Out on DVD and Blu-ray this week from Magnolia Home Entertainment, COMPLIANCE gives actor Pat Healy a startlingly different role than the one most horror fans probably know him for: the awkward but likable, lovestruck Luke in THE INNKEEPERS. He digs into his turn as COMPLIANCE’s manipulative “Officer Daniels” in this exclusive interview.

Where do we point the finger for the theatrical failing of DREDD? An invisible marketing campaign? The hard R? The association with the previous, lunk-headed 1995 big screen adaptation of the beloved British cult comic book property?

Three new teasers continue to offer brief glimpses into the world of A&E's upcoming modern day-set PSYCHO prequel series. 

A HAUNTED HOUSE represents the kind of surprise leading to disappointment that crops up on the movie scene sometimes—the surprise being that it’s not quite as awful as you might expect, and the disappointment that it still isn’t nearly good enough to recommend.

Undeniably stylish—hypnotic even— Ryan Haysom’s neo-giallo short YELLOW is currently garnering strong praise across the globe as it slides through festivals, finding a sweet spot between reverence to its cinematic idols and modern construction. The director and cinematographer Jon Britt spoke with Fango about the film and their own spin on the hunt for a black-gloved killer.

The creators of the horror spoof A HAUNTED HOUSE didn’t have the chance to parody TEXAS CHAINSAW 3D on screen, but they do homage it in a new poster you can see exclusively after the jump.

Tim Burton's return to form and PARANORMAN, its 2012 stop motion counterpart, both found themselves with prestige this morning. 

Antonio Campos' chronicle of an American student in Paris is out in the French city's best season.

Extreme violence is meted out against the wicked in CROSS BEARER, an indie shocker now available on DVD. Read on for the details and a few exclusive pics plus a new, NSFW trailer.

It’s unclear whether “Spilt Milk” can be judged on its own. As AMERICAN HORROR STORY begins to wrap up its second season in earnest (and not just its typical stop-start-reset fashion) it may be integral to view this eleventh episode of ASYLUM alongside the final two that follow. That could be the key to figuring out whether, in the end, this all works. Because right now, after a truly head-tilting opening in which Dylan McDermott’s present day Bloody Face visits with a lactating prostitute, who can really be sure of anything?

Revenge becomes bloody in NOBODY GETS OUT ALIVE, a body-count opus coming to DVD and digital download next month. We’ve got an exclusive first look at the trailer.