NPR's Scores
- Movies
For 664 reviews, this publication has graded:
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58% higher than the average critic
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3% same as the average critic
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39% lower than the average critic
On average, this publication grades 3.4 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
Highest review score: |
Critic Score
100
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Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 412 out of 664
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Mixed: 206 out of 664
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Negative: 46 out of 664
664
movie reviews
- By critic score
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Reviewed by
Bob Mondello 100
Terrific entertainment - an unlikely thriller that makes business ethics, class distinctions and intellectual-property arguments sexy, that zips through two hours quicker than you can say "relationship status," and that'll likely fascinate pretty much anyone not named Zuckerberg. -
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Reviewed by
Bob Mondello 100
It's the relationship between the two men that makes the film work: Geoffrey Rush's teacher cracking the quip, and Colin Firth so persuasive as the panicky king that by the time he gets to his crucial speech about going to war, you'll be panicking right along with him.- Posted Dec 11, 2010
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Reviewed by
Bob Mondello 100
The storytelling in Incendies strikes me as primal the way Greek tragedy is primal. Shattering. Cathartic. It is a breathtaking film.- Posted Apr 25, 2011
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Reviewed by
Bob Mondello 100
The film is gorgeous and abstract, leaping around in time and space, structured in movements and more like a symphony than a conventional narrative.- Posted Jun 1, 2011
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Reviewed by
Bob Mondello 100
The delighted gasps in the theater will make you glad you took a chance on The Artist. Silent black-and-white movies are not coming back, but this one is such a rewarding labor of love by all of the artists involved that it just might make you wish they could.- Posted Nov 23, 2011
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Reviewed by
Bob Mondello 100
A film that captures the drama and suspense of real life as urgently as any picture released this year.- Posted Dec 30, 2011
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Reviewed by
Bob Mondello 96
Romantic, action-packed and always held together by an intriguing social conscience, Slumdog Millionaire is a rapturous crowd pleaser. -
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Reviewed by
Bob Mondello 95
The real relationship here is between a Batman in existential crisis and a Joker who'd love to leap with him into the abyss -- tight-a--ed yin and anarchist yang in a fantasy franchise that Nolan has made as riveting for its psychological heft as for the adrenaline rushes it inspires at regular intervals. -
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Reviewed by
Ella Taylor 95
Vincere, which comes as close to grand opera as can be achieved without anyone actually bursting into song, feels like a big movie -- handsomely mounted, full of dark shadows counterpointed with stray shafts of light, with dramatic close-ups of faces driven by passion and madness and heavy silences brutally interrupted by clashing tympani. -
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Reviewed by
Ella Taylor 95
The screenplay, by Peter Straughan and his late wife, Bridget O'Connor, is debonair. Alfredson's mastery of tone and ambiance is flawless. The bloodletting is brief and necessarily appalling, the comedy mordant: I guarantee you will never sing along to "Mr. Woo" in quite the same way again.- Posted Dec 9, 2011
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Reviewed by
Ella Taylor 95
If you pay close attention, there's also an exhilarating evocation of how art is stubbornly made, and arbitrary authority put in its place, under the most confining conditions. Rene Magritte, whose famous pipe painting is slyly honored in the movie's title, would be jazzed.- Posted Mar 2, 2012
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Reviewed by
Scott Tobias 95
There are times when the title is more a wish than an action - because just as cocaine addicts are forever chasing that first high, there's always the hunger to recapture a lost feeling again, even for those who have spent years in recovery. Pity those who fall off the wagon.- Posted Apr 19, 2012
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Reviewed by
Ella Taylor 95
Without ever saying so, the movie adds up to nothing less than a social psychology of the nervous, spiritually questing geist of post-World War II America.- Posted Sep 14, 2012
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Critic Score 95
Dredd works because it's an action flick with wide appeal that takes risks it doesn't need to - in its delightfully off-putting violence and daring style - and those choices pay off in a singular and exhilarating movie experience. It's savage, beautiful and loads of fun.- Posted Sep 20, 2012
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Reviewed by
Ella Taylor 95
ACT UP soldiers on today, as it must, given the lack of official attention to the resurgence of HIV among young American men in metropolitan areas.- Posted Sep 20, 2012
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Reviewed by
Ian Buckwalter 91
If John Cassavetes had directed a jazz musical by Jacques Demy, it might have looked something like this.- Posted Dec 12, 2010
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Reviewed by
Bob Mondello 90
The first hour of Wall-E is a crazily inventive, deliriously engaging and almost wordless silent comedy of the sort that Charlie Chaplin and Buster Keaton used to make. -
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Reviewed by
Bob Mondello 90
What sets this film entertainingly apart from most civil-rights sagas, though, are a slew of relaxed, offhandedly persuasive performances, along with the flamboyance of hippie-era San Francisco. -
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Reviewed by
Bob Mondello 90
The adrenaline rush of war has been largely missing from Hollywood's Iraq, but it's certainly front and center in The Hurt Locker, the first war movie in a while that feels as if it could have starred John Wayne. -
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Reviewed by
Bob Mondello 90
Its story ends up packing an emotional wallop as substantial as its title character. -
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Reviewed by
Bob Mondello 90
The performances are explosively funny, from Hollander's increasingly bewildered and way-out-of-his-depth Simon to Chris Addison's hapless PR fledgling. But the star is Peter Capaldi. -
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Reviewed by
Mark Jenkins 90
Quite aside from Shinto transformation parables or Buddhist reincarnation teachings, the final scene shows how family wisdom is conserved and recycled. It's a moment that might elicit a smile or a tear, or perhaps both. -
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Reviewed by
Bob Mondello 90
An exquisite, almost sensual grief suffuses every frame of A Single Man. -
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Reviewed by
Ian Buckwalter 90
Andrea Arnold has crafted a scene that approaches a literal embodiment of the term "kitchen-sink drama" here is most likely coincidence; nevertheless, her film is a bold new entry in that long-standing British tradition of disquieting social realism. -
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Reviewed by
Ella Taylor 90
Greenberg is on every level the work of a more mature filmmaker, and quite possibly a happier man. -
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Reviewed by
Mark Jenkins 90
Wild Grass is an elegant vessel for outlandish thoughts and troubling impulses. In his rejection of cinematic naturalism, Resnais has made a movie that's both utterly contrived and compellingly lifelike. -
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Reviewed by
Bob Mondello 90
It's hard to imagine anyone caring much why we're plunging ahead at warp speed, when the ride is so insanely satisfying. -
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Reviewed by
Ella Taylor 90
It's a classic Hollywood domestic comedy with a mischievous twist. -
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Reviewed by
Bob Mondello 90
First-time writer/director David Michod reportedly worked for eight years on his screenplay, deepening its tale of a violently dysfunctional family until its gangster conventions feel as if they're in the service of a modern-day Greek tragedy. -