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Wall Street: Money Never Sleeps
'Wall Street' tops weekend b.o. with $19 mil
"Wall Street: Money Never Sleeps" took the No. 1 spot at the weekend box office with $19 million.
Mao's Last DancerSPECIAL REPORT
How to beat the indie financing system
A rising class of financiers is savvier, more discerning and -- despite the gloom and doom in the sector -- maybe even turning a profit. » More

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'Wall Street' tops weekend b.o. with $19 mil
'Town' holds strong at 3, 'Legend of the Guardians' is No. 2
SAG tells members not to work on 'Hobbit'
AFTRA, others advise against 'non-union production'
Hannover House picks up 'Girlfriend'
Film's cast includes Amanda Plummer, Jackson Rathbone
'Wall Street,' 'The Town' rule Friday box office
'Legend of the Guardians' opens at No. 3 with $4.6 million
Lindsay Lohan freed from L.A. jail
Actress ordered to wear alcohol monitor, stay out of bars
How 'Black Swan' leads prepped for sex scene
Darren Aronofsky tells THR he felt 'guilty' filming sequence
Patton Oswalt, Patrick Wilson join 'Adult'
Jason Reitman directing Diablo Cody-penned black comedy
'Dragon Tattoo' star is new 'M:I-4' villain
Michael Nyqvist played journalist in Swedish thriller
Mel Gibson's ex agreed to $15m tape deal
But Oksana Grigorieva's lawyer calls her 'victimized'

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Wall Street'Wall Street' returns
Read THR's review of Oliver Stone's 1987 film.
garfield_andrew_90.jpgQuartet set for Hollywood fete
Andrew Garfield, three others will be honored at film festival.
holmes_katie_90.jpg'The Romantics'
GALLERY: Katie Holmes attends screening afterparty in New York.


Box Office Tally

WEEKEND BOX OFFICE ESTIMATES

Gross Cume
1.
The Town
23.8
23.8
2.
Easy A
18.2 18.2
3. Devil
12.6 12.6
4. Resident Evil: Afterlife 10.1 44
5. Alpha and Omega 9.2 9.2
Weekend of Sept. 17-19. Figures in $ mil.

"The Sorcerer's Apprentice"

Release Wknd. B.O. Cume B.O.
1. Resident Evil: Afterlife
36.5 101.7
2. Umizaru 3: The Last Message
11.3 11.3
3.
Inception
10.1 468.1
4. The Last Airbender
5.7 159.0
5.
The Sorcerer's Apprentice
5.5 138.0
Figures in millions. Weekend of  Sept. 17-19, 2010

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Columns

FILMMAKER FOCUS
Painful past lives again in 'You Again'
Andy Fickman managed to shoot 'You Again' in 35 days and keep production in Los Angeles, writes MARTIN A. GROVE. » More
FILMMAKER FOCUS
How 'Devil' director shot in confined spaces
Filmmakers have the great advantage of being able to open up stories so the action isn't limited to one location as it is on stage. But when it comes to thrillers, the trend is to work within very confined spaces, writes MARTIN A. GROVE. » More
FILMMAKER FOCUS
It's not 'Easy' making a sexless sex comedy
Is a sex comedy without sex still a sex comedy?, writes MARTIN A. GROVE. » More

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Current Reviews

"The Social Network"

The Social Network -- Film Review

"The Social Network" has as its protagonist a character drawn in a Shakespearean mode, a high-achieving individual who carries within him the seeds of his own destruction. More

I Spit on Your Grave -- Film Review

It's a lot harder to disgust viewers in these days of torture porn than it was at the close of the 1970s, when the revenge flick "I Spit on Your Grave" crawled into theaters with an ostensible female-empowerment theme many saw as an excuse to depict multiple grueling rapes. » More

In a Better World -- Film Review

Another richly layered examination of family dynamics and those ever-tricky lines of human communication, "In a Better World" represents a return to accomplished form for Danish filmmaker Susanne Bier. » More

Habana Eva -- Film Review

An agreeably indulgent slice of escapist wish fulfillment, the romantic comedy "Habana Eva" charms with its breezy style and appealing performances. » More

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Interviews

Q&A: Pinewood Shepperton's Ivan Dunleavy
Pinewood Shepperton's Ivan Dunleavy eyes expansion at the famous home of 007. » More
Q&A: Elastic Rights' Inaki Orive
Elastic Rights' niche brand model is altering the face of children's programming overseas. » More
Q&A: Adam Bonnett
Disney Channel's Adam Bonnett is looking for the next generation of young stars. » More

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