The central conceit of the show is there, gloriously and shamelessly, in the title. This is a world where magic and sci-fi collide.

Buffy the Vampire Slayer isn’t necessarily renowned for its scary moments, but it is most certainly capable of them when they’re required.

Misfits has, to quote Rudy, 'New powers, a hint of sexual possibility, tears, laughter, horribly graphic violence...'

Rather than being staid or humdrum, Homeland is now heading into the great unknown, unpredictable and unmissable.

We never thought we’d be writing this two years ago, but we quite like Thomas these days.

Week four of Pouted; we’re halfway through and still it seems we haven’t really got terribly far.

Mark O’Connell takes Adele’s 007 advice and holds his breath and counts to ten bullet points about why Skyfall is a Golden Bullet of a movie.

Every Bond movie has at least someone – baddie, girl, minion or traitor - who buys the farm in an ‘innovative’ method. Here are ten of our favourites.

Everything in The Hour, from the production design to the music, succeeds in evoking a world of stale, whisky-sodden patriarchy.