Last week, Digital Manga Publishing announced that it was re-licensing Erementar Gerad, which was originally published in North America by Tokyopop under the name Elemental Gelade. This move took manga fans by surprise, but as you will read below, Digital would like to re-license more older works—and they want to hear suggestions from fans.

No matter what you call it, this series is a fine fantasy story about a sky pirate, Cou, and an Edel Raid (a supernatural creature that can unite with a human to become a living weapon) named Ren. Together with three companions, they set out on a journey to a fabled land of gold, but kidnappers and other obstacles spring up along their way. The series ran to 18 volumes in Japan, but Tokyopop only released 12 in English. There is also an anime and a sequel, Erementar Gerad -Flag of Blue Sky-.

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The return of Sailor Moon, the demise of Tokyopop, and a huge move toward digital manga: 2011 was a year of big changes for the manga scene. Let's take a look at some of the main events.

The coming of Kodansha Comics: Kodansha, the largest publisher in Japan, decided to bypass the middleman and publish its manga directly in the U.S. in late 2010, and the line launched this past summer with a mix of old and new titles, including Gon, Until the Full Moon, Mardock Scramble, and Cage of Eden. Previously, Kodansha licensed its manga to Del Rey, which is an imprint of Random House. Del Rey has pretty much closed up shop (they still publish xxxHOLiC and a few OEL manga), but Kodansha has picked up many of their series, including Negima and Fairy Tail, and they are also publishing older series such as Love Hina in omnibus editions.

Sailor Moon returns: Kodansha's first announcement was big news for longtime shoujo manga fans. Sailor Moon was one of the first manga and anime series to catch on outside of Japan, and its success was largely fan-driven. Tokyopop published the original manga series, first in its magazines Mixxzine and Smile and then as small-format paperbacks, with the comic flipped to read from left to right. Tokyopop lost the license for the series sometime in the mid-2000s, and both the manga and the anime were long out of print when Kodansha Comics announced, earlier this year, that it was bringing the series back, in standard manga format and with a new translation. Not only that, but they licensed the two-volume companion series Codename Sailor V as well. Fans responded enthusiastically, and the first volume of Sailor Moon quickly sold through its 50,000 copy first printing—a phenomenal number for any manga not titled "Naruto." Read More...

As the holidays draw near, it's a busy time for manga lovers. Here at MTV Geek, we recently went over the week's new releases, previewed an entire chapter of CLAMP's new manga, Gate 7, and interviewed Fairy Tail creator Hiro Mashima. Here's a roundup of news from other places.

Manga Publishing

At Publishers Weekly, Danica Davidson takes a look at the popularity of manga art books, such as the Vampire Knight book we reviewed a few weeks ago.

If you're interested in what goes on behind the scenes in manga publishing, here is a bit of historical perspective. Two longtime manga editors spill the beans in Anime News Network's ANNCast podcasts: Jake Tarbox, the original editor of CMX Manga, and former Tokyopop exec Mike Kiley. Read More...

Over on the Tokyopop Facebook page, where disappointed fans are still getting the news that the manga publisher shut down its U.S. operations last May, Alexa TheSpider Norman asked yesterday,

Do you have any magic manga power left to resurrect yourselves? :C

That sort of question gets asked a lot, but yesterday, Tokyopop responded:

@Alexa Yes we do!

What's going on? Only Tokyopop CEO Stu Levy knows for sure, but over the past few days the publisher has been dangling some tantalizing hints that have fans puzzled and skeptical—and even wondering if Tokyopop's Twitter and Facebook accounts have been hacked.

On Tuesday, GeekChicDaily announced that Tokyopop would be coming back, not as a manga publisher but as an Asian culture newsletter. In a message on the website, Tokyopop CEO Stu Levy reminded readers that Tokyopop got its start as a magazine (then known as Mixxzine) that serialized Sailor Moon and Parasyte, among others, before the company went into the book business.

This got fans all riled up, so Tokyopop (no staffer is ever identified) posted on their Facebook:

Loyal Fans, we're very thrilled by your excitement but need to clarify: unfortunately we are not re-launching the manga - those properties have reverted to their owners and are amazingly difficult to get back. We’re launching an all new editorial TOKYOPOP newsletter about all things otaku and Asian pop-culture, powered by our friends at GeekChicDaily. We think you’ll really enjoy the news we’ll be bringing and apologize for the initial misunderstanding.

Got that? It's a newsletter. Not manga.

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It has been a busy week for manga lovers, with the debut of the new edition of Sailor Moon (and the prequel, Codename Sailor V), word that Tokyopop is considering coming back to life to publish the third and fourth volumes of Hetalia, the news that Fantagraphics is planning to publish the classic early BL manga Heart of Thomas, and the release of a Gurren Lagann artbook that will benefit the Japanese Red Cross Society.

At Rocket Bomber, Matt Blind takes a look at the past week's manga sales (tracking online sales, including pre-orders) and finds that Sailor Moon tops the charts.

Erica Friedman posts a manga reader's manifesto describing how she wants her digital comics—available anytime, anywhere, and cheaper than print.

Attention would-be creators: An English version of ComiPo!, a manga creation software from Japan, was released this week. Patrick Macias made a comic of his own to demonstrate the possibilities, and creator and critic Jason Thompson took it for a test run at Anime News Network.

Read and Discuss

Up front, I’ll say I found Usagi grating. She is also a good-natured, caring person. However, she is also very lazy and seems to always need rescuing. She certainly starts out having the steeper incline of development and maturity needed. She is the least likable character in the series. The other guardians are much more mature and developed persons.

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When the manga publisher Tokyopop shut down their book publishing operations last May, they left a number of series unfinished, much to the dismay of fans—especially those who were just one volume away from the end of Alice in the Country of Hearts, Saiyuki Reload, and Deadman Wonderland.

On Friday, Tokyopop CEO Stu Levy stirred up a storm of comments when he went on the Tokyopop Facebook page to ask the readers a question:

if there is a way to bring you Hetalia V. 3 but it's a bit more limited than back in the old days, would you be interested?

The post attracted 993 likes, as of this writing, and over 245 comments, but the comments were a very mixed bag. Many commenters asked Levy to publish new volumes of their favorite series instead, while others said that they would rather have no new Hetalia at all than a limited release that some fans couldn't get. While some readers were clearly thrilled at the idea of getting more Hetalia, several people pointed out that this would simply delay the transfer of the license to another company that would handle it more carefully. (There's a huge expectation that Yen Press would pick it up eventually.) This comment summed up the general tone of what many people were saying:

Go away, and let the licenses lapse so a CEO of a company that cares about publishing can pick them up. Remember when you said Tokyopop's licensed titles will revert back to their original owners, rather than being held by the company's remaining media division until the contracts expire. So stop dangling the carrot unless you will go all the way, because you're just insulting fans.

Levy posted again on Sunday with a few clarifications:

First, "limited" does not mean limited copies - all fans will be able to access the title. "Limited" here means channel (i.e. retail). Second, Hetalia #4 would be published as well. Third, other titles are different rights owners -...

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Shutterbox was one of Tokyopop's more popular non-Japanese series, but they only put out four volumes of the planned six-volume series; it fell victim to one of Tokyopop's periodic financial crises. Here's some good news, though: Creators Rikki and Tavisha Simons are now making volume 5 of Shutterbox available digitally through their online store, and they are working on a print edition—and on volume 6—as well. Read More...

The supernatural grade school comedy is hitting DVD November 1.
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There's a lot going on behind the scenes this week, as publishers get ready to head to San Diego for this year's Comic-Con. That means things can get a bit slow, but we have managed to round up the best of the past week's manga coverage.

We do have one new manga announcement to report: NBM will publish their first Japanese manga, Takashi Murakami's Stargazing Dog.

Back when manga were still pretty new in North America, a kid named Bryan Lee O'Malley ran across a sendup of the manga industry called Even a Monkey Can Draw Manga, by Kentaro Takekuma and Koji Aihara. Comics Alliance got the three creators together recently for a wide-ranging discussion of the evolution of manga and how O'Malley brought the spirit of manga into his own work. Read More...

Interval, one of the new manga announced by Digital Manga at Anime Expo

Interval, one of the new manga announced by Digital Manga at Anime Expo

The big manga news of the past week was the announcement of several new manga, most of them digital, at Anime Expo. Anime News Network and Animanga Nation have more detailed coverage of the con, and 2chan.us collects some Tweets by Japanese visitors to AX.

The really big news usually breaks at San Diego Comic-Con, which is in two weeks, and Deb Aoki looks forward to one of the announcements expected there: A group of Japanese publishers will unveil their J-manga online manga portal.

Best-sellers: Once again, Viz and Yen Press own the New York Times manga best-seller list, with vol. 51 of Naruto in the top spot and vol. 12 of Vampire Knight at number 2. There are a number of long-running series on this week's list—Fullmetal Alchemist, Bleach, Ouran High School Host Club—as well as both the first and second volumes of Blue Exorcist.

Secrecy of the Shivering Night (Japanese edition)

New books on the horizon: These haven't been officially announced yet, but Amazon sleuth Rachel S. found listings for two new boys-love manga from Digital Manga Publishing, Secrecy of the Shivering Night (Furueru Yoru no Himitsugoto) by Muku Ogura and Storm Flower (Hana no Arashi wa) by Runa Konjiki. Also hidden in the listings: a Megatokyo omnibus from Dark Horse. Read More...

We have some interesting manga to choose from this week: A Yakuza memoir, a supernatural shoujo story, and a few more posthumous volumes from Tokyopop, plus new volumes of Air Gear, Soul Eater, and some other ongoing series.

The most intriguing book of the week is Yakuza Moon: The True Story of a Gangster's Daughter, published by Kodansha International (not Kodansha Comics) and edited by Sean Michael Wilson. This is a graphic novel adaptation of the memoirs of Shoko Tendo, who was indeed the daughter of a member of the Japanese organized crime syndicate known as the Yakuza. Bullied at school, intimidated by her father's drunken rages, she falls into bad company but ultimately turns her life around through what the book blurb calls "a startling, unconventional act of empowerment." Sounds interesting. You can see a brief preview at the book's Amazon page.

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This is a big week for new manga releases, with the uncut edition of Tenjho Tenge making its debut, a last round of new titles from Tokyopop hitting the shelves, and lots of new volumes in continuing series like Fullmetal Alchemist, 20th Century Boys, and Higurashi: When They Cry.

If I could only buy one book from this week's new releases, it would be vol. 15 of 20th Century Boys. It's a tough pick because the series is pretty far along, but Naoki Urasawa's clear, expressive art, combined with a compelling story, make this one of my favorite manga. The story revolves around a group of boys (and one in particular) who once dreamed of saving the world and now find that a shadowy cult has taken their childhood game and turned it into a blueprint for world domination—which means these former friends are the only ones who can save the world. It's filled with plot twists and quirky characters, and I highly recommend picking up this series. Read More...

It was a fairly quiet week in the world of manga, with a handful of new releases from Digital, Seven Seas, and Viz to keep us from getting bored. Viz also announced the addition of six new series to its iPad app, including the relatively new Cross Game, the critically acclaimed Children of the Sea, and the classic shoujo manga Backstage Prince.

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So, the very same day I speculated about Tokyopop license rescues, two of their old series were picked up by other publishers—and they weren't the ones I guessed at all: The prequel and sequel to the classic series Great Teacher Onizuka and the global manga that Tokyopop created to tie in with the World of Warcraft universe.

Ed Chavez, marketing director for Vertical, Inc., announced on May 26 that Vertical has acquired the licenses for the prequel and sequel to Great Teacher Onizuka, a.k.a. GTO. The first ten volumes of the prequel, Shonan Junai-gumi, were published by Tokyopop as GTO: The Early Years, but the sequel, Shonan 14 Days, will be new to American readers. What about GTO itself? Chavez told Anime News Network that Vertical would consider picking up that series as well if the prequel and sequel sell well. Read More...

By Brigid Alverson

The news is all over the blogs that Tokyopop posted on their Facebook about the fate of their manga licenses, but we really didn't need to hear from the publisher to know what will happen: In Japan, for the most part, creators retain the rights to their work. When Tokyopop closes its doors for good, at the end of this month, the rights will revert to the creators.

Tokyopop has no say in what will happen to unfinished series, but in the past, creators have chosen to strike deals with other publishers. In fact, Tokyopop "rescued" several series, including Aria, Peace Maker, and Tactics, when ADV Manga lost the licenses.

There are two reasons why a publisher would pick up a license: To make a heap of money and to burnish its reputation as a publisher of quality manga.

Let's start with money. According to BookScan, Tokyopop's biggest selling Japanese manga was Alice in the Country of Hearts. Hetalia: Axis Powers also did well, especially considering that the first volume was released fairly late in the year, in September, but Alice in the Country of Hearts did outstandingly well, with over 18,000 copies sold of volume 1. The tricky thing about Alice, though, is that it's a six-volume series and Tokyopop released five—there is only one volume left. Publishers who rescue a license usually re-release the previously published volumes with new translations and their own trade dress; doing that for Alice would require a leap of faith that the audience wasn't already saturated. I don't know if Japanese licensors will even issue a license for a single book like that; if they do, it might be worth it. One possibility would be to release it digitally, possibly as an exclusive with a publisher's app. Read More...

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