2008 [12th] Japan Media Arts Festival Award-winning Works

Manga Division

Munakata Kyouju Ikouroku
© Yukinobu Hoshino / Shougakukan
Excellence Prize

Munakata Kyouju Ikouroku

Story Manga

Artist : HOSHINO Yukinobu

(Japan)

Summary

From all around the world come many legends and beliefs; professor MUNAKATA, an authority on the study of folklore, reveals the invisible historical facts hidden behind the myths. This story is brightly depicted, the main character using keen reasoning and a deep insight to solve one mystery after another.

Profiles

HOSHINO Yukinobu

HOSHINO Yukinobu

Born in Obihiro-shi, Hokkaido, 1954. After leaving the faculty of Japanese painting, Department of Fine Art in Aichi Prefectural University of Fine Arts and Music, he moved to Tokyo and started working as a manga artist in 1975. He won the 9th Tezuka Prize for Harukanaru Asa in the same year. His specialty is SF, but he is also interested in history; his most recent stories are concerned with the study of ancient history and folklore. His major works include 2001 Ya Monogatari, Yamataika, and Munakata Kyouju Denkikou.

Comment

Although I have been working as a manga artist for some time, it has been a while since I last received an award. In my youth, when I desired to become a manga artist, I had the vague idea that I would draw science fiction stories. Back then, I would never have imagined that, as an adult, I would draw a story that took history and folklore as its themes, still less that I would receive a prize for it. I will receive it gladly, imagining the amazed expression I would have once worn.

Reason for Award

I imagine there are many people who think that scholars are limited in that they cannot speak as to the facts of history without certain evidence, such as historical records or relics; for such historically minded readers, Munakata kyouju Ikouroku might be a fascinating and fantastical work of manga. The main character, professor MUNAKATA, is a folklore specialist who, as though cutting the Gordian Knot, ratiocinates mysteries based on romances, legends, and historical materials; the way in which this is done, utilizing a very manga-like freedom of conceptual interpretation and imagination, is very entertaining, transforming quite difficult academic themes into perfect entertainment. Indeed, it could be said that this work has cultivated a new frontier in the genre of Story Manga.

8 Questions for Award-winners

Q1
What makes you create a work?
A1
As far back as I can remember, I have always been making something, whether making planes with folded newspaper, drawing three dimensional views of a submarine in a manga, publishing domestic newspaper, and so on; I think I just kept making things.
Q2
What tools do you use the most at present?
A2
As it is manga, the principle method is drawing by hand with pen and ink, but I use a PC for color pictures.
Q3
What do you place greatest value on in your work?
A3
With regard to this award-winning work, the originality of the idea. I have expanded my imagination utilizing history and folklore, as if it were a science fiction story.
Q4
What personal concept runs through your creative activities?
A4
I would like the reader to experience the feeling of changing a point of view and seeing something differently.
Q5
When you create a work, in what way do you think of a presentation using technologies or media as a means to communicate?
A5
I think that, as we grow older and our strength declines, we should use tools, such as PCs, to compensate. I hope that the status of paper printed manga and magazines will remain unchanged for the time being.
Q6
Could you name a person, a work, or an event that you have been most influenced by?
A6
Among manga artists, it is TEZUKA Osamu’s Phoenix. In terms of personal experience, it is a friend of mine, who died when we were university students; his short life still remains vividly in my mind, and it seems that it has become a reference for my own life.
Q7
What kind of work would you like to create in the future?
A7
If possible, I would like to produce an epic science fiction story, weaving science and my own view of life and the world into it; such a work would be the magnum opus of my career.
Q8
What is the meaning or importance of creating for you?
A8
It is like making mince with a machine; I feed knowledge and information, such as can be found in books, into my head, one after another, and then turn the handle to see what kind of mince I can get.