will be OK, no suspense or real drama, its all very shallow and amazingly rudimentary.