Bridget Riley: Paintings and Related Work | National Gallery; 22 May 2011
Riley’s art has been liked to listening music, but it is equally true to say
it is like reading a musical score: we participate actively in the analysis
of the underlying formal structures that govern her use of light, colour and
movement. Her pictures demand so much of your eye and brain that only an art
historian would pause to consider their relationship to paintings by any
other artist, living or dead. Not for the first time this year, the National
Gallery has staged an exhibition that should really have been a book.