The Movable Buffet

Dispatches from Las Vegas
by Richard Abowitz

Movable Buffet: Final entry

November 4, 2009 |  1:05 pm

DriveCarefully

In a very Vegas way, I got lucky.

In October 2005, I was hired by L.A. Times editors who had found my Vegas writing online. I became one of the first bloggers in the history of the L.A. Times. Vegas was booming in those years, and tourists from California were pouring into town, many buying investment homes. The idea of a blog that documented daily the happenings and entertainments that drew so many to Vegas made sense on a lot of levels. Obviously, much has changed since then, and I am sad to report the Movable Buffet blog is being discontinued.

The Vegas news and events that were covered here you will now find covered by other L.A. Times blogs in entertainment and travel.  For those of you who enjoy my Vegas coverage for the Los Angeles Times, my print column continues to run in Sunday Calendar (along with photos from Sarah Gerke). I also hope to blog about Vegas again soon, and so please keep an eye out.

I have to thank Sarah, the Buffet's loyal photographer, above all others. She was on board with this blog from Day 1. She shot Vegas out of pure joy. Thank you, Sarah. Your photos, as so many readers have commented,  have always been incredible. I also need to thank the fantastic staff of the L.A. Times, who for four straight years has hosted this blog, edited its entries and made suggestions that have made me a better writer, reporter and even person.

But most of all, I want to thank those of you who have read me daily or even once. I hope I wrote something you enjoyed. I am very grateful to all. Thank you. Be well.

-- Richard Abowitz

Photo: Sarah Gerke

Fangoria's Trinity of Terrors: Waters, Romero, Slipknot and more

November 2, 2009 | 10:59 am

AdrienneBarbeau&TomAtkins

Here are some final round-up notes from Fangoria's Trinity of Terrors that took place over at the Palms this weekend:

Tom Atkins and Adrienne Barbeau (pictured) have appeared in a few films together over the years, including "Escape From New York." But when they appeared together for a Q&A at Fangoria Trinity of Terrors, it took moderator Pat Jankiewicz, an editor at Fangoria, to point out to them that the two had never been in a single scene with each other. After some memory picking, both agreed and seemed surprised not to have realized that detail. Afterward, they checked their facts with him. I always find it interesting at these genre celebrations how the people who make these cult arts move on to the next project and in many ways the fans become the living memory of the details as the years collect.

Many years ago, I saw John Waters give a talk to a packed auditorium when I was an undergraduate at the end of the '80s in Madison, Wis. I must have liked what he said because I remember when I bought his books afterward, I was surprised when I found much in the talk almost verbatim in the essays collected in his books. Interestingly, this time the opposite happened. When I interviewed Waters, he seemed spontaneous and to be responding to the questions I asked as we spoke. So, I was very much looking forward to what was billed as a one-man show that he was performing at the convention. The event took place in front of an excited crowd in one of the movie theaters at the Palms. Except for the lack of a podium, Waters as a one-man show is identical to him being a lecturer. Not that he wasn't great fun. He talks easily and without notes. And, again, he repeated, nearly word for word, virtually everything he said in our interview to preview the festival. John Waters has the John Waters character down pat and he is truly an entertainer.

Continue reading »

Photos from Fangoria: Trinity of Terrors

November 1, 2009 |  8:45 am

Buffet photographer Sarah Gerke sent in these images from Fangoria: Trinity of Terrors at Palms on Saturday. The convention, put on by horror magazine Fangoria and featuring films and a variety of actors and  personalities, finishes up today. I am working on items that I hope you check back to read, including an interview I did with George A. Romero, a note on John Waters' one-man show, a peek at one of the panels featuring actors Tom Atkins and Adrienne Barbeau and, of course, Saturday night's Slipknot concert:

4061975203_6f790af64d_o 

A costumed stilt walker works the floor at Fangoria: Trinity of Terrors.

Fangoria fan
Fans also came in costume.

Cerina Vincent
Cerina Vincent starred as Michelle in 2007's "Return to House on Haunted Hill."

Kristy Swanson Kristy Swanson, the star of the 1992 film "Buffy the Vampire Slayer."

Malcolm McDowell

Malcolm McDowell.

Girls and Corpses magazine Girls and Corpses had both a booth and magazine popular with attendees. 

Roger Corman Producer and director Roger Corman, famous for his low-budget films.

John Kassir
John Kassir, the voice of the Crypt Keeper.

Photos: Sarah Gerke



Oops, I am a tourist (and it's expensive)

October 31, 2009 | 10:00 am

Palms in Las Vegas

I am staying at the Palms this weekend (where despite covering the resort since its opening in 2001, I never spent a night before) to blog the Fangoria Trinity of Terrors. The convention did not start until late Friday afternoon, and I spent most of the day doing what I should like a good Vegas worker bee.

By afternoon, I could feel the vibe change that takes place in a casino when a big convention arrives. One example: At a late lunch, actor Malcolm McDowell was sitting behind me eating alone. Still, I was in work mode: made arrangements to interview Holly Madison for the print Buffet at her Halloween party at Studio 54 at MGM Grand tonight, started drafting two stories due Monday to Weekly, etc. And yet it was Friday afternoon (quickly becoming Friday night) in Vegas. And, with my being actually inside a resort, my focus kept blurring. Staying in the hipster Palms, in the party capital of the world, Vegas, on a holiday weekend, with a very special woman and festive Halloween convention-goers who had nothing on their minds but fun (and in some cases, as with any convention, business too), there was a viral effect on my ability to concentrate on work.

My first distraction was business, though not mine, exactly. A publisher met with my companion to discuss a book she is thinking of writing. We were at the center bar of the Palms, a reasonably priced gathering spot for all inside the casino. Soon, by total chance, I got a call from a male friend from L.A. who was in town only for Friday night. He quickly came to the Palms to meet us long after I should have been back at the convention. Everyone was having a drink or two (except me). Did I mention the spirit was infectious?

To me, the key to covering Vegas is to know when to leave the party and get back to work. More than that, as a writer, I also try to always remember that I am not actually an invited guest to this party (metaphorically or literally) that is Vegas, but rather am a paid observer of the town's business model: sell the world on a place with a manufactured and marketed permanent party where regular rules of etiquette and in some cases law do not apply. And, at core, that invention of Vegas, that image, collectively is Sin City. And so for a writer trying to observe Vegas, on some level, that means not giving into the pleasures of a town that art critic Dave Hickey calls "a heart's destination" for tourists and residents. Hickey is right; this is my "heart's destination," and last night abstention lost in that conflict with work. I never made it back to the convention.

The truth is that keeping away from Vegas distractions is on most occasions relatively easy for me. I  neither drink nor gamble. And last night did not change that. But Vegas has more temptations than the obvious vices that keep me without a state income tax.

Last night, I had two people who matter to me in Vegas and those two really did not know each other well. Vegas is the perfect place to change that. Did I mention it was Friday night? 

In a broader way this bonding potential is the business value civic leaders argue that conventions in Vegas provide. This is a place you can do serious business, while getting face time with the people you may in this age mostly deal with by texting, Twitter, Facebook or old fashioned e-mail.

The urge for fun took over for me before the sun set. And like a tourist, I expressed it by spending far more money than I ever intended, hundreds of dollars, by treating my friends to a meal at Nove, the high-end Italian-style restaurant at the Palms with executive chef Geno Bernardo. To give a base of comparison for this meal against my usual habits and plan: My first meal at the Palms after checking in was from the hot dog place at the food court.

One of the things the Palms does well is to cater to everyone from the rich and famous to the locals who want to play low-limit slots for hours while enjoying free drinks. On some level, many tourists fall into general categories. And last night I behaved like a specific type of tourist who is drawn to the Palms; I acted like one of those weekend warriors who, despite earning little, come to Vegas every few months to live it up like a king and then face the bill after getting home. Nothing was too good for my friends at Nove!

As someone who covers Vegas professionally, every day, every night, every year, I don't often go rogue and spend time experiencing the Vegas mind-set that brings so many of my readers here. Last night I had good friends, good times, and this morning woke up worrying about how I am going to pay for it all. And, of course, I awoke to how little of the work I planned to do I actually got to doing. How Vegas. And good to know that after a relationship of more than a decade together, well, Vegas, I still love you. If I could do last night over, I would not change a thing.

Photo credit: Sarah Gerke


Fright Dome: Huge haunted houses at Circus Circus

October 30, 2009 | 11:47 am

Fright Dome hearse

I had not seen Jason Egan, owner and creator of Fright Dome, since interviewing him in 2005. Since then, there has been a slow transformation of Fright Dome from what was primarily a locals event to one that  increasingly includes tourists, Egan told me as we rode in a hearse to the attraction's entrance at the side of Circus Circus. We were led there by clowns with chainsaws. As the sage in Ministry once sang,   "Everyday is Halloween" for Egan. He doesn't seem to mind. "I used to get three months off, but now I am at work again by early November."

Around this time each year, Egan takes over a big chunk of Circus Circus with 160 actors, five haunted houses and 23 rides and attractions, and this year two of the haunted houses are dedicated to "Saw." Egan does not recommend this for anyone younger than 12, and as violent as the haunted houses appear, this is all put on with the sort of attention to customer safety required to operate in a casino environment.

The bad economy has not hurt his business. In fact, on Oct. 2 to 31, the days this year Fright Dome takes place, Egan hopes to set an attendance record by scaring more than 61,000 people. Not only that, the caliber of his scare crew has never been better, another odd consequence of the number of available people with show business experience and the recession. "You would not believe the quality of resumes we had to choose from for monsters," one representative of the event tells me. And Egan says more than 1,000 people turned up to apply for jobs. In past years, to keep the monsters coming night after night, Egan offered the actors a substantial bonus for perfect attendance. But this year he has managed to cut that bonus by two-thirds. These are good times to be in the horror business in Las Vegas.

Fright Dome continues through Halloween. Here are some more photos Sarah Gerke took, and I think she actually was scared, whereas I am told that I jumped in one of the "Saw" houses. But we are calling that sharp reflexes.

Fright Dome Saw 

Fright Dome clowns

Fright Dome pig heads 

Photo credit: Sarah Gerke


Wayne Newton: A presence more than a performance

October 29, 2009 |  9:21 am

VannaWhite&CherylBurke

Last night there was a red-carpet opening for the new Wayne Newton show at Tropicana. I spoke to his former dance partner Cheryl Burke (pictured with Vanna White), who has kept in touch with Newton and stays at his house when she is in Vegas. "I've met the penguins and the dog and the monkey and the horses," she says. Asked if she would ever appear in a Vegas show, Burke replied in the affirmative, but then added: "As long as it is not topless."

As for Newton, if you are a fan, his voice does not matter to you. If you are not, be warned. I find it painful to hear someone so incapable of singing perform for 90 minutes. He mentioned frequently the six shows a night he did for years as if in explanation of the never-acknowledged problem: His voice is shot. And his vocals are ruined in such an unpleasant way that -- and I tend to like damaged voices, from Bob Dylan to Tom Waits -- his attempts to sing are dispiriting. At best he can rally for an occasional forced note following verse after verse of creak and croak.

Yet, his onstage charisma remains intact when telling old stories or playing a variety of instruments. He is Wayne Newton, the last of his kind. Newton, 67, has implied this may be his last run of shows, so if you want to see him take this opportunity. But don't expect anything beyond being able to say you saw Wayne Newton in Vegas. But, hey, that's still something, right?

WayneNewton 

Photos: Sarah Gerke


Buffet scraps: Fangoria Trinity of Terrors, Wayne Newton and Alice Cooper

October 28, 2009 |  8:59 am

AC1

I am checking into the Palms on Thursday to spend three days live-blogging for the Buffet, covering Halloween in Vegas while focused on the Palms' first annual Fangoria Trinity of Terrors convention, movie festival and concert that I previewed Sunday in the print column of the Buffet. Please, check back here over the next few days for photos, interviews and other Vegas Halloween-related weirdness. On Thursday night,  I am exploring, with photographer Sarah Gerke, the five-acre "haunted" casino space Fright Dome at Circus Circus. I have covered this event only once before -- in a story I am choosing not to link to -- when I dressed as a monster to scare tourists. The outfit allowed no peripheral vision, and I was the one terrified.

Unrelated, tonight is the official opening of Wayne Newton's new and perhaps final Las Vegas show at the Tropicana, with the ominous title "Once Before I Go."

Also, I wanted to share one of Gerke's photos from the Alice Cooper show at the Hard Rock to celebrate the opening of John Varvatos' new fashion store at the casino. (It is next to the tattoo parlor.) In a brief interview for a story I have coming out in Las Vegas Weekly, Varvatos told me this Bowery store was priced with younger buyers in mind, compared with his more upscale store in the Forum Shops. His original Bowery store in New York occupies the space that once held the legendary punk club CBGB. That is sort of a sad reminder that plans to move CBGB to Vegas came to nothing.

Cooper offered a brief hits-only set including "No More Mister Nice Guy," "Billion Dollar Babies," "Eighteen," and "School's Out." He introduced "Poison" by saying he had heard it was the most popular song in topless bars. Cooper denied he had ever been to a topless bar and the crowd laughed, but I believed him. Because speaking as someone who has covered those establishments for more than a decade, the easy winner of most popular song is "Girls, Girls, Girls" by Motley Crue. "Poison" doesn't even beat a couple of NIN songs.

Photo: Alice Cooper performs at the Hard Rock Hotel. Credit: Sarah Gerke


Angel's 'Believe' gets a scary almost-Halloween-anniversary review

October 26, 2009 | 12:25 pm

CrissAngel

Halloween was the official opening of Criss Angel's and Cirque du Soleil's notoriously bad collaboration "Believe." I have been waiting until after Halloween to return to review what is officially titled: "Criss Angel's Believe." I see shows once a year. Though I was amazed at the resistance I got from Cirque to my returning to "Believe" for a new review. To be honest, waiting until after the first anniversary to return was an easy sell to me. Unless it is better, I really do not want to see that show again. I think the public is hip on what to expect at this point. "Believe," for its price range, is truly the worst show currently in Las Vegas.

Anyway, Las Vegas Sun writer Joe Brown found a bargain on tickets as well as a familiar but inferior show. His conclusion:

"... leads me to believe that Cirque is just letting 'Believe' lie there, hoping unwitting customers will forget the reviews, until someone comes up with a plausible, face-saving reason to shoot it in the head and replace it."

I sure hope Cirque is not that cynical. I have been told there are going to be many improvements arriving that will be completed come December or January-ish. Yet, my sense from those conversations was that some, if not most, of the improvements were already in the show and being fine-tuned. If so, Brown missed the improvements totally. The changes he noticed focused more on budget savings from what is missing this time out: fewer on stage in terms of aerialists, dancers and no live band. A cheaper show to mount (and, you thought you got a bargain on tickets!), and one that is even worse than before. As for Angel: 

"... the leading man, the show’s raison d’être, has gotten worse, if that can be imagined."

Not really, I can't imagine it. But anything is possible, I guess, if you believe, or something like that.

Photo credit: Sarah Gerke


Wynn Resorts shakes fist at Garth Brooks scalpers

October 26, 2009 | 12:16 pm

Wynn

What is called scalping elsewhere is called being a ticket broker here. It was not legal where I grew up but it is to the best of my knowledge totally legal here in Vegas. I have known one person who made money doing it on a professional level on EBay. It was like a stock market thing to him. He bought on shows he hoped would increase in value.  On some concerts he lost money, just like a promoter, when the demand wasn't what he expected.

Now, imagine a  guy like that when someone offers a stock at a special low price, hoping only regular customers will show up to buy it. He wins. He is set up already to be first in line, using computer programs, automated dialing machines and multiple credit cards. He has many assistants and competitors. Whatever odd rules are set up for the intended customers, he professionally circumnavigates with ease.

Garth Brooks tickets were a sure thing, with a flat-fee ticket at Wynn of $125 in a small venue (1,500 seats). It was such a sure sellout that I clamped my mouth shut when other commentators suggested it might not be so. I was even pleased when Perez Hilton, in our interview, hinted his fans might balk at the price. I thought, maybe.... Anyway, I intentionally did not blog about the Brooks show until after tickets went on sale to give his fans a chance, just a chance, to get them. Well, they didn't need me to tip them off or Perez Hilton to throw them off. The Wynn website received record traffic, and ticket brokers got hold of many of those tickets. Here they are now selling them for $800 on this site plus a hefty service charge. On EBay, according to journalist and blogger Steve Friess,  there are 100 offerings.

What is interesting is that Wynn Resorts seems totally caught off-guard that the predictable happened when you substantially under-price tickets in  Vegas. I have some sympathy for Wynn's problem. The pricing, I understand, was Brooks' bright idea. But there has yet to be a successful solution to ticket brokers that does not come before the tickets are sold -- i.e. the wristband stuff some bands tried a few years back. And even that was usually only a lesser failure. If Brooks wants to charge what people will pay, and give the difference to charity, great. But there is no way to stop a legal business from doing business in Vegas. And these people earn their living beating fans to Web offerings, ticket lines or any other approach yet devised by the industry. Some states have made this behavior illegal, but Nevada has not. And so these professional middlemen thrive here. 

Yet Wynn Resorts still dissents. Jennifer Dunne, a spokeswoman for Wynn and a very reasonable person, tells   Norm Clarke in the Review-Journal today:

"We have a number of people mobilized to take the necessary steps to see that the scalper tickets are canceled. We won't stop until we succeed."

There is no way I can think of to succeed. Wynn resorts is stepping into an issue that has existed as unsolvable since I was a teenager. On private property like Wynn's,  you can make scalpers leave the premises on the night of the show. But how do you cancel the tickets -- purchased by ticket brokers using Wynn's system and who are doing legal business -- without punishing the fan who bought the tickets from the broker, who had no idea these tickets would be canceled to punish them for paying so much because they love Garth Brooks? Other after-the-fact plans I have heard about, such as checking IDs to make sure they match the name of a purchaser at the door, could cause even greater problems. Say I resold a pair of Garth Brooks tickets vs. bought a pair as an anniversary gift for my friends -- how is Wynn Resorts to guess which happened?

I have a call into Metro to confirm the legality of ticket brokers and I have put a call into Wynn to get its  response on how it intends to regulate this legal activity. So, far I have not heard back.

This is all very interesting given that Steve Wynn of late has been so strongly opinionated on the subject of capitalism and the economy. As for the interaction of capitalism and radically underpriced Las Vegas tickets, I totally knew what would happen when those tickets went on sale;  my only surprise is that Wynn Resorts is acting like it discovered there's gambling in Casablanca. I am interested in any plan it has to do something about it. But honestly, there really doesn't seem anything that Wynn can do differently than price the tickets at value when selling them the first time. Otherwise, in Las Vegas, there will always be someone to step in to sell at the difference.

Photo: Sarah Gerke


Perez Hilton on O'Day, Angel, Madison and loving Vegas

October 23, 2009 | 12:03 pm

PerezHiltonCreditMichaelTuckerPhotography.com

I had never met or spoken to Perez Hilton before last night at the VIP check-in at Venetian, where the mere mention that I was waiting for him had security leave me alone despite my being in the VIP lounge as a non-hotel guest. That was very unusual, and I am reasonably sure this was because of Hilton’s fame. 

 
And, to be honest, I was not sure what to expect from the controversial blogger and Twitter superstar. I know people who could not wait to read what he had to say to me, and those who were furious that I would give him a venue to say it. Of course, his readers are plentiful without me, but I wanted to talk to a person, not a celebrity, and that is what I got from him.  Hilton took questions seriously, gave what seemed to me carefully thought out answers and was never obnoxious or trying to show off his wit (though as you can see it was not absent). Not to say that he was modest. When I thanked him for interviewing with me, his “You’re welcome” was perfectly polite yet was also delivered with a casual noblesse oblige.
 
In the few years he has been coming here (his first Vegas trip was November 2005), he has become a Vegas celebrity of the top degree. How important became clear when I sent a tweet saying I was planning to interview him, and public relations people from many of the major resorts, shops, restaurants and shows in town reached out to me for any information I might have on where Hilton was going, staying and what he was doing here. Then came the requests: Was there anyway I could get him to go to their clients' shows, restaurants or shops?  It was yet another surprise in my continuing education about the star power of Perez Hilton.
 
Of course, Hilton’s most famous trip to Vegas happened earlier this year when he became the unwitting star of Criss Angel’s Believe and the Miss USA contest on consecutive nights. This trip was definitely a lower key affair, with Hilton taking his mom to see Gloria Estefan for her birthday. The concert was part of the AARP convention, not exactly Hilton’s usual demo. 
 
For about 30 minutes, we talked Vegas, celebrities we both cover and his view of his work.
 
 
Richard Abowitz: How do you see your relationship to Las Vegas?
 
Perez Hilton: I love Las Vegas. I always loved Vegas. But what I do has changed over the years because I have come to Vegas so much. One of my favorite things to do in Vegas was to go see shows. But I have seen all the shows here. I have been to every Cirque show. But it is exciting that there seems to be new people like Garth Brooks heading to the Strip. The Strip needs that. Tonight I am going to see Gloria Estefan and I think she would be amazing in Vegas. Here is why. I like to call it as I see it. I love Bette Midler, but her show is not that great. She does not have the catalog of hits Cher does. Cher does an amazing show; Bette is a great entertainer, but the show is lacking. When I saw Bette Midler there were so many open seats and it was a holiday weekend, and with Cher it was like sold out.
 
To make a long story short, Gloria Estefan would be great in Vegas because she has so many hits, she is people-friendly and can draw a large audience. Or, Dolly Parton. I would love to see Dolly Parton in Vegas.
 
Abowitz: Anyone else?
 
Hilton: I think Vegas would be a good option for Janet Jackson. I don’t know if she knows that because she thinks she still has a career. She just released a single that did not do very well at all. But there is renewed interest in her.

Abowitz: People have speculated about how successful the Garth Brooks show will do at Wynn. What are your thoughts?
 
Hilton: I don’t want to generalize, but it is a rough economy and I don’t know if his fans will want to spend that much on a ticket. I know Beyonce’s fans would pay to see her in an intimate setting. He and Beyonce have a different audience.
 
Abowitz: So, while waiting for the next wave of stars to headline, do you think Vegas risks losing some of its luster and appeal?
 
Hilton: No. I still love Vegas. Right now I love to eat. There is great food in Vegas. I don’t stick to my diet when I am here. But I like seeing what is new. I go to new clubs. I never gamble. But I always need to see what is new in Vegas.
 
Abowitz: OK, to change topics: So, what do you really think about Aubrey O’Day?
 
Hilton: I think she is very unhappy because she wants to be something she is not or she ended up being something she never intended to be. Going into show business she probably thought she was going to be Lady Gaga or Madonna or Angelina Jolie and she ended up being Aubrey O’Day.  In her mind that is probably a big bummer, because she is not stupid, she is just not smart. So, she is probably fully aware how she is perceived and that has to be a bummer. But I actually like Aubrey O’Day. That is the thing, I don’t dislike her. I like making fun of her. I am not out to sabotage her career. I think I am helping her.
 
Abowitz: How do you respond to her telling me her feelings are hurt by some (or, all) of what you write about her?
 
Hilton:  I think in the back of my mind---and, maybe I am just using this to justify my actions, but I actually believe it—that if I stopped talking about her completely, that would bother her more. 
 
Abowitz: On your last Vegas trip, did you expect Criss Angel to call you out from the stage over the tweet you sent about the show being awful?
 
Hilton: No, but I loved it. I should tweet now that I am going to see his show tonight!
 
Abowitz: And what are your thoughts on the now-Criss-Angel-free Holly Madison?
 
Hilton:  I’ve been really surprised by her over the past year. I think Holly Madison has a really great sense of humor and a great attitude about herself. She is probably really happy being Holly Madison.
 
Abowitz: What makes a celebrity interesting to you?
 
Hilton: Talent makes a celebrity interesting.
 
Abowitz: So, to you is Criss Angel talented?
 
Hilton: No.
 
Abowitz: So, what is there besides talent?
 
Hilton:  To me, musicians are interesting, but they may not be interesting to write about though I do a lot of the time anyway. I am interested in what my readers are reacting to. Right now anything “Twilight” or “True Blood” related. Really anything with fangs. Vegas should get a show with vampires [Hilton is probably unaware there is one: “Bite,” the vampire-themed topless show at Stratosphere].
 
Abowitz: So, do your readers then respond to Criss Angel?
 
Hilton: No. I never watched his show, because I never watch TV. I went to see a Cirque show. I was so surprised by his accent, I thought, "Shut up and don't talk. You are so much better when you don’t speak." And I was surprised by the lack of magic. It was more animal training. That is not magic. Wow, birds flying. That is not magic. That is animal tricks. But I haven't written about Criss Angel in forever. As a celebrity, he needs to date another celebrity to get his name back in the headlines. I don't even know if that show is still on TV. But if he wants to be relevant, he has to do something. He is not doing much.
 
Abowitz: And you see the road to relevance for him as dating someone famous as opposed to doing something impressive in his work?
 
Hilton: Do it where?
 
Abowitz: There have been a lot of questions raised about your ethics as a journalist. How do you see yourself?
 
Hilton: First and foremost, I am an entertainer. I am not the New York Times. I am Perez Hilton. It has my name on the top of the website and so people are going to read my opinions and my filter on the world of celebrities.
 
Abowitz: Is it important to you to be honest to your readers?
 
Hilton: Absolutely. I would never make up or embellish a story. That is something print magazines do repeatedly. That is not to say I have not been wrong in the past.  I have. But if I am reporting exclusively, I will never make anything up. And if I am talking about something someone else is reporting and I don't believe it, I will put a question mark or something to let my readers know that people are saying that but I don't think it is true. I value my readers. The ones who come to my website every day and who know what I am about, those are the ones who matter to me. They get me. 
 
Abowitz: Miss America is happening in Vegas again and there has been some controversy over Rush Limbaugh being chosen as a judge. As a controversial Miss USA judge, how do you feel about that choice?
 
Hilton: I think that is great. I hope he asks a question about me! I knew going into Miss USA I was asked to be there because I am controversial and because I am qualified. I look at women in the spotlight every day. I know how a girl can successfully navigate that world.
 
Abowitz: To be clear, your question on gay marriage was not a rogue behavior. But that question was approved by the Miss USA contest before you asked it?
 
Hilton: There was a meeting that morning with producers and pageant officials and everyone signed off on it. Listen, I am a professional. I am a muckraker and lot of things. But I am also a professional. I can separate who Perez is and what he does on his website from what Perez is asked to do in certain professional situations.
 
Abowitz: This actually touches on Aubrey O’Day. Her accusation is that you are nice to her in person, but…

Hilton: I am, because I like her. I don't hate her. Why would I not be nice to her, if I like her? I also like to make fun of her. She can't reconcile that, but I can.

Photo: Michael Tucker Photography/Courtesy Perez Hilton




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Movable Buffet: Final entry |  November 4, 2009, 1:05 pm »
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