Byzantium (2013)
Average Rating: 6.4/10
Reviews Counted: 99
Fresh: 60 | Rotten: 39
Director Neil Jordan remains as expert as ever when it comes to setting a chilling mood, but Byzantium struggles to match its creepily alluring atmosphere with a suitably compelling story.
Average Rating: 6.2/10
Critic Reviews: 28
Fresh: 14 | Rotten: 14
Director Neil Jordan remains as expert as ever when it comes to setting a chilling mood, but Byzantium struggles to match its creepily alluring atmosphere with a suitably compelling story.
liked it
Average Rating: 3.3/5
User Ratings: 5,827
Movie Info
BYZANTIUM is director Neil Jordan's (Interview with the Vampire, The Crying Game) sexy and stylish fantasy thriller about mother and daughter vampires dealing with the pitfalls of eternal life. Two mysterious women seek refuge in a run-down coastal resort. Clara (Gemma Arterton) meets lonely Noel (Daniel Mays), who provides shelter in his deserted guesthouse, Byzantium. Schoolgirl Eleanor (Saoirse Ronan, Hanna, Atonement) befriends Frank (Caleb Landry Jones) and tells him their lethal secret:
Watch It Now
Cast
-
Gemma Arterton
Clara -
Saoirse Ronan
Eleanor -
Sam Riley
Darvell -
Jonny Lee Miller
Ruthven -
Daniel Mays
Noel -
Caleb Jones
Frank -
Ruby Snape
Wendy -
Jenny Kavanagh
Barmaid -
Thure Lindhardt
Werner -
Glenn Doherty
Steve -
Warren Brown
Gareth -
Gabriela Marcinkova
Anya -
Edyta Budnik
Nadia -
Barry Cassin
Robert Fowlds -
Uri Gavriel
Savella -
David Heap
Lap Dancing Client -
Caroline Johns
Young Clara -
Christine Marzano
Mrs. Strange -
Kate Ashfield
Gabi -
Jeff Mash
Mark -
Ronnie Masterson
Old Lady in Hospital -
Patricia Loveland
Old Lady in Hotel -
Maria Doyle Kennedy
Morag
ADVERTISEMENT
Friend Ratings
No Friends? Inconceivable! Log in to see what your friends have to say.
All Critics (99) | Top Critics (28) | Fresh (60) | Rotten (39)
Jordan is no stranger to the yearnings of vampires. He directed Interview With the Vampire. But Byzantium is a kinder, gentler yet pretty durn bloody affair.
Go ahead, bite.
A drama that feels both strenuously earnest and impossible to take seriously.
Byzantium has a few moves that might surprise you. They have nothing to do with blood, but everything to do with the heart.
A confusing yet eye-pleasing tale that struggles to breathe new life into the well-worn mythology.
Neil Jordan's sensitive and very slow exploration of vampire angst. That the film also seems intended as some kind of vampire feminist statement makes it a rare combination of mildly boring and mildly hilarious.
A gory Gothic thriller whose departures from traditional horror lore give the overworked vampire genre a rejuvenating transfusion of new blood.
There might be some sort of muddled feminist moral to all this, but by the time the overlong Gothic happenings conclude (with a nicely bloody finale), it's hard to recall what it might have been.
Byzantium is a connoisseur's vampire film; a vintage red.
Jordan's customarily stylish and elegant direction carries the film, and he's aided by the leads' outstanding performances...
With its share of haunting imagery, it's sporadically unsettling but never truly frightening.
New vampire movie lacks bite
This extremely elegant fantasy has roots in a plausible situation: maybe vampires don't exist, but there has been a child or two raised by a wolf...how do such children get their experience into words, get past the shame? Who will believe them?
With a magnetic performance from Saoirse Ronan, a surprisingly excellent performance from Gemma Arterton, and a deliciously peculiar spin on familiar lore, Byzantium is a refreshing take on vampires.
Jordan, true to form, moves fluidly between past and present toward an archly frenetic finale.
Byzantium offers a twist or two on the traditional vampire mythology ... but otherwise [its] gothic atmosphere and air of tragedy feel awfully familiar.
A vampire-hybrid movie: moody and compelling with terrific performances from Gemma Arterton and Saoirse Ronan.
The film doesn't offer the terror of some vampire stories or the swooning romance of others, but does provide a supernaturally tinged vampire tale for grown-ups.
It has a great mythical feel and is loaded with beautiful, haunting imagery. If you like "good" vampire movies, then you won't want to miss this
While Byzantium brings a dark sexiness back to the vampire genre, a stale story sucks out what life Neil Jordan is able to create while adapting Buffini's script.
Audience Reviews for Byzantium
Super Reviewer
So yes the title of the film actually refers to the hotel where the two homeless vamps shelter. The whole story is set within the town of Hastings, Kent on the south coast of England, didn't get that at first mind you, I thought it was up north somewhere. The two female vampires have lived for over two hundred years and their story originates around the Napoleonic Wars. Ever since that time they have survived on human blood and tried their best not to get noticed, but as time goes by it gets harder.
What is so interesting about this new angle to old vampire lore is females are not allowed to be vampires, yes you heard me. In this universe being an undead nightwalker is reserved for men only and passed on through the ages to chosen males of whom the current vampire takes a shine to, or sees promise in. So its basically like an old boys club. The main female lead (Arterton) steals a chance to become a vampire and of course turns her daughter (Ronan) too...and this is the main crux of the film. They have broken scared ancient laws and are being persued by male vamps who want to destroy the daughter (they accepted the mother on condition she didn't break their law on turning another female).
This is not the only change to vampire folklore that Jordan makes, in order to keep the whole concept fresh and somewhat more realistic or believable there are no fangs here, yes that's right no fangs. All blood letting is through the use of an extending sharp finger nail, sounds weak but it works (unless you break the nail! then what do you do!!?), but they do still drink from the wound as you'd expect.
The way in which vampires are created/born is turned on its head, it involves a scared secret mysterious island where the chosen must travel to (how has no one ever found this place though??). There they must enter a primitive cave/dwelling where their soul is taken. There aren't any crucifixes, garlic, stakes through the heart, coffins or any other cliched horror guff, vampires can be killed like any other regular human, although cutting off the head still seems definitive. Must also point out that sunlight bares no hindrance for vampires in this world, although they do prefer the darkness.
Yet despite these changes, visually the film is very familiar. Elements from Jordan's previous vampire classic 'Interview with the Vampire' can be seen throughout here. The whole story could easily be another chapter from the Anne Rice universe. We see the tale through the eyes of both the mother and the daughter but mainly the mother. Lots of flashbacks from the 18th century depicting what happens to the mother, how she turns, how she has her daughter and the decisions she has to make to protect and turn her daughter, her general quality of life in that era. We also see similar things from the daughters point of view also.
Hadn't really thought that much of Gemma Arterton until now, she really nails her character here. A cocky, confident, cockney female who has clearly grown accustomed to the vampire lifestyle and has no issue in killing men for the good of humanity and to protect herself and her daughter. She was practically born into a world of prostitution and has carried on with the profession all through the ages making her tough. Obviously the femme fatale and eye candy of the film (gotta have a sexy female vamp right?), Arterton is undeniably beautiful and very cute making it hard to not wanna be a vampire alongside her or at least get snuffed out by her hand (if you gotta go).
The daughter is played by Saoirse Ronan and I admit I've never heard of her but she has the kind of looks that make me feel she could end up in a lot of horror flicks. Those kind of striking yet eerie Sissy Spacek looks that work very well in horror and dramatic roles. Her performance here is just as good as Arterton, probably better but you can't really compare as the characters are very different.
The daughter is a somber character, very heartfelt, merciful and sympathetic (yet no cockney accent?), she only takes the lives of elderly people, sick people (although wouldn't that risk her own life? can vampires catch anything from blood in this universe?) people who consent to it, which is nice but I'd imagine that would make life much harder for her. Probably why she dislikes being an immortal bloodsucker and resents her mother for it, the lives they must lead. It doesn't help of course that she falls for a young lad played by Caleb Landry Jones who looks and dresses like a character out of 'Children of the Corn' (hell even that guys name is like something out of an 80's horror, country bumpkin psycho).
The visuals are half and half in that half of the time we are in cloudy rainy Hastings which is kinda depressing, and the other half we are in 18th century Hastings. The 18th century sequences are nicely done, subtle and not overblown with massive CGI land/seascapes, merely the odd galleon out to sea, open countryside and a lot of decent interior sets. Costumes are lavish as you would expect but there isn't much effort on the vampire look, no paleness or glowing eyes, just regular looking people. If you weren't in the know the film could easily be a BBC drama, this is not a big gothic Hollywood production with fancy decadent sets and heroic fight sequences.
Everyone in the film puts in a good performance (including Jonny Lee Miller), that coupled with Jordan's keen artistic eye that encapsulates the typical grimy, gloomy, scuzzy English coastal seaside town against the romantic visuals of 18th century England, makes for a superb dark fantasy tale. Shame it has been somewhat overlooked with a limited release, highly recommended for all fans of the genre.
Super Reviewer
Byzantium follows two sisters who are the only female vampires in the world who have seek shelter at a local resort. Byzantium breaks new ground and challenges the genre with new ideas. These vampires can lead normal lives walking in the sunlight and obtain immortality by different means over getting bitten by another vampire. It's an original take on familiar creatures while keeping some elements we love. So no crosses, no coffins, no missing mirror reflection, no garlic make an appearance, but what does remain are their charm to lure in their victims and cold nature to kill. Our protagonists goals are relatable and their life stories are intriguing. We slowly learn of our protagonists past adding the dynamic to our protagonists relationship: with one being raised in an orphanage and the other forced to go to desperate measures for money. These two different ideologies of thoughts make ways to many realistic conversations between the two central female vampires on how to live as both struggle to survive from environment to environment for a decent life. Every character holds an importance in the film. Not just in key events, but explorations of the acceptance of death, loyalty, and reluctance to harm. If the plot has any flaw it comes in the climax. The climax is divert from it chilling atmosphere to a disappointing resolution. The reasoning behind this one action is explained, but lacks sufficient reasoning to justify it. Though a minor a complaint to compared to how brilliant everything was handled and how refreshing the experience is as a whole.
Saoirse Ronan delivers her best performance to date. Saoirse Ronan does a perfect job in giving her character whom you both understand and don't understand at the same time, a character whom you love and still are afraid of. She is reserved, quiet, intellectual, as oppose to actress Gemma Arterton who's the exact opposite. She is wicked, cruel, wretched, and seductively sinister. With both Ronan and Arterton together on screen you get an appropriate awkward chemistry that gets across the trouble relationship. The acting is terrific on all ends. Director Neil Jordan has created a one beautiful looking film. The color palette bounces between earthy ochre, pale whites and grays, to drizzled concrete exteriors and black rock mountains - and its atmosphere and composition all strike a specific, almost elegant chord. There are several images that will linger with you long after the film is over. The film contains a few moments of gore to satisfy those looking for some blood and all look convincing thanks to well done practical effects. Killing more brutally than the typical vampires we're accustomed.
Byzantium is a slow, but absorbing vampire film. It brings originality to a popular mythical creature doing so with complexity in its compelling characters struggles. Phenomenal performances from Saoirse Ronan and Gemma Arterton drawing you into the film and becoming invested with them. All with beautiful imagery that will stick with you once after it ends. Byzantium returns maturity into the mythical creature of vampires in inventive form that should not be missed those craving for a compelling character driven film or chilling horror film.
Super Reviewer
Even though it eventually runs out of steam and lacks much in the way of a proper ending, there is still much to like with "Byzantium," as director Neil Jordan uses a gothic and violent approach to the formerly moribund vampire sub-genre, while downplaying the eroticism, in order to show the true power of stories. Yes, admittedly, you would have to be blind to not notice how sexy Gemma Arterton is here but Clara uses her allure purely as a business transaction while Saoirse Ronan's transitional age works towards her character's creepiness. The movie also neatly employs camerawork and location work to blend the past and present seamlessly as Clara and Eleanor try to escape the patriarchy of a past era and whose arcane rules they still play by. For example, Eleanor tells no lies but hypocritcally engages in mercy killings in order to feed which is definitely against the Church rules she is trying to follow.
Super Reviewer
Discussion Forum
Topic | Last Post | Replies |
---|---|---|
I Had an Idea for a Movie Called Byzantium | 4 months ago | 0 |
What's Hot On RT
Bad Grandpa Tops Gravity
Old People Behaving Badly
Captain America: The Winter Soldier
The 75 best horror movies
See what's on TV tonight
Featured on RT
- Box Office Guru Wrapup: Bad Grandpa Tops Gravity 1
- Primetime Preview: Masters of Sex, The Walking Dead and More 2
- Weekly Ketchup: J.J. Abrams and Lawrence Kasdan to Finish Star Wars 7 Script 56
- Parental Guidance: Halloween Edition 3
- Primetime Preview: Grimm, Dracula and More 7
- Critics Consensus: The Counselor is Eccentric but Uneven 59
- Weekly Binge: Homeland 12
Top Headlines
- World Series Notches Another Ratings Victory for Fox 0
- Guillermo del Toro's Crimson Peak Scheduled for April 2015 0
- Jack Ryan: Shadow Recruit Moves to January 2014 0
- Clive Barker Writing Hellraiser Remake 3
- Comcast Offering HBO to Non-Cable Subscribers 0
- Tomas Alfredson Remaking Brothers Lionheart 0
- Paul Scheer Talks The League, His New Pilot, and More 0