Yes, he belongs on a pedestal.
Wednesday night I went to see Elton John's "The Red Piano" probably for the final time. After this run John will be back for dates in April and then "The Red Piano" will be finished.
Even in this economy and without discounting, John offered tourists the most expensive ticket in town and managed to fill the room for every show. He did no promotional interviews for "The Red Piano" and was not one to walk the local red carpets or partake of the Vegas club scene. In fact, beyond his wildly successful show, John has put few roots down in Vegas, and Wednesday night it was clear from his comments that he was ready to move on. What a pity for Vegas.
"The Red Piano" remains as wonderful now as when it opened. John is not quite as boisterous, allowing the videos on the big screen and the props to tell the story. But his singing and playing remain entirely focused. As the DVD of "The Red Piano" has already been released, you can see the show for yourself. But nothing will ever beat the experience of going to see the show at Caesars Palace.
In truth, "The Red Piano" would not be the show I recommend for the hardcore Elton John fans. A regular John concert offers more adventurous song selections and lasts longer. But one reason "The Red Piano" has been so successful In Vegas is that John understood from the start the difference between a Vegas show and his regular concerts. Vegas tourists want the hits and not songs from his newest fantastic disc from 2006, "The Captain and the Kid." John has more hits than he could possibly play in one show even were he to attempt them all. And so "The Red Piano" has the luxury of being paced perfectly for tourists who want just a hit-filled show with great staging and some over-the-top effects and cool cameos (videos of Justin Timberlake as a young Elton John and Pamela Anderson as a pole dancer). As a narrator, John offers himself as a puckish pudgy gnome.
"The Red Piano," like Celine Dion's "A New Day," will be hard to replace. And one feels sorry for the executives at Caesars Palace and promoter AEG Live, who on top of everything else going wrong in Vegas now need to replace one of the few sure things in town. "The Red Piano" worked for Vegas on every level, and there will not be an easy way to replace John. Maybe that is why so many rumors and so much wishful thinking point to the hope that Celine Dion may come back. As for myself, I would rather Elton John stayed.
Photo credit: Sarah Gerke