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Last Cell Syndrome
Whenever a character must visit someone in jail, the jailed character's cell is always the last one on the cell block, so the visitor must slowly pass by every other cell in terror. NEIL GABRIELE, Nashville, Tenn.
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If we had the British Constitution, Oprah Winfrey would be our queen.

It isn't an elected position. You're born into it.

You have no legislative power, but the leaders of both political parties consult with you and advise you of their plans.

The Twilight Saga: New Moon (PG-13)
The characters in this movie should be arrested for loitering with intent to moan. Never have teenagers been in greater need of a jump-start. Granted some of them are more than 100 years old, but still: their charisma is by Madame Tussaud.

Bad Lieutenant: Port of Call, New Orleans (R)
Werner Herzog's "Bad Lieutenant: Port of Call, New Orleans" creates a dire portrait of a rapist, murderer, drug addict, corrupt cop and degenerate paranoid who's very apprehensive about iguanas. It places him in a devastated New Orleans not long after Hurricane Katrina. It makes no attempt to show that city of legends in a flattering light. And it gradually reveals itself as a sly comedy about a snaky but courageous man.

The Messenger (R)
Maybe the only way to do it is by the book. You walk up to the house of a total stranger, ring the bell and inform them that their child has been killed in combat. When they open the door and see two uniformed men, they already know the news. Some collapse. Some won't let you finish before they beat their fists on your chest, crying at you to shut up, god-damn it, that can't be true. Some seem to fall into a form of denial, polite, inviting you in, as if this is a social situation.

Planet 51 (PG)
In the 1950s Hollywood tradition, an alien spaceship landed on Earth, and then was surrounded fearfully by military troops. "Planet 51" is true to the tradition, but this time, the ship comes from Earth, and it lands on a planet inhabited by little green men. It's still the 1950s, however.

2012 (PG-13)
It's not so much that the Earth is destroyed, but that it's done so thoroughly. "2012," the mother of all disaster movies (and the father, and the extended family) spends half an hour on ominous set-up scenes (scientists warn, strange events occur, prophets rant and of course a family is introduced) and then unleashes two hours of cataclysmic special events hammering the Earth relentlessly.

Skin (PG-13)
I remember the story of Sandra Laing. I lived in Cape Town during 1965, the year this film begins, and it was all over the South African newspapers. Sandra was the daughter of white Afrikaners, the descendents of the country's original Dutch settlers.

Pirate Radio (R)
Before we get to the movie, let's assume you're near a computer that has iTunes. Go to "radio," look under "alternative rock," and go down to Radio Caroline. I'll tell you why in a moment. Don't turn it up so loud that it drowns out my review.

The House of the Devil (R)
Has there ever been a movie where a teenage baby-sitter enjoyed a pleasant evening? And a non-demonic child? Sam gets a break in "The House of the Devil." She discovers there isn't a baby at all. Only the aged mother of Mr. Ulman, a sinister man played by Tom Noonan, who is my choice to portray The Judge in Cormac McCarthy's Blood Meridian, and if you have read that gruesome masterpiece, there is nothing more I need say about Mr. Ulman.

Gentlemen Broncos (PG-13)
As an amateur collector of the titles of fictional novels in movies, I propose that this one has the worst of all time: Yeast Lords: The Bronco Years. You say you smiled? Me, too, and there are precious few smiles and laughs in "Gentlemen Broncos," which is not a very good movie title, either, although it might work for an X-rated film. The author of Yeast Lords is a teenager named Benjamin, who writes science fiction and idolizes a famous sci-fi novelist named Dr. Ronald Chevalier as much as I once, and still do, admire the Good Doctor Asimov.

The Boondock Saints II: All Saints Day (R)
"Boondock Saints II: All Saints Day" is an idiotic ode to macho horseshite (to employ an ancient Irish word). It is however distinguished by superb cinematography. It's the first film in 10 years from Troy Duffy, whose "Boondock Saints" (1999) has become a cult film. It's such a legendary film, a documentary was even made about it.

The Exiles (No MPAA rating)
Newly restored on DVD, November 17.

Homer is already three-quarters smashed. He buys a beer, sprawls in a booth, and looks over the crowd in the bar. Through his eyes, we see them too: Down-and-out alcoholics, loosely or happily or angrily tilting the long-necked bottles of beer to their mouths. One old man has something wrong inside, and has to drink sideways, at a tilt. Another old man peers out from under his hat, taking it all in without eye contact. A young white guy is rock-and-rolling with a small Chinese man, in a movement that seems poised between dancing and fighting. Most of the others are Native Americans. Homer rolls his bottle off the table, and it smashes.

Disney's A Christmas Carol (PG)
"Disney's A Christmas Carol" by Robert Zemeckis (and Charles Dickens, of course) is an exhilarating visual experience and proves for the third time he's one of the few directors who knows what he's doing with 3-D. The story that Dickens wrote in 1838 remains timeless, and if it's supercharged here with Scrooge swooping the London streets as freely as Superman, well, once you let ghosts into a movie, there's room for anything.

Precious (R) (11/4) »

The Men Who Stare at Goats (R) (11/4) »

The Box (PG-13) (11/5) »

(Untitled) (R) (11/4) »

The Fourth Kind (PG-13) (11/4) »

The Horse Boy (No MPAA rating) (11/4) »

Q. Given your admiration of "Antichrist" and your distaste for video games, do you have any thoughts on the reported video game sequel, called "Eden."? When you asked me, I said my shot-in-the-dark guess is that it would be a dark, moody, horror-themed game wherein you played some random character trapped in the forest, attempting to survive or escape through solving puzzles and finding the correct "passageways."
Nosferatu (No MPAA rating) (1922)
To watch F.W. Murnau's "Nosferatu" (1922) is to see the vampire movie before it had really seen itself. Here is the story of Dracula before it was buried alive in cliches, jokes, TV skits, cartoons and more than 30 other films. The film is in awe of its material. It seems to really believe in vampires.
by By Peter Debruge
Guest Columnist


Dear Roger,

I value your opinion, but question your reporting on this anti-3-D essay you've written for The Spectator [London]. Movies do earn more in 3-D (I don't have the statistics in front of me, but I know that "Coraline" earned 85% of its box office on 3-D screens, and I suspect that all four of the films you cite did at least half their business in the format). To the best of my knowledge, Pixar does not have technology "that can convert any 2-D movie into 3-D from scratch." And DreamWorks' "Kung Fu Panda" was made and released in 2-D; "Monsters vs. Aliens" was the studio's first in 3-D.

Hour of the Gun
Ten years after he made "Gunfight at the O.K. Corral," producer-director John Sturges is back with the sequel, in case you've been wondering ever since what happened then. A lot happened. Wyatt Earp changed from Burt Lancaster into James Garner, grew a mustache and set out to avenge his brothers. Doc Holliday kept hitting the bottle and wound up playing gin rummy in a Colorado sanitarium. The Clanton gang got theirs. And Wyatt decided not to take the job in Tombstone after all.
Ten years after its release, there are still plenty of people who will not get David Fincher's "Fight Club" simply because they refuse to see what is in front of their eyes. They think it's about a cult of men who get together to punch each other, which is like saying "Citizen Kane" is about a sled. If you hate a movie, go ahead and hate it -- but hate it for what it actually is. Fundamentally, "Fight Club" is an uncannily accurate depiction of depression and delusion -- capturing a uniquely (post-?)modern strain of anomie to which perhaps older baby boomers and their seniors find it difficult to connect because it's beyond their frame of reference. (I don't know -- that's just a hunch.)

Let's fix those "ambiguous" endings, shall we?

Happy 5th B-day, Sergio Leone and the Infield Fly Rule!

Helvetica is the movie font

Blow-up: Selling Sarah's shorts

Star Trek 2009: Pieces of flare! (Rescued, restored)

Rescued, restored: My best of 2008

The arrival of The Prisoner, then and now: "We Want Information!"

Hey, Mr. Fox: Who's the audience? Who cares?

Is it time for best movies of the decade already?

Rescued, reposted: Best films of 2007: The movie

A Serious Man: Kafka in Minnesota

> > > >

visit jim emerson on twitter

The Opening Shots Project Index

The limerick's a form metronomical,
For the telling of jokes anatomical.
Yet the best one's I've seen
So seldom are clean,
And yet clean ones so seldom are comical.

Auden, that very good man
Said a limerick need not merely scan.
But put up a struggle
And bend itself double
To be decent, and fail at the plan.

It was the opening day of the Disney-MGM studios in Orlando. The stars were there with their children. There was an official luncheon at the Brown Derby, modeled after the legendary Hollywood eatery. I was beside myself. I was in a booth sitting next to Jack Brickhouse, the voice of the Chicago Cubs. A man walked over and introduced himself. "Bob Elliott." Oh. My. God. Bob, of Bob and Ray.

Today, fifteen years after I first saw it, I believe "Hoop Dreams" is the great American documentary. No other documentary has ever touched me more deeply. It was relevant then, and today, as inner city neighborhoods sink deeper into the despair of children murdering children, it is more relevant. It tells the stories of two 14-year-olds, Arthur Agee and William Gates, how they dreamed of stardom in the NBA, and how basketball changed their lives. Basketball, and this film.

thumbs
Linked here are reviews in recent months for which I wrote either 4 star or 3.5 star reviews. What does Two Thumbs Up mean in this context? It signifies that I believe these films are worth going out of your way to see, or that you might rent them, add them to your Netflix, Blockbuster or TiVo queues, or if they are telecast record them.

Gathered here in one convenient place are my recent reviews that awarded films Zero Stars, One-half Star, One Star, and One-and-a-half Stars. These are, generally speaking to be avoided. Sometimes I hear from readers who confess they are in the mood to watch a really bad movie on some form of video. If you are sincere, be sure to know what you're getting: A really bad movie.

in theaters
9
on dvd
Thirst  (11/17)
Star Trek  (11/17)
The Limits of Control  (11/17)
Humpday  (11/17)
The Exiles  (11/17)
Downhill Racer  (11/17)
Bruno  (11/17)
Up  (11/10)
Orphan  (10/27)
Ice Age: Dawn of the Dinosaurs  (10/27)
Angels and Demons  (11/24)
Four Christmases  (11/24)
Funny People  (11/24)
A Christmas Tale  (12/1)
The Cove  (12/8)
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