Metascore

Universal acclaim - based on 41 Critics What's this?

User Score

Universal acclaim- based on 211 Ratings

  • Summary: Set in contemporary Iran, A Separation is a compelling drama about the dissolution of a marriage. Simin wants to leave Iran with her husband Nader and daughter Termeh. Simin sues for divorce when Nader refuses to leave behind his Alzheimer-suffering father. Her request having failed, Simin returns to her parents' home, but Termeh decides to stay with Nader. When Nader hires a young woman to assist with his father in his wife's absence, he hopes that his life will return to a normal state. However, when he discovers that the new maid has been lying to him, he realizes that there is more on the line than just his marriage. (Sony Pictures Classic) Expand
Score distribution:
  1. Positive: 41 out of 41
  2. Mixed: 0 out of 41
  3. Negative: 0 out of 41
  1. Reviewed by: Rene Rodriguez
    Feb 2, 2012
    100
    The movie has such a profound and compassionate understanding of human behavior, family ties and the way ordinary people respond when they're forced into a moral quandary, I can't imagine anyone not being transfixed by it.
  2. Reviewed by: Marjorie Baumgarten
    Feb 9, 2012
    100
    The story winds its way over the material, forcing the characters and the viewers to constantly reassess everything they have seen and heard.
  3. Reviewed by: Steve Persall
    Feb 29, 2012
    100
    It's a mystery wrapped inside an enigmatic nation, flawlessly acted and difficult to predict. I'm always impressed when a movie informs about a foreign culture while it entertains, and this one is powerful art in that regard.

See all 41 Critic Reviews

Score distribution:
  1. Positive: 57 out of 62
  2. Negative: 2 out of 62
  1. 9
    This review contains spoilers, click expand to view. A tragedy of errors with a very easy to see political analogy: The old father is Iran. A country with Alzheimer forgetting its own people. An incontinent regime pissing on its youth. The unborn child stands for a free democratic Iran, killed before birth. Where? On the same street where the green revolution, the embryonic state of democracy, was killed in 2011. Pregnant Razieh tries to rescue the old man/the country/her income for the sake of the future generation. The two couples stand for the majority in Iran. In spite of good intentions most of the time they lie, fight or escape the country. Too loyal or afraid to see the truth: Rashomon in Iran. Very ironic that the Iranian leaders praise the movie and don't see the obvious, like fish don't notice the sea or the five blind men can't recognize the elephant they feel. Only the children see the reality and offer some hope. The little girl plays with the oxygen levels. The choice of Termeh in the final scene is the choice the youth in Iran stands for: leave the country or stay and revolt, again. Shirin Yazdi Expand
  2. I appreciate the candid view of life in the Middle East. Americans are not often treated to such subtle portrayals of the region- in fact, this is the first Iranian film I (and probably many others) have ever seen. For that, I am glad to have seen A Separation. Accurate representations of other cultures are always fascinating. And yet, I did not enjoy this movie. Almost everything about it- the acting, the direction, the editing, the dialogue- was superb. Technically, it is a masterpiece; a tightly wound, densely layered film made with a degree of finesse rivaling the best efforts of Hollywood's elite. And for all that, it fails, as do most films of the cinema verite style of filmmaking, for one simple reason: nothing good happens. It starts bad and goes downhill from there. There is nary a single ray of hope, optimism, or humor to lighten the relentlessly grim, depressing atmosphere that pervades A Separation from beginning to end. By the halfway point, it is apparent the film has been written in such a way so as to prevent a happy ending. The characters have gotten themselves so entrenched in their problems that redemption is out of the question. I am of the belief that the "life sucks" attitude so common in modern filmmaking is merely an excuse for lazy storytelling. It is easy to make things hard on your characters. It is even easier to make them harder. To resolve these issues in a believable and compelling manner- and to avoid sentimentality and predictability in the process- is a real challenge, and one that that many filmmakers, unfortunately, choose to avoid altogether. The consequence of this artistic lethargy is a hopeless, unresolved feeling in the viewer's gut that persists for hours, days even, after the credits roll. That is not why I- and many, many others- go to the movies. If I want to feel like crap, I'll read the news, thank you very much. Expand
  3. Don't waste your time. This movie is just a lot of shouting and arguing and little else. I can't believe it won an Academy Award. What were they thinking? Expand

See all 62 User Reviews

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