Online edition of India's National Newspaper
Monday, Dec 01, 2003

About Us
Contact Us
Metro Plus Delhi Published on Mondays & Thursdays

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education | Book Review | Business | SciTech | Entertainment | Young World | Quest | Folio |

Metro Plus    Bangalore    Chennai    Coimbatore    Delhi    Hyderabad    Kochi    Madurai    Thiruvananthapuram    Visakhapatnam   

Printer Friendly Page Send this Article to a Friend

Hot words from the Aanch man



Nana Patekar... the glow of "Aanch".

AMITABH IS his ultimate hero but he doesn't like him in his second innings; Sanjay Leela Bhansali gave him his "cherished role" in "Khamoshi - The Musical" but he derides "Devdas"; he hates violence but has no reservations in playing a violent chieftain in "Aanch", his latest film, or shooting AK-56 in his forthcoming "Ab Tak Chappan". That's Nana Patekar: As sharp, as tart as one could be in an industry where double standards are the norm.

Playing Mahadev bhai in "Aanch", Nana says, "The film is based on a real story, in the badlands of U.P. and Bihar, of how the clash of egos of two chieftains ruins the lives of a couple about to be married. My character is inspired by a local Kshatriya mukhiya, Teju Bhai, who sports Reebok shoes with dhoti kurta. The film's highlight is the rustic Banarasi flavour not seen quite often these days. Also, I have rendered an Awadhi folk song "Sun Mori" for the film."

Nana feels that no problem can be solved by the gun, but still violence is a factor in our lives and that's why we find it in our films. "You don't find sad songs in the films any more because in reality you seldom find people brooding over loss, be it love or something else, because people have evolved violent ways to achieve their desires. However, I can't say for others, but I won't show mindless violence in my film. `Prahar' was all about reality, and my next film `Jhuman' is a musical. Based on the novel of Marathi writer S.M. Phendse, it subtly portrays the message of communal harmony. Producer Ram Gopal Varma has given me freedom about the budget and I will start shooting in February. I am playing the title role, but the rest of the cast has not been finalised. Shankar, Ehsan, Loy and Suresh Wadekar are working on the music."

Nana is not ready to categorise his film. "If it works, call it commercial. Otherwise, name it experimental. Simple."Essentially a theatre man, Nana says, "It hurts to see a `Devdas', type of interpretation of literature. Sharat Chandra must have wept, had he seen Paro and Chandramukhi dancing together."

Playing Daya Nayak in "Ab Tak Chappan", Nana seems unconcerned that four films are being made on the encounter specialist of the Mumbai police, and one of them "Kagaar" has already been released. "See, nobody, is making a real life story on him because it is impossible. All are just inspired by the character." But again isn't encounter, a violent act, proscribed by law?"It is easy to criticise the elimination of rogues so long as they haven't affected your life. In fact, in the film I tell the lawyer whose character is based on a famous advocate of the country fond of fighting cases for terrorists, that I will salute you if you dare to stand for people, who have raped your daughter or killed your son." As acidic as ever.

A.K.

Printer friendly page  
Send this article to Friends by E-Mail

Metro Plus    Bangalore    Chennai    Coimbatore    Delhi    Hyderabad    Kochi    Madurai    Thiruvananthapuram    Visakhapatnam   

Features: Magazine | Literary Review | Life | Metro Plus | Open Page | Education | Book Review | Business | SciTech | Entertainment | Young World | Quest | Folio |


The Hindu Group: Home | About Us | Copyright | Archives | Contacts | Subscription
Group Sites: The Hindu | Business Line | The Sportstar | Frontline | The Hindu eBooks | Home |

Comments to : thehindu@vsnl.com   Copyright © 2003, The Hindu
Republication or redissemination of the contents of this screen are expressly prohibited without the written consent of The Hindu