The Movable Buffet

Dispatches from Las Vegas
by Richard Abowitz

Category: Rio

Rio kicks the strippers out of the pool

July 29, 2009 |  8:43 am

Riopool

A little over year ago, I wrote about the Rio's attempt to go sexy in a variety of ways. By far the most daring approach was a partnership with the topless bar Sapphire to bring in strippers to mix with customers at a topless pool.

At the time, I talked to PR and Rio people about what seemed the obvious flaw in this plan: It seemed a perfect setup for prostitution. Unlike at a strip club, for example, customers at the Rio's pool have a convenient hotel room to repair to. What sort of customers are going to turn up at a pool that advertises topless strippers? If you aren't a stripper, what sort of woman would be drawn to this setup? My guess: a working woman.

Back then, the Rio folks assured me that every precaution had been taken to prevent Sapphire Pool from becoming a pick-up spot for prostitutes. There would be cameras and security and other safeguards in place they were not at liberty to tell me about. Um, right.

Now, an undefined problem has been detected by the police, not necessarily prostitution. This problem is hilariously being called by the Rio simply ... insufficient integrity. They are closing the Sapphire Pool. Tuesday, in response to my request, the following statement was issued to the Buffet by the Rio:

"On July 25, 2009, the Rio All-Suite Hotel & Casino requested the cooperation of [Las Vegas police] in conducting a routine integrity check of the resort's topless pool area.  The Rio's management and security team have a history of maintaining a close working relationship" with the police.  

"As a follow-up to the check conducted by [police], the Rio decided to suspend the operation of its Sapphire European-style [topless] pool indefinitely.   The Rio pool complex remains open to guests; however, the property decided to suspend a topless sunbathing option at the resort."

I wonder how a topless pool fails an "integrity check"? Note how in the statement the partnership with a very American topless bar proudly presenting strippers at the pool has been ratcheted back. The Rio has returned to the more euphemistic staid and classy veneer of "European-style pool." But having strippers at the pool to draw swimmers is hardly a European tradition. It was an attempt to bring the nightclub scene of endless parties into the light of day. 

Anyway, I have put in a call to the Las Vegas Metropolitan Police Department with two questions: 1. What is an "integrity check"?  And 2. Who pays for integrity checks, the casino or taxpayers?

[Updated at 10:45 a.m.: I just spoke to Bill Cassell of the Vegas police. It seems, according to Cassell,  "integrity check" was a term invented by the Rio. This was regular police business for the Vegas force. He said police received an invitation from the Rio for officers to come to the Sapphire Pool to make sure everything was in accordance with the law.

As for what officers found there, Cassell said: "A small number of arrests were made for prostitution-related activities." Was the Rio shocked shocked at such an outcome from having strippers (and their female guests, always welcome, only on ID required) hang out at a topless pool with hotel customers on vacation in Vegas? (During the World Series of Poker, no less.)

Wonder what other aspects of casino life would benefit from an "integrity check"? Even for Vegas, that phrase should get some euphemism award.

Photo: Sarah Gerke


Teller: Keep your eye on the red ball

July 21, 2009 |  3:15 pm

Rio

Monday night I went to Town Square, the shopping center on the south of the Strip, to the Shear Madness theater to see Celebrity Tarot Lounge.  I am working on a story about the two nights of performances for the Weekly. Tonight is the second night.

Monday night's performance was also the first time Teller of Penn & Teller ever spoke on stage as an entertainer. There is nothing true, I suspect, about that sentence, so let me try it again. This was the first time an audience was able to see Teller speak on stage as an entertainer. He is a magician. I am trying to learn how to post pictures on Twitter, and part of the problem is that I am also learning how to take pictures. Here is my effort to shoot Teller on stage Monday night. I will leave the Buffet blog art to Sarah Gerke's more capable hands.

Teller is fairly new to Twitter. As longtime readers of this blog know, Penn & Teller at the Rio is my favorite show in Vegas. Earlier this year I was finally able to realize a longtime desire to write a profile of Teller for Weekly. By virtue of his relative silence, Teller draws less coverage than the equally-fascinating-yet-more-often-heard Penn. This year marks their 35th year together, being celebrated by a wrap at the Rio where they perform. And to write about one of the duo is to really write about both, and I simply took the road less traveled, and I will not claim this makes a difference. Like profiles of Penn written by others, my story on Teller has as much about Penn and how the two work together. Almost the entire time I was following him for the profile, Teller's professional focus was entirely on one trick in the Penn & Teller show, "The Red Ball." This intense attention to detail was particularly remarkable because Teller lives an active life. Penn & Teller in addition to the Rio show also have a television career. In fact, their Showtime series was nominated for two Emmy awards earlier this week. And when I was following Teller he had recently finished directing Shakespeare, a fact I knew about, and he was also involved in creating two zombie movie shorts -- a fact that never came up -- that premiered at CineVegas in June. I wonder what else he was doing that never came up? I am betting a lot. Yet despite the activity, Teller's real focus was almost myopicly kept on this single 3 1/2-minute trick with a red ball.

Anyway, catching up on Teller's Tweets on Monday night after seeing him on stage at Town Square, I was amused to come across this one:

"I'm back to working on the red ball trick every night after the Rio show. I've got a new 15-second sequence that might be in by August."

Photo: Sarah Gerke


Rio: Democrats party, Penn and Teller perform

November 5, 2008 | 10:23 am
Rio

As regular readers of this blog know, I think the single best show in Las Vegas is "Penn & Teller." There are some caveats that go with that. If you want a traditional Vegas show with feathers and lots of showgirls and peppy choreography go to "Jubilee!". Penn actually says during each performance that they hope the audience will think about the show later. There is some ambiguity to that statement, given that Penn also admits to the audience that he lies frequently to us. But I like to think he means that thought sincerely, and even if he doesn't, the show has always given me plenty to think about.

There is a bit they do on flag burning that is worth discussing with your friends. And, at a time when Vegas resort companies act like doing business with the Chinese government in Macau is as innocuous as doing business with Britain, Penn and Teller remind audiences each night about the lack of basic freedoms in the world's most populous nation. Then, while they are famous for revealing the secrets behind magic, the tricks they don't tell you about are mind-blowing. I have made a personal quest to try to figure out how they do "Magic Bullets."

Almost every other Las Vegas show has no greater ambition than to make audiences have an entertainment experience, leaving them happy enough and full of a love of life that they continue to drink, eat and gamble irresponsibly. But Penn and Teller are able to totally sidestep that. Yet, and this is what makes their show so great, they manage to do this in a way that neither dumb-downs the content of the show nor is in any way elitist. In that sense, they are pure Vegas. This is almost an impossible balance, yet they have been doing this act with seeming ease at the Rio for years. The show is entertaining even if you do not share or care about their convictions and have no interest in putting any more thought into the show than watching their impressive spectacle. An audience member can go to "Penn & Teller" and choose to leave happy and full of a love of life and thus continue to drink, eat and gamble irresponsibly. There is enough ambiguity that the audience can decide how to enjoy the show.

There are very basic things that make "Penn & Teller" the best show in town. They do a lot right. From comedy to fire-eating, they offer as much old-school vaudeville variety pleasures as any Cirque production, yet always make demonstrations of such skills connect to a narrative drive that propels their trickery. After more than three decades in show business, no one in town knows how to pace a show better. And that does not come from staying in a creative holding pattern that works for Vegas. They constantly change their show, yet, year after year, never does the pacing falter. This offers a pragmatic advantage in Vegas, where you market in part to convention traffic  If you come to Vegas once a year for a convention, you will see a substantially different performance at "Penn & Teller." Despite this incentive, particularly with other magicians, shows here tend to freeze at a certain point and offer no reason to go again after having seen them once. That is never the case with "Penn & Teller."

So, why am I going on about "Penn & Teller" so much? I am doing a cover story on Teller for my job (at Las Vegas Weekly). Because Penn does all the talking on stage, I have long been curious about what Teller was like and how he saw the partnership. So, finally I began working on that story, and Tuesday night was the final night of reporting. I interviewed Penn about Teller, saw the show again and had a final interview with Teller.

But as much as I like "Penn & Teller," I was shocked at how packed the Rio turned out to be when I got there. The valet parking was full early on a Tuesday night? Well, I had stumbled on where the Nevada Democrats had chosen to gather to watch the election returns. My interview with Penn ended a couple of hours before the show, so I dropped by the Democratic gathering before the show.

The environment could not have been more different than backstage at the show.

One amazing thing I've learned about Penn & Teller in reporting this story is that in their closing-in on 35 years together, they have never canceled a performance. Penn, however, had an infected finger Tuesday night that required medical attention. So, earlier in the day, the doctor had numbed his finger. Of course, Penn needs to use his finger, a lot, for the show. The numbness was wearing off (he was excited about that), but there was a problem getting doctors to give Penn the best advice for doing the show. Probably because the doctors agreed with common sense, meaning that I was about to witness the first cancellation of a "Penn & Teller" show.

Of course, that did not happen. Penn even played an upright acoustic bass during part of the show. And no one watching the show would have known about Penn's finger problem. I could not imagine the pain he probably was feeling. But to the audience, he gave, if anything, an inspired show. Afterward I asked the jazz piano virtuoso, Mike Jones, who plays in the show, if he'd known about the finger. "I was there when they took the bandage off." He gave a grimace. The finger had been bandaged when I interviewed Penn.  Anyway, if you want any sense of the dedication that it takes in putting on the best show in Vegas, this is a perfect example. The subject of the election was on no one's mind before the "Penn & Teller" show.

I made it to the Democratic rally as the numbers mounted up in their favor. The television at the center stage was on MSNBC, and I was reminded that when I covered the last debate with the Republicans at the Orleans, they were watching on Fox. Anyway, there was free food, but the drinks required money.  By the time John McCain began conceding, the celebrating Vegas Democrats had filled the room so much that I withdrew to explore the rest of the casino with my remaining time. Even at the bars in the casino far from the official Democratic function, people were gathered at televisions, which were making a rare diversion from sports to be tuned to news, celebrating the Barack Obama victory. Vegas loves a winner, and I bet I would have found as many at the bar celebrating if McCain had won. Not that the feeling was universal. One person dragging a bag away yelled out to no one, "Yeah, socialism." But this was the first time in Vegas I had seen one of those cliched  "buy everyone at this bar a drink" round moments.

As I headed back to go see the show, people all around were running past me to join the Democrats' celebration. Many appeared to be regular hotel guests. I ran into a couple of the publicists for Rio. They looked overwhelmed. One said the obvious: "There are way more people here than were invited."

At the "Penn & Teller" show, neither the election nor Penn's finger was mentioned. Instead, I saw yet another note-perfect version of what has been for some time the most creative, entertaining, intelligent and, in my opinion, best show in Vegas.

Photo credit: Sarah Gerke


Poker's lucky 9 chosen

July 16, 2008 | 11:15 am
Rio The nine finalists have been selected in the World Series of Poker at Rio. Now comes an extended break. The event's conclusion doesn't happen until November and will be broadcast on ESPN. In fact, the change in the game from a relatively straight marathon to this suspenseful bridge was created for ESPN, according to the Review-Journal, "so ESPN can televise the results in a two-hour prime time special on a same-day taped coverage basis." In other words, a  gambling tradition was changed because of the obscure demands of cable television. That is fine; the tradition was designed to promote gambling, and ESPN is helping the cause.

What is interesting to me is that ESPN is a sports network usually and all the endorsement deals players make for poker give a feel of these professional poker-playing folks having elite skills. According to the R-J: '"The nine players will be promoted extensively over coming months by Harrah's Entertainment. ... ESPN is also planning to air a one-hour special on the nine final table participants." But are these elite players like in chess competitions or martial arts or are these just people who got the basics of a simple game and then sat in a chair dealt good cards and therefore were just lucky?

The Review-Journal describes this year's finalists who the paper speculates could earn "six figures" in endorsements as "mostly unknown amateur poker players and little-known professionals." Can anyone imagine this being the case in any game of actual skill where bringing the world's elite together for a competition could result in nine-for-nine unknowns as finalists? Last year I asked on this blog if poker was a game of luck or skill, and that generated quite a debate. This year's finalists provide further evidence that poker, like all gambling, comes down to luck.

Perhaps the reason that none of the best-known poker players made the final nine this year is that they were not lucky. And therefore the reason that one poker player has never dominated the game like Tiger Woods or Roger Federer do their actual games of skill is because while there are people who are uniquely good, no one can be that repeatedly lucky. (Photo by Sarah Gerke)

Rio-lution

June 30, 2008 | 11:46 am

Last week I wrote about how the Rio is turning the volume way up on sexy. But here is an excellent example of how relative that can be in Las Vegas. After all, the Rio opened with what then were considered very sexy cocktail server outfits only to make them sexier less than a year ago.

Here is a photo of Rio's "Show in the Sky," taken back in February, before the new, sexier show was installed. As you can see, it features attractive people throwing Mardi Gras beads down to folks on the casino floor. Old

Not exactly hard on the eyes. But in the photo taken yesterday, bottom, you can view the look of the revised show: The attractive people now make dance floor moves grinding on each other while tossing beads to the folks on the casino floor.New_2

(Photos by Sarah Gerke)


Rio: Bringing sexy back

June 20, 2008 | 10:59 am
Rio Surface touch screen

The Rio, to me, is one of the undiscovered gems of Vegas.

Of course, undiscovered is a relative thing, and in this case I am thinking of the Palms that sits nearby. But the Rio is even closer to the Strip than the Palms. Yet this former home of Prince and the current home of the World Series of Poker is not one of those resorts known for celebrity sightings and hot nightclubs (though Rio had one of the first nightclubs in Vegas).

I have never spoken to anyone visiting Vegas who named the Rio as their first resort of choice for vacation here. Yet, I have never known anyone staying at the Rio who wasn't totally satisfied with their room, the cleanliness of the property or the service they received.

The Rio is owned by Harrah's and offers far nicer accommodations than some of that company's Strip holdings, such as Imperial Palace or Harrah's. And the Rio long has been home to the Penn & Teller show, which remains one of the most entertaining and original productions in Vegas. The shopping and restaurants at Rio are not at the level of the top resorts in town, but there are plenty of options in every price range.

The Rio has always been a favorite among locals, but for some reason the property has never caught the public imagination outside Vegas, again, like its neighbor the Palms. On the other hand, rather than accept its status as a favored party spot for locals and a budget vacation for tourists, the Rio instead has been attempting a series of changes that ranges from the obvious to the challenging and, in one case, Sapphire Pool, even envelope pushing.Sapphirepool

The Sapphire Pool is a partnership between Rio and the topless bar Sapphire. And, as Review-Journal columnist John L. Smith noted today, this sort of deal pushes the resorts closer to the lap-dance business than gaming authorities in past years would have tolerated.

Smith writes: "The adults-only outdoor club opened last month. Other resorts have topless pools, but ... this is the highest-profile joint venture between a casino company and a topless business. It's a move that wouldn't have gone over well with the Gaming Control Board when Bobby Siller was on duty, but obviously times have changed." Still, Smith sees this move as risky even in 2008, noting of the Rio's choice to open Sapphire Pool: "They are obviously willing to test the limits of their gaming license in an era of casino marketing in which just about anything goes."

Less controversial but just as telling is that the Rio recently revamped its "Show in the Sky" to make it far more sexy. In this, the Rio follows Treasure Island, which years ago changed its family-friendly pirate battle to "Sirens of TI."

But the most intriguing change at the Rio comes from a partnership between Harrah's and Microsoft at the oddly named (considering we are talking about Microsoft technology) iBar. The iBar is not a hipster ultra lounge or a nightclub that's impossible to get into unless you are famous and rich. Rather, the iBar is a standard open circle bar near the main entrance of Rio, the sort of place anyone can enter, sit down and actually order (without having to wait in a long line or bribe doormen to then be charged to sit down for bottle service).

One person I know does not like Vegas because no matter how much he enjoys any concert or activity, he is embittered by the thought that someone else has a higher status as VIP and that the real top-level fun is hidden from his access. On some level, there is truth to that theory. There are enough gradations and levels of VIP treatment in Vegas to fill a sociological study in nuance. Yet, iBar seating is available to everyone; you need no Vegas juice to get a table beyond being a tourist who wants to buy a beer. Ibar

What the iBar offers that is new to Vegas is that the 30-inch tables in the bar have been converted into interactive screens with applications that allow people to search and watch YouTube, play games and order drinks from the bar. But what will really be noticed is what is being called the "Flirt" technology. Cameras placed around the bar allow you, on your table, a view of people at other tables. And, Surface also allows you to send messages to those strangers at other tables and thus flirt with Flirt.

So, what does this all add up to for the Rio?  Innovation (iBar), yes, enhancements (Show in the Sky), of course, and even some risk (Sapphire Pool). But all of these changes really seem to go in one direction, the least original upgrade in Vegas: making the property more blatantly sexy. And, there is a reason for that: It works. Now, by turning up the sexy, the Rio may finally get the attention the resort has long deserved.

Photo: (top) Microsoft's Surface touch screen game at the Rio Hotel and Casino. AP/Isaac Brekken; (below) Surface interactive game in action. Photo by Sarah Gerke. (right) Sapphire Pool advertisement via official website.


Pure Management Group strikes out

March 4, 2008 |  4:16 pm
Rio_2 A few weeks ago Pure Management Group operated 10 clubs, restaurants and lounges in the resort corridor, including red-hot destinations Pure (Caesars) and LAX (Luxor). An IRS investigation into PMG has resulted in federal agents visiting both of PMG's marquee properties as well as the corporate offices. PMG has said it is cooperating with the investigation and so far no one has been accused of any wrongdoing.
Now comes word that another PMG property is going through changes. In fact, the change is the elimination of PMG as the club's operator. PMG spokeswoman Kate Turner confirmed for me that Lucky Strike, the nightlife bowling combination that PMG had in the Rio (a Harrah's-owned resort), has been sold back to the Rio by PMG. According to Turner, this transaction has been underway for 6 to 8 months and she says it is unrelated to the IRS investigation.
I have yet to get a response from the Rio as to the resort's plans for the gigantic space.
But one thing is clear: PMG's besieged empire has gotten a little smaller.
(Photo by Sarah Gerke)

Questions raised about Rio remodel

October 4, 2007 |  9:06 am
Rio Something stunning seems to have happened at the Harrah's property Rio.

The Review-Journal has done extensive reporting on the extensive remodeling done on the Rio's Ipanema Tower in 2005.

Apparently, the required permits were not issued for the work when 17 floors of the resort tower were remodeled.

Most disturbing of all are allegations of possible safety issues; for example, holes drilled between floors for electric wires to pass through were not properly sealed.

The seal is necessary to prevent smoke from spreading rapidly between floors in the event of a fire.

In Vegas this is not an academic issue. This brings up memories of the darkest moment in Las Vegas history: the death of 87 people on account of the MGM Grand fire in 1980. 

The assistant county manager told the Review-Journal:
"We have seen evidence there are cores (holes drilled) through the concrete that have not been appropriately sealed. We don't know how many yet."
Even worse, should these allegations pan out, Harrah's would face few repercussions. The Review-Journal notes in its interview with the assistant country manager:
"Asked whether Harrah's would pay any penalties, by virtue of its high corporate profile and lack of permits for an apparently extensive remodeling project, Rosenquist said the county's whole focus is code compliance without being punitive.'"
The Gaming Control Board similarly offers that it has no ability to discipline the resort if these allegations are accurate.

This is truly a mind-boggling story with lots of subplots and the Review-Journal should be commended for chasing it down and doing the reporting. We have very little serious critical examinations of the casino and construction industries by the press of Las Vegas. And this is that rare story that could save lives.

Harrah's is currently cooperating with investigators. Some rooms at Rio are closed. More may be soon. Of course, the company's new ownership can't be blamed for remodeling that took place in 2005. But any executives still employed by the company involved in this should be nowhere near the remodeling taking place right now at, at least, three of Harrah's other properties.

Yet, according to the Review-Journal:
"But some of Harrah's employees, named by Rio remodeling workers as supervisors in that project, are now personnel at Roman Empire Development, a locally based subsidiary wholly owned by Harrah's. Formed in late 2006, Roman Empire Development's specialty is hotel remodeling."
Scary. Nothing is more important to Las Vegas than the safety and health of tourists and workers. If these accusations are true despite the wrist slap punishments, this is not a small deal of a few missed forms and cut corners, but a serious challenge to Las Vegas growth.

In the next few years about 45,000 new hotel rooms are set to open on the Strip. They are currently being built. You can see it everyday with cranes and workers active up and down Las Vegas Boulevard. 

When a company as large as Harrah's can, allegedly, be involved in situations like this, concerns must be raised about what is going on elsewhere during our current construction boom.

It is not enough to have the best laws on the book; they must be enforced and have consequences. This story should be a call to action and a warning to resort leaders to double-check the procedures of their current construction.


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