Award-Winning Project Documents a Fractured Serbia

Recently, Burn Magazine announced Matt Lutton, a Belgrade-based U.S. photographer, as the winner of the Emerging Photography Fund for 2012. Lutton’s winning portfolio Only Unity is a long term documentary project about Serbia and the Serbs “in the aftermath of Yugoslavia”.

Lutton grew up in the Pacific Northwest, watched Top Gun, obsessed over airplanes and “got a very dark picture of the enemy from movies and books about the Soviet Union.” When he was fifteen years old, Lutton visited Russia on a school trip. The experience confounded all his expectations.

“It changed my whole perspective on how the world worked,” says Lutton. “It drove me to keep studying and learning. When I arrived at University, though I knew then I wanted to try to be a photographer, I chose to study Russian, Eastern European and Central European history.”

Throughout his years in the Balkans, Lutton has shared new work through his Tumblr, and also kept us updated on his preferred eats.

We’ve followed Lutton’s work for many years, not least because he is – alongside his DVAFOTO co-editor M. Scott Brauer – one of our favorite photobloggers.

We talked to Lutton about the origins of the work, the complex politics of the region and what he plans to do with the $10,000 award.

Continue Reading “Award-Winning Project Documents a Fractured Serbia” »

Futuristic Concept Camera Tracks Your Eye, Shoots When You Blink

Our photo director, Jim Merithew, once said that he hates cameras — he just wants to blink to take a picture with his eyes. Now he can.

A new camera concept, called Iris, aims to use eye-tracking technology and biometric detection to provide an impressively frictionless device for taking photos.

“When we are learning to use a camera we are really training ourselves to adapt to the product, and I believe it should also be the other way around,” says Mimi Zou, a 24-year-old American and recent graduate in Innovation Design Engineering from the Royal College of Art in London. “Products should be more intelligent and they should have the ability to also adapt to us.”

With Iris, eye-tracking controls all the mechanics of the camera. To make the camera zoom in you squint slightly. To make it zoom out you open your eyes. And to fire the shutter you hold your gaze and blink twice. At the moment, Zou says she has a working prototype, but that camera still mimics the mechanics through its software.

From the product shots it’s hard to tell where all the components of Iris are located, but Zou says that instead of looking straight through the lens the viewer will actually be looking at a digital display, which is mounted on one end.

The digital display will create a backing where the camera’s shutter and the sensor will be located. In order to squeeze in a battery and a processor, Zou says she’s already located manufacturers that produce curved products that will fit into her design.

Mechanical specifics aside, the real innovation of the camera is that it will not only react to eye movements, but instead develop a relationship with its user over time. When a user picks up the camera, it scans his iris and can immediately determine his identity as long as he’s registered his biometric data in the camera’s software. Once it recognizes the user, the camera automatically pulls down a series of previously created preferences.

Zou, for example, is near-sighted, so Iris would recognize her and immediately set the diopter so she can see clearly. Some people might like a certain aesthetic to their photos — like a low depth of field for example — so the camera would set the aperture accordingly.

Another proposed feature, like the recently featured Google Glass, is biometric recognition to identify the subjects in the pictures. To participate these subjects would need to provide their consent and biometric information, which would be stored on a proprietary Iris server.

Zou says her version of this technology is actually inspired by several pieces of open-source software including Project Iris. Same goes for the eye-tracking software. The package implementation of everything into a single, slick package, however, is the killer feature.

Using the camera’s built in wifi capabilities, would both help the camera identify its subjects and tell it whether they wanted their photos sent to a particular location like a cloud or Facebook.

The final product seems to be a long way off, if it happens at all, but Zou’s past successes make us optimistic that Iris could eventually make it to market. As an intern she was part of the team that helped develop the Nike+ SportBand. She was also part of a team that helped develop the media:scape system which is designed to facilitate digital conferencing.

Over the next couple of months Zou says the biggest hurdles are refining the prototype and locating funding for manufacturing. She says several people have approached her about helping her with a Kickstarter campaign and she says that might very well be the direction she goes.

Even if Iris doesn’t become a reality, it’s conceptual designs like this that can drive future innovation by camera manufacturers and the industry as a whole. For her part, Zou says she’s determined to make Iris a go.

“This is definitely a product I want to get out into the world,” she says.

Found: Imagine the Future of Child Safety Seats

Photo: Garry McLeod
Illustration: Jason Lee
Prop Styling: Shannon Amos

In the future, infant car restraints will have more optional extra features than your car does.

What do you think our world will look like in 10, 20, or 100 years? We need your help creating a new artifact from the future for every issue of Wired magazine. Each month, we’ll propose a scenario and ask for your prognostications. Check out the latest challenge, then sketch out your vision and upload your ideas. See other submissions and vote for your favorites.

This month’s kudos go to Clem Lessner, jgombarcik, Robert Ramsay, Steve Watanabe, Patrick Andrews, Pam Newbury, Jim Schrempp, and Vince Paredes.



Found Contest: Imagine the Future of Conventions

Photo illustration: Brita d'Agostino

Photo illustration: Brita d'Agostino

Wired magazine’s Found page represents our best guess at what lies over the horizon, from touchscreen windshields to organ farming. Now, we’re inviting readers to help create Found pages: What do you think our world will look like in 10, 20, or 100 years?

Each month, we’ll propose a scenario and present some ideas and concepts. Then it’s up you: Sketch out your vision and upload your ideas (below). We’ll use the best suggestions as inspiration for a future Found page, giving kudos to contributors, and we’ll add our favorite submission to this story.

Your next challenge: imagine the future of conventions. Will the singularity happen during CES? Will Louis CK’s TED talk change the world? Will nerds get in line eleven months in advance to see Jossbot 8000 unveil Avengers XXIII?

You can send us your ideas in text form, but we’re keen on getting visual entries. Check out these links to some CC-licensed photos on Flickr to fire up your imagination:

The venue:
http://commons.wikimedia.org/wiki/File:E32011.jpg

Registration
http://commons.wikimedia.org/wiki/File:TED_2005_Registration.jpg

The attendees:
http://www.flickr.com/photos/elfidomx/5971750876/

The Demos:

http://www.flickr.com/photos/phuson/15713734/

http://www.flickr.com/photos/ricardodiaz/3601410171/

The Presentations:

http://www.flickr.com/photos/tedxsomerville/6820878308/

http://commons.wikimedia.org/wiki/File:David_Bolinsky_presentation_at_TED_2007.jpg

The Ware:

http://commons.wikimedia.org/wiki/File:True_Blood_-_2011_International_Comic-Con.jpg

http://commons.wikimedia.org/wiki/File:David_Bolinsky_presentation_at_TED_2007.jpg

http://commons.wikimedia.org/wiki/File:Comic-Con_2010_-_Walking_Dead_Image_booth.jpg

http://www.flickr.com/photos/juplife/4610355530/in/photostream/

Use the widget below to submit your best idea and vote for your favorite. The image must be your own— submitting it gives us permission to use it on Wired.com and in Wired magazine. Please submit relatively large images (ideal size is 800 to 1,200 pixels, or larger on the longest side). Include a description of your idea and how you made it.

We don’t host the images, so upload it somewhere else and submit a link to it. If you’re using Flickr, Picasa or another photo-sharing site to host your image, provide a link to the image, not to the photo page where it’s displayed. If your photo doesn’t show up, it’s because the URL you have entered is incorrect. Make sure it ends with the image file name (xxxxxxx.jpg).

Check back over the next few weeks to vote on new submissions, and look for an update announcing our favorite.

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The Next Generation of Photo Book Lives and Breathes Online

Exposure value: +1/3 Shutter speed: 1/100 F number: 5.0 ISO: 1000 Focal length: 24.0 mm Flash used: Off, Did not fire. View on Flickr. Taken with Canon EOS 5D Mark II / EF24-70mm f/2.8L USM on Dec 26, 2010 at 11:06 PM. Photo: Dan Nguyen.

Nothing beats flipping through a big book of gorgeous photos printed on high-grade card stock, but The Bastards Book of Photography, released this week, shows that a completely digital existence has its advantages as well.

For starters, the book is published on the geeky blogging platform Octopress, which allows for a customizable structure; it’s kept in a repository on GitHub, an online version control system that allows anyone to make and submit changes; and its creator, Dan Nguyen, is assembling parts of the book, like the photo EXIF data, programmatically. Oh, and it’s also completely licensed as Creative Commons Non-Commercial.

“This is kind of a rough draft,” says Nguyen. “I just wanted to put something up while I continue to work on it.”

The text of the book offers clear and simple explanations of camera mechanics and purchasing advice for beginners with chapter titles like, “Why Even Buy a Camera?” and “Photography is for Anyone.” Nguyen’s own Creative Commons photos pulled from his Flickr feed demonstrate the topics he discusses, with the helpful EXIF data populated automatically on the page.

Nguyen works at ProPublica and is a rare combination of journalist, photographer and hacker. He wants to bring the problem-solving mindset of programming to the world of photography. The title of the book, and that of his previous book about programming, The Bastards Book of Ruby, comes from a quick-and-dirty approach that tries to get to the heart of the matter without getting too technical.

Future additions to the work, he says, will include scripts that dynamically generate galleries of topic-appropriate photos, like night photos in the section on night photography, or photos taken at specific ISOs in the section about digital light sensitivity.

“This book would’ve been really frustrating to do if I didn’t know how to program,” says Nguyen. While photography and coding seem like disparate disciplines, he sees plenty of opportunities for the two worlds to collide. “I’ll go out and shoot photos to take a break from programming, but I’m also someone who thinks programming can be used for a wide variety of informational thinking.”

The project started as a tutorial for a friend who wanted to start taking his own photos for his business, but has grown far beyond its roots. If well-maintained, the site could become a top photography resource for beginners to learn from, and experts to contribute to.

Nguyen hopes that the book at least gives a concise rundown of the barebones of photography and the different trade-offs of manual settings. “You don’t get something for nothing, it’s an artistic problem solving in your head while you’re using your camera,” he says.

“For me the book is an experiment to see what the essential big-picture concepts are for producing great photos and for appreciating the work that goes into great photography.”