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REVIEWS

Friday, April 13, 2012

'Momo e no Tegami (A Letter to Momo)'

A ghoulish but moving anime that Ghibli fans will love

By MARK SCHILLING

Friday, April 13, 2012

'John Carter'

No hope for Disney's $200 million flopbuster

By GIOVANNI FAZIO

Friday, April 13, 2012

'Texas Killing Fields'

Mann's is hardly a debut feature to kill for

By KAORI SHOJI

Friday, April 13, 2012

Big in Taiwan: Island singer Atari makes his own Taipei exchange

By TOMOKO OTAKE

Friday, April 13, 2012

Asano goes for an A-1 hit with 'Battleship' film

By KAORI SHOJI

Friday, April 6, 2012

'Kotoko'

Broken woman sings her way along a downward spiral

By MARK SCHILLING

Friday, April 6, 2012

'The Artist'

Black and white, silent, Oscar winner — but is it art?

By GIOVANNI FAZIO

Friday, April 6, 2012

'Oranges and Sunshine'

Oranges can be sour, sunshine pitch black

By KAORI SHOJI

Friday, April 6, 2012

410,000 attend Okinawa movie fest, but it's still a money-loser

By MARK SCHILLING

Friday, April 6, 2012

Michel Hazanavicius' retro gamble pays off with major Oscar haul

Director flirts with film history in 'The Artist'

By GIOVANNI FAZIO

Friday, April 6, 2012

Japan's traditional arts held sway over silent era

By MARK SCHILLING

Friday, March 30, 2012

'The Ides of March' / 'Route Irish'

Political cynicism on Capitol Hill and in the war zone

By GIOVANNI FAZIO

Friday, March 30, 2012

'The Help'

Oscar winner paints disparity in black and white

By KAORI SHOJI

Friday, March 30, 2012

'Ano Sora no Ao (Halcyon Skies)'

Keeping cameras rolling in face of disaster

By MARK SCHILLING

Friday, March 23, 2012

'Drive'

Box-office success in store for the fast and the furious

By KAORI SHOJI

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