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Synecdoche, New York
Sony Pictures Classics

Synecdoche, New York reviews
Critic Score
Metascore: 67 Metascore out of 100
User Score  
7.4 out of 10
based on 33 reviews
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How did we calculate this?
based on 78 votes
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MPAA RATING: R for language and some sexual content/nudity

Starring Philip Seymour Hoffman, Dianne Wiest, Samantha Morton, Catherine Keener, Michelle Williams, Emily Watson, Jennifer Jason Leigh, Hope Davis, and Tom Noonan

Theater director Caden Cotard is mounting a new play. His life catering to suburban blue-hairs at the local regional theater in Schenectady, New York is looking bleak. His wife Adele has left him to pursue her painting in Berlin, taking their young daughter Olive with her. His therapist, Madeleine Gravis, is better at plugging her best-seller than she is at counseling him. A new relationship with the alluringly candid Hazel has prematurely run aground. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. Worried about the transience of his life, he leaves his home behind. He gathers an ensemble cast into a warehouse in New York City, hoping to create a work of brutal honesty. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside. (Sony Classics)


GENRE(S): Comedy  |  Drama  
WRITTEN BY: Charlie Kaufman  
DIRECTED BY: Charlie Kaufman  
RELEASE DATE: DVD: March 10, 2009 
Theatrical: October 24, 2008 
RUNNING TIME: 124 minutes, Color 
ORIGIN: USA 
LANGUAGE(S): English | German 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
The New York Times Manohla Dargis
To say that Charlie Kaufman's Synecdoche, New York is one of the best films of the year or even one closest to my heart is such a pathetic response to its soaring ambition that I might as well pack it in right now.
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100
Chicago Sun-Times Roger Ebert
I think you have to see Charlie Kaufman's Synecdoche, New York twice. I watched it the first time and knew it was a great film and that I had not mastered it. The second time because I needed to. The third time because I will want to.
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100
Seattle Post-Intelligencer Travis Nichols
Although obviously a stretched and lightly drawn caricature -- the cerebral writer is obsessed with his work, has metaphorical skin problems, can't have sex without weeping, etc. -- Cotard is real. Or as real a representation of an artist as we're likely to get in this biopic age.
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100
Austin Chronicle Marjorie Baumgarten
Synecdoche is the kind of movie that rewards repeated viewings. But sometimes, as Van Morrison sings, it's just best to "sail into the mystic."
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91
Portland Oregonian Shawn Levy
In effect, Caden's life passes before his eyes while he is living it. And Kaufman shares this effect with us through a strange process he achieves with invisible strings; it's a knockout.
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90
Time Richard Corliss
No film with an ambition this large, and achievement this impressive, can be anything but exhilarating, a vital affirmation of the creative process.
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88
New York Post Lou Lumenick
It's got more imagination than half a dozen movies combined; there's nothing else out there like this, and to me that's a very good thing.
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88
Premiere Emily Rems
At turns as neurotic and nebbishy as any Woody Allen flick, as creepy and disorienting as your favorite "Twilight Zone" episode, and as steeped in magical realism as the most moving Márquez novel, Synecdoche may not be the feel-good date movie of the year. But for viewers up for the challenge, it may be the film most likely to stick with you.
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88
Boston Globe Wesley Morris
I can't pretend to know fully what Charlie Kaufman is up to in Synecdoche, New York, with all the doubled characters, dreamy reenactments, comical minutiae, and personal unhappiness. But I got a great deal of pleasure out of watching him mount his fantasia about an artist suffering not simply for his art, but because of it.
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88
Chicago Tribune Michael Phillips
As a director, Kaufman isn't yet his own best salesman. He's not enough of a visual stylist to sell his script's most challenging conceits. But the cast rises to a very strange and rich occasion.
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83
The Onion (A.V. Club) Scott Tobias
For this master of mindfuckery, Synecdoche, New York probably qualifies as a magnum opus, since it essentially multiplies "Adaptation" by an exponential factor and thus grows into a snarling, ungainly beast of self-reflexive absurdities.
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80
NPR Bob Mondello
Synecdoche, New York is one heck of a head-trip.
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75
Miami Herald Rene Rodriguez
You have never seen a movie quite like this one.
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70
Film Threat Mariko McDonald
It is a sprawling, ambitious and very long look at so many things, it's almost a miracle he was able to wrap it up in just two hours. And yet, for a film that is principally about death, the conclusion is surprisingly life-affirming, especially coming from Kaufman.
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70
Los Angeles Times Carina Chocano
Sprawling, awe-inspiring, heartbreaking, frustrating, hard-to-follow and achingly, achingly sad movie.
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70
Village Voice Scott Foundas
Like most of Kaufman's work as a writer, Synecdoche, New York is a head trip that time and again returns to a place of real human emotion--in this case, to the idea that no matter how brilliant we may be or think we are, we're all looking for a little guidance (or, yes, direction) in life.
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70
The Hollywood Reporter Ray Bennett
Will mesmerize some and mystify others, while many will be bored silly. It's not a dream, Kaufman says, but it has a dreamlike quality, and those won over by its otherworldly jigsaw puzzle of duplicated characters, multiple environments and shifting time frames will dissect it endlessly.
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70
Variety Todd McCarthy
A wildly ambitious and gravely serious contemplation of life, love, art, human decay and death, the film bears Kaufman’s scripting fingerprints in its structural trickery and multiplane storytelling.
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63
Rolling Stone Peter Travers
Philip Seymour Hoffman creates a mesmerizing portrait of the artist as a young, old and middle-aged man.
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63
Philadelphia Inquirer Carrie Rickey
In Synecdoche, Kaufman the screenwriter is not well-served by Kaufman the filmmaker. As a director, his propensity for heavyosity leadens rather than leavens this affair.
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60
New York Daily News Joe Neumaier
Hoffman, Morton and Jon Brion's aching score somehow capture the all-too-human need to get things right. If you're in a certain frame of mind, those moments make up for all the stagecraft.
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50
Salon.com Stephanie Zacharek
Strives to be a work of greatness. But Kaufman's overarching vision is a lot less interesting than the small insights he gathers along the way. This is what happens when life imitates art, and blows it.
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50
ReelViews James Berardinelli
Just because a movie is ambitious and challenging doesn't mean it can't also be tedious and at times unbearable.
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50
Slate Dana Stevens
The problem is that the movie's worldview, in the end, isn't expansive enough to justify the (quite literal) stage it takes place on.
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50
The New Yorker Anthony Lane
There has long been a strain of sorry lassitude in Kaufman's work, and here it sickens into the morbid.
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50
San Francisco Chronicle Mick LaSalle
The temptation to be emphatic about Synecdoche, New York is overwhelming but should be resisted, because the movie really is a mixed bag. A particularly odd mix.
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50
Chicago Reader Jonathan Rosenbaum
It seems more like an illustration of his (Kaufman) script than a full-fledged movie, proving how much he needs a Spike Jonze or a Michel Gondry to realize his surrealistic conceits.
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50
The Globe and Mail (Toronto) Rick Groen
Here, there's not much that's funny, there's too much that's too clever by half, and there's not a damn thing that's lively - this is a film about Life whose sin is its lifelessness.
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50
Baltimore Sun Michael Sragow
As the movie rambles along with its own brand of quasi-magical surrealism, the links to real experience grow scarcer and more frayed.
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50
Charlotte Observer Lawrence Toppman
Watching the film is also wearying, like assembling a puzzle from a box into which a sadist continually pours new pieces. I was still processing details when the abrupt ending snatched the puzzle away.
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40
New York Magazine David Edelstein
It's heartbreaking how rich this failed project is, with enough poetry for several great movies, but not enough push for one.
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38
USA Today Claudia Puig
The film disappoints terribly, too. The directorial debut of such an imaginative and clever screenwriter was a highly anticipated event. His "Being John Malkovich" and "Eternal Sunshine of the Spotless Mind" are two of the most innovative and intriguing movies of the past decade. Synecdoche is one of the most maddening.
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33
Entertainment Weekly Owen Gleiberman
I gave up making heads or tails of Synecdoche, New York, but I did get one message: The compulsion to stand outside of one's life and observe it to THIS degree isn't the mechanism of art -- it's the structure of psychosis.
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What Our Users Said

Vote Now!The average user rating for this movie is 7.4 (out of 10) based on 78 User Votes
Note: User votes are NOT included in the Metascore calculation.

Mark R. gave it a10:
I felt like I got more than my money's worth with this film. Although it is not a movie for the casual viewer. I can't wait to see it again (just wish there had been some, any, non-white people in Cotard's world. It seems that Kaufman's NY and Woody Allen's NY are inscrutably pale).

Gene S. gave it a0:
As you can see there is quite a stark contrast between what the "reviewers" think of this movie and what people in the "real world" think of this mess. Can I give it zero stars? I wanted to like this movie. Really, I did. The cast is first rate and it started out interestingly enough. But the movie decends into a muddled, meandering mess. And talk about depressing! The story within a story within a story is worthy of exploration but the use of symbolism and allegory to such an extreme, combined with the fact that the story (if you want to call it that) is VERY depressing and ultimately fruitless ---- well, I really wish I had that 2 plus hours back in my life. What a compete, utter, total waste of time. The fact that I'm even thinking about it now angers me but I figured if I can spare others from my misfortune, maybe some good has come out of it. How this movie even got made is a mystery for the ages.

Andy Blue gave it a10:
This is a one-in-a-million film. It's so brilliant and groundbreaking -- so defiant of our expectations of movie storytelling -- that many of us will fail to understand or appreciate it. But it's a masterpiece work from a genius artist. I'm amazed and thankful that it was actually made and distributed. "Synecdoche" moved, inspired, and changed me.

Rory C. gave it a10:
this movie was released in maybe about 2 or 3 theatres in all of florida. luckily one of them was only thirty minutes from me. best movie i've seen this year. haven't seen any since. have no plans to.

Mathieu C. gave it a10:
The only movie worth seeing this year. It's the most inventive screenplay I've ever seen, dans one of the most touching too.

Sean F. gave it a4:
Not a great Charlie Kaufman movie. Some brilliant moments/bright spots, ultimately, though, a disappointing picture. Maybe worth seeing just for the inventiveness and creativity of it all, but I really started to lose the point of this whole thing, a little more than half way through it. Good acting (and actors), but overall probably an average to mediocre film.

Robert H. gave it a5:
I'm confused and depressed. Seems like a good movie would have given us some insight into how to escape or even to cope with the dispairs of life.

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