More Reviews and Features
By David L. Ulin, Los Angeles Times Book Critic
The Pew report assures us that, even in the digital age, libraries continue to serve a variety of functions.
By Hector Tobar
In about 550 words, Richard Blanco's inaugural poem created a metaphorical country and took it through the journey of a metaphorical day.
By Carolyn Kellogg
The Story Prize finalists were announced, along with the debut of a new prize, the Spotlight Award, designed for the Story Prize founders to single out a work due additional attention.
By Carolyn Kellogg
Dan Brown's new thriller "Inferno," starrring his tweedy hero Robert Langdon from "The Da Vinci Code," will be published May 14 in hardcover and as an e-book by Doubleday.
By Hector Tobar
The late journalist Anthony Shadid, Los Angeles writer Reyna Grande and the novelist Zadie Smith were among the finalists announced Monday for the prestigious National Book Critics Circle Awards.
By Hector Tobar, Los Angeles Times
Cuban American Richard Blanco will not only be the first Latino poet to be so honored, but the first openly gay man to be selected as well.
By David L. Ulin, Los Angeles Times Book Critic
"Big Sur" is coming to the screen, in an adaptation directed by Michael Polish and starring Jean-Marc Barr; it premieres at the Sundance Film Festival in Utah later this month.
By Carolyn Kellogg
The Swann Gallery in New York is holding a large auction of 20th century illustrations that features the works of Maurice Sendak.
By David L. Ulin, Los Angeles Times Book Critic
There's a fundamental flaw in "Journalism Is Not Narcissism," the recent Gawker post deriding confessional nonfiction: The first-person essays he finds so self-indulgent are not journalism.
By Jenny Hendrix
The Depression-era tale of a killer and the teenage girl who becomes his companion, 'Hard Twisted' by C. Joseph Greaves is rich in detail and brutally told.
By Carolyn Kellogg
If you bought a copy of "Fifty Shades of Grey" for your e-reader, you are not alone -- not by a long shot.
By Jasmine Elist
The sun has risen on a new year, a time for (once the hangover has subsided) fulfilling all the resolutions we made.
By Carolyn Kellogg
We asked some smart bookish types if they have any particularly literary resolutions for 2013 — they've got some great ideas for kicking off the new year.
By Carolyn Kellogg
Who should you be reading in 2013? Memoirist Emily Rapp and short-story writer Jim Gavin, for starters.
By Hector Tobar, Los Angeles Times
This moving study of the country before and after the quake is both love letter and lament.
By Alice Short, Los Angeles Times
Fairy girl Gorse is a smart, modern heroine as she takes on curses and questionable characters in the Sleeping Beauty tale.
By Michael S. Roth
The author surveys and appreciates 29 visual artworks in 'A Journey Through Art From Egypt to Star Wars.'
By Jenny Hendrix
Plus, Jeffrey Fleishman coaxes mystery from forgetting in 'Shadow Man.'
By David L. Ulin, Los Angeles Times Book Critic
The 1957 novel seems to be Kerouac's attempt to mythologize his band of friends so that they would escape time. The new movie overlooks this element.
By Hector Tobar
It's the day after Christmas and all through the house, so much wrapping paper is spilling and suffocating my spouse.
By Carolyn Kellogg
The Christmas tree is a fixture as familiar as it is ubiquitous; but how well do you know the Christmas tree?
Looking for a book to give as a present, or a book of your own to read? Here's our holiday gift guide of fiction, nonfiction, coffee table books and more.
By Karla Starr
The author offers bold new ideas on how to benefit from strife, but his huge ego can get tiresome.
By Mikael Wood, Los Angeles Times
'The Holy or the Broken' by Alan Light follows 'Hallelujah' from Leonard Cohen in 1984 to Jeff Buckley in 1994 to recent pop culture ubiquity.
By Louis Bayard
Though its well-regarded writer calls the book a novel, it's better to read it as a gallery of fictional portraits. That way, we can appreciate his skill.
Aleksandar Hemon
Think the U.S. isn't up to participating in 'the big dialogue of literature'? The American-produced 'Best European' anthologies tell a different story.