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Tabu

Tabu (2012)

tomatometer

79

Average Rating: 7.1/10
Critic Reviews: 14
Fresh: 11 | Rotten: 3

No consensus yet.

audience

77

liked it
Average Rating: 3.8/5
User Ratings: 1,457

My Rating

Movie Info

Acclaimed director Miguel Gomes returns with a sumptuous, eccentric two-part tale centered on Aurora, shown first as an impulsive, cantankerous elderly woman in present-day Lisbon. When Aurora is hospitalized, she sends her neighbor, Pilar, to pass word of her grave condition to Gian Luca, a man of which no one has ever heard her speak. Pilar's quest to fulfill her friend's wish transports us to Africa fifty years earlier, before the start of the Portuguese Colonial War. We see Aurora again,

Unrated,

Drama, Special Interest

Miguel Gomes, Mariana Ricardo

Oct 29, 2013

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All Critics (51) | Top Critics (14) | Fresh (44) | Rotten (7)

It takes a while to get to the meat of the movie, but it's well worth the wait.

April 5, 2013 Full Review Source: Washington Post
Washington Post
Top Critic IconTop Critic

It almost seems a parody of willfully obscure art-house fare. Yet it has an undertow that sucks you in as often as it strands you back on shore.

February 14, 2013 Full Review Source: Boston Globe
Boston Globe
Top Critic IconTop Critic

A kind of jigsaw puzzle, spiced up with references to "White Mischief," "Out of Africa" and "The Snows of Kilimanjaro," that will frustrate some audiences and fascinate others.

February 7, 2013 Full Review Source: Seattle Times
Seattle Times
Top Critic IconTop Critic

The audience is left to imagine much of the story, though it is clear it involves love, betrayal, guilt, regret and a recurring crocodile.

January 24, 2013 Full Review Source: Los Angeles Times
Los Angeles Times
Top Critic IconTop Critic

Portuguese director Miguel Gomes' latest film moves through different styles and eras, and proves that shooting in black and white is as versatile as it ever was.

December 28, 2012 Full Review Source: New York Post
New York Post
Top Critic IconTop Critic

Few films are this smart about subtly couching their allegorical aspirations within more straightforward narratives; fewer still are able to do so with such energetically inventive virtuoso style.

December 27, 2012 Full Review Source: NPR
NPR
Top Critic IconTop Critic

It's one of those rarities when too many compliments are not enough and the recommendation to see it as soon as it's near you cannot be stressed enough.

September 27, 2013 Full Review Source: The Playlist
The Playlist

The art-house film transcends some absurd moments and leaves us with a lyrical and magically satisfying romantic adventure story that is both eccentric and sublime.

June 5, 2013 Full Review Source: Ozus' World Movie Reviews
Ozus' World Movie Reviews

It's far-from-enthralling.

May 17, 2013 Full Review Source: 3AW

While the path through this unconventional film is not always obvious, it is a sensuous, mysterious and intoxicating path worth taking.

May 16, 2013 Full Review Source: Cinema Autopsy
Cinema Autopsy

This beguiling and eerie tale of illicit romance and nostalgia for lost love is one for the patient and the adventurous.

May 14, 2013 Full Review Source: Screenwize
Screenwize

If you are still awake after the first hour of this challenging and often off-putting film from Miguel Gomez, you may find unexpected ethereal rewards in the second half, when a curious, dialogue-free narrative transports us into another realm

May 12, 2013 Full Review Source: Urban Cinefile
Urban Cinefile

Every so often a film comes along that recharges your love of cinema. Miguel Gomes' Tabu is just that gem: a film of such artistry and daring that you'll be left dazzled by the possibilities of the medium.

May 1, 2013 Full Review Source: Limelight
Limelight

The latter part of the film recalls 1987's "White Mischief," but in Gomes's hands, the story becomes much more...the past and the present continually flow into one another...

February 11, 2013 Full Review Source: Reeling Reviews
Reeling Reviews

The black-and-white cinematography and silent-film feel are haunting and nostalgic, and Aurora's story encapsulates a broader, bittersweet truth about the perils of tinted memory.

February 7, 2013 Full Review Source: Oregonian
Oregonian

For a decades-spanning, country-hopping romance on a low budget, "Tabu" looks great...it intentionally evokes in aesthetics, settings and/or plot elements such cinematic classics as "Casablanca," "The Postman Always Rings Twice" (1946) and more.

January 27, 2013 Full Review Source: Movie Dearest
Movie Dearest

The influences of Murnau's 1931 black-and-white Tabu are more thematic than stylistic in this uncategorizable new film

January 24, 2013 Full Review Source: honeycuttshollywood.com
honeycuttshollywood.com

If in the first half Gomes dares the audience to be bored, the second half is a cinephile's payoff.

January 15, 2013 Full Review Source: Boston Phoenix
Boston Phoenix

Patient viewers will find some rewards with a quirky and charming film that develops a wealth of emotional depth.

January 14, 2013 Full Review Source: Cinemalogue.com
Cinemalogue.com

A dreadfully slow screenplay in the second half undercuts the interesting handling of black and white exposition.

January 14, 2013 Full Review Source: Monsters and Critics
Monsters and Critics

Audience Reviews for Tabu

"Tabu" starts with Pilar(Teresa Madruga), a middle aged woman, watching a period piece about a tropical explorer who kills himself after being confonted by a ghost. In real life, she is stood up at the Lisbon airport by a young Polish woman she was hoping to host. That leaves her plenty of time to cope with Aurora(Laura Soveral), her elderly neighbor, after Santa(Isabel Cardoso), Aurora's maid, alerts her to her going to a casino where she promptly loses all of her money before possibly pawning her furs for a return trip. Pilar is in charge because Aurora's grown daughter made only a hasty visit when she returned to Portugal for the holidays to visit her husband's family.

"Tabu" is a beguiling allegory about how Portugal deals, or does not deal with, its colonial past, as the past seems insistent on returning to haunt the present. For example, Aurora is not merely going senile but becoming her younger self again.(That might explain a crocodile making an appearance in both the prologue and the second half. Or maybe the director just likes crocodiles.) By contrast, Santa and Pilar seem intent on breaking such a cycle; Santa by reading 'Robinson Crusoe' while Pilar takes up various forms of activism. As time moves day by day in the present and by the month in the past, both have a lovely colorless dreamlike intensity while the past has sound effects, musical numbers but no dialogue. At least in Portugal, they take down their Christmas decorations in a timely fashion.
January 6, 2013
Harlequin68
Walter M.

Super Reviewer

This is a b&w; film in two parts: the first (Paradise Lost), we didn't get, at all. And the second (Paradise) wasn't exactly blissful but it did have an ethereal feel of a faraway exotic land, granted. What I did enjoy was the sometimes-hilarious narrative, and Mario's antics. The old painter was pretty funny too.
June 14, 2013
Doesn't sound like a storyline I'd like to watch.
October 28, 2013
Ambitious and unique are two words that come to mind when talking about Miguel Gomes' film Tabu, yet they still do not seem to do the film enough justice. Truth is that with its creative storytelling which expands on the boundaries of cinematic narrative and cinema meant as a form of language is incredibly remarkable and sets it aside from not only the conventional film structures but also from the art house one. It is experimental, yet ultimately the storyline which it chooses to follow culminates with a passionate love story set in the heart of Africa, which conceals adventure and romance much stronger than the socio-political implication that Gomes heavily hints at in the first part of this film. This could perhaps conceal a satirical reflection on art house cinema or at least the general perception of art house cinema. It is certain however that this also shows Tabu's unwillingness to be associated with any other work, whether commercial or art house. Of course, the beautiful aesthetic aspect of the film must be mentioned. Gomes makes a wonderful use of cinematography which is effective not only through the use of a particular type of black and white scale that recalls films of a time long gone by but also with careful framing that always tastefully fits the requirements of the story's unpredictable whims.
September 19, 2013

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Foreign Titles

  • Tabu - Eine Geschichte von Liebe und Schuld (DE)
  • Tabou (FR)
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