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Who's Next - The Who
Pete Townshend suffered a nervous breakdown when his planned follow-up to the rock opera Tommy, the ambitious, theatrical Lifehouse, fell apart. He was also left with an extraordinary cache of songs that the Who pruned down and honed to a beefy sheen on what became their best studio album, Who's Next. "Behind Blue Eyes," "Going Mobile" and "Bargain" all beam with epic majesty, often spiked with synthesizers — especially "Baba O'Riley," which Townshend partly named after avant-garde composer Terry Riley. "I like synthesizers," Townshend said, "because they bring into my hands things that aren't in my hands: the sound of the orchestra, French horns, strings. . . . You press a switch and it plays it back at double speed."
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