by Joe Neumaier
This weekend's blockbuster "X-Men: First Class" got me thinking about the power of the movie prequel.
Once derided as derivative and a movie of last resort (1979's "Butch and Sundance: The Early Days," anyone?), they're not an accepted, even welcome part of a franchise. 2005's "Batman Begins," of course, was just one recent flick that gave the prequel idea a whole new cache.
The new "X-Men" takes it to some cool, circular levels, as we see Charles Xavier (James McAvoy) and Erik Lehnsherr (Michael Fassbender) have their first adventure in 1963, involving mutant involvement in the Cuban Missle Crisis.
In the first film, we saw an early-adolescent Lehnsherr in a German prison camp in about 1943. So, 20 years later, he'd be about 33.
McAvoy -- age 32 -- and Fassbender -- age 34 -- also work out to believably, and chronologically, age into Patrick Stewart's Charles/Professor X (60 in the first "X-Men" film, in 2000) and Ian McKellen's Erik/Magneto (61 in that first movie).
Plus, 1963 was when Marvel first launched the original "X-Men" comic book that started these characters off.
By Joe Dziemianowicz
Call it a Sweet 17.
The Rattlestick Playwrights Theater announced its lineup for next season, its 17th, and it's got real promise.
First up, is a new play by pr man and documentarian Dan Klores with the working title "The Wood." It's about Mike McAlary, a Pulitzer Prize-winning columnist who worked at the Daily News for 12 years before he died at age 41 in 1998. Performances begin Aug. 31. Totally intrigued by this one.
The roster also includes a play by Jesse Eisenberg ("The Social Network" star, at left) called "Asuncion." It's about two men who, according to the release, "are not racist." Really? Its run at the Cherry Lane Theatre launches on Oct. 12.
Also on the schedule for November and beyond: Dael Orlandersmith's "Horsedreams," about the impact of addiction on a family; Daniel Talbott's "Yosemite," about family secrets; and Jose Rivera's "Massacre (Sing to the Children)" follows seven friends who plot a neighbor's murder.
The season ends next June with "3C," a play that sounds a lot like the 1970s sitcom "Three's Company." It's by David Adjmi, whose comedy about a Brooklyn Jewish enclave, "Stunning" wasreally terrific.
For more info, rattlestick.org.
By Joe Dziemianowicz
City teens are sharing several stages with glittery stars for a variety of events.
Tonight at 6 p.m. at the Rose Theater at Jazz at Lincoln Center (Broadway and 60th St.), 13 adolescents who live at Covenant House will perform in a benefit, "A Night of Broadway Stars," to raise funds for the residence that serves homeless, runaway and at-risk kids. They will be performing Mary J. Blige's "Each Tear." Among the Broadway vets performing: "Chicago" alum Luba Mason will sing "All That Jazz"; Natalie Toro from "Les Miserables" tackles "On My Own" and Capathia Jenkins belts "Home" from "The Wiz." More details here.
On Monday, June 6, from 10:30 a.m. to noon, Daniel Radcliffe, spends his morning off from "How to Succeed in Business Without Really Trying" emceeing the Shubert Foundation/MTI Broadway Jr. Program, which is all about engaging kids in musical theater and the arts.
The 6-year-old program helps build self-sustaining theater programs in schools with limited arts programming. Hundreds of public middler schoolers from Brooklyn, the Bronx, Manhattan and Queens who have benefitted from Broadway Jr. will be joining the Harry Potter portrayer on stage at the Majestic Theatre (245 W. 45th St.). Selections from kid-friendly versions of "Annie," "Once On This Island," Seussical," "Aladdin" and "Guys and Dolls" are set to be performed. Click here for more details about the program.
Wil Surratt, senior executive producer of WPIX/Ch. 11’s p.m. news program, has left the station.
Word is Surratt has landed a job at a cable news network, a move that is likely to be revealed soon.
Speculation is that Surratt will land at CNN.
Surratt, a news veteran, crafted the station’s current 10 p.m. news format with Jodi Applegate as anchor. He also oversaw the station’s launch of a 6:30 p.m. newscast.
In an email to staff, Ch. 11 news director Bill Carey said Surratt weighed several offers before leaving the station.
"It's safe to say there will always be opportunities for his proven talent." Carey wrote.
He said Surratt expected to spend a week or two off with his family before starting the new chapter in his career.
Reached Tuesday night, Surratt's agent Rick Ramage, of the N.S. Bienstock agency, declined to comment.
Separately, Surratt’s exit comes just as there’s talk inside Ch. 11 of adding a 5 p.m. weekday newscast, and perhaps a weekend morning show, in the fall.
Read MoreBy Joe Dziemianowicz
"Am I doing this too sexy? Cuz I can take it down."
Every class picture needs a class clown. And when dozens of nominees for the 65th annual Tony Awards assembled this morning for a group photo, the amiable Yul Vazquez gladly assumed the role of joker.
His line about being too hot got an appreciative laugh from the crowd of Broadway's best -- just like he does during each performance as the odd cousin Julio in "The Motherf- with the Hat."
Speaking of hats, composer David Yazbek ("Women on the Verge of a Nervous Breakdown") rarely goes anywhere without his signature porkpie topper. That includes this group snap. He politely asked the photograpaher "Is my trademark hat in the way?" It wasn't. He kept his hat on.
Meanwhile, "Anything Goes" star Sutton Foster, 5-foot-9 in bare feet and like 5-foot-12 in summery wedges, happily switched places with "Baby, It's You" star Beth Leavel so that the actor behind her, "Jerusalem" featured actor Mackenzie Crook, could be seen in the picture. Who knew Foster was such a skyscraper!
Post-picture session, the stars mingled, as waiters passed mini crabcakes and other treats.
"Sister Act" Mother Superior Victoria Clark was introduced mid-munch to "The Scottsboro Boys" Joshua Henry, as Nikki M. James ("The Book of Mormon") eyed a fellow nominee and asked "Who's he?"
(BTW, it was Alex Timbers, who's up for his book of "Bloody Bloody Andrew Jackson.")
By Joe Dziemianowicz
You're the top!
According to the Broadway League, that's the best way to describe the 2010-11 season.
The group's figures show that it was the highest-grossing figure ever, up 5.9% from last season. Attendance is up 5.4% from 2009-2010.
The 53-week period from May 24, 2010 to May 29, 2011 grossed $1,080,562,888. Total attendances reached 12,534,595.
(What's up with a 53-week season, you ask. To accound for variances in the calendar year and to maintain an end-of-May end to the season, the League notes, a 53rd week is added every seven years.)
Executive director of the League Charlotte St. Martin notes, "The diverseity of shows currently on Broadway succeeds in providing something everyone, so it's no accident that we're having the biggest season in our history in the toughest economic times."
By Joe Dziemianowicz
Summer 2011 is already shaping up as a very busy season for theater. And a soon-to-launch theater in Harlem is making it even more so.
The City College of New York (CCNY) and its Department of Theatre and Speech are launching the New Haarlem Arts Theatre (NHAT), a new professional theater company in residence at Aaron Davis Hall, which will produce its first season in the summer of 2011.
The objective, according to a release, is to establish a professional theater uptown that will rank among the best in the country and to produce bold theatrical works that express the true history, culture, and diversity of America.
New Haarlem Arts Theatre (NHAT) will produce James Baldwin's "Blues for Mister Charlie," directed by Eugene Nesmith (pictured, above), NHAT's founder and Artistic Director, June 23 to July 17 and the musical revue, "It Ain’t Nothin’ but the Blues," directed by Alfred Preisser, co-founder and former Artistic Director of the Classical Theatre of Harlem, July 27 to August 21.
Performances will be in Theatre B of Aaron Davis Hall, located at W. 135th Street and Convent Avenue. Both productions will run Thursdays through Saturdays at 7:00 PM, with matinees Saturdays and Sundays at 2:00 PM. Tickets are $25-15. Box office is SMARTTIX, (212) 868-4444, www.smarttix.com.
Click here for more details.
By Joe Dziemianowicz
The Cole Porter musical "Anything Goes" always ends with three imminent weddings.
On Saturday afternoon, there was the surprise addition of another nups-to-be when a romantic Marine proposed to his Navy officer girlfriend onstage of the Stephen Sondheim Theatre.
And, yes, she said yes!
Capt. Zubah Koweh, 32, met Ensign Amy Sullivan, 28, on the USS Nassau.
"Amy loves Broadway and theater," Koweh told me on Thursday. "Proposing this way seemed like a good fit."
News photographer James Keivom captured the moment, at left. Read Clare Trapasso and Rich Schapiro's story here.
It's actually been quite a spring for more-than-decent proposals, or at least dramatic ones.
Actor Bill Heck proposed to "Orphans' Home Cycle" costar and girlfriend Maggie Lacey on stage at the last performance of "Angels in America." See story here.
And on the last performance of "Wonderland," Darren Ritchie asked costar Janet Dacal "Will you marry me?" Details here. Sweet stories all around. Do you have a favorite proposal story?
By David Hinckley
Cheryl Cole has apparently been sacked from the judging panel on “X Factor,” months before the first X even hits the air, and as if that’s not startling enough, the reported reason is even more disturbing.
It seems she has too much of a British accent.
Oh, no! We love British accents! We can’t get enough of British accents!
So does this mean we have finally hit the wall? Has our fascination for British accents peaked?
It feels like the pop-culture equivalent of breaking off diplomatic relations. It feels like we have betrayed Professor Henry Higgins himself.
The Cole news has been somewhat buried under the news that Scotty McCreery won “American Idol,” an outcome that was about as surprising as finding caffeine in Starbucks coffee.
Also, of course, most Americans know little about Cole, so it’s not like we’ll be missing an old friend when it’s Nicole Scherzinger from the Pussycat Dolls instead of Cole sitting next to Simon Cowell and Paula Abdul on the judging panel in the fall.
Still, it’s bracing that on the very same night, Americans embraced an accent that many people gently chuckle over – the Southern country twang that McCreery used to win “Idol” – we’re losing an accent that we so admire.
By Joe Dziemianowicz
As if his character's addiction to booze, oversexed girlfriend and untrustworthy AA sponsor aren't enough to deal with on Broadway in the play "The Motherf- with the Hat," Bobby Cannavale banged up his head for real last night.
The scary backstage accident happened two-thirds of the way into the play. It left him sore and bleeding and the show was paused. An ambulance was called as a precaution.
In "show must go on" style, however, the actor finished the performance.
"He's a real trooper and it didn't seem to phase him a bit," notes a show spokesman who detailed the events.
"During a scene transition about an hour into the show, Bobby Cannavale accidentally hit his head backstage. He took a hard hit and had to take a moment to compose himself. He was also bleeding a bit, so the show was halted for a 15 minute pause while he was bandaged up.
"Then, the show picked up right where it left off and he finished the rest of the performance."
After the show, the 41-year-old actor who's up for a Tony for his work in the play by Stephen Adly Guirgis went to his doctor for stitches.
"I just spoke to him," the spokesman noted shortly after midnight. "He's absolutely fine."
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