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Soul Men
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MPAA RATING: R for pervasive language, and sexual content including nudity
Starring Bernie Mac, Samuel L. Jackson, Sean Hayes, Sharon Leal, Jennifer Coolidge, Isaac Hayes, Affion Crockett, and John Legend
Louis and Floyd were a popular singing duo back in the day, but then they went their separate ways and never spoke again. When the death of their former group leader reunites them and sends them driving cross country for a tribute concert at the legendary Apollo Theatre, they will have only five days to bury the hatchet on a twenty-year-old grudge. (MGM)
| GENRE(S): | Comedy |
| WRITTEN BY: |
Robert Ramsey
Matthew Stone |
| DIRECTED BY: | Malcolm Lee |
| RELEASE DATE: |
DVD: February 10, 2009 Theatrical: November 7, 2008 |
| RUNNING TIME: | 103 minutes, Color |
| ORIGIN: | USA |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The average user rating for this movie is 5.4 (out of 10) based on 5 User Votes
Note: User votes are NOT included in the Metascore calculation.
Jay H. gave it a5:
Disappointing and not as funny as I was hoping. It's not bad but I saw so much lost potential. The cast does fine, some good music but it isn't at all memorable. Very routine stuff.
Gary gave it a1:
Eerie to see the late Bernie Mac one last time on the big screen. He was a very good comedian. But unfortunately this is not a very good movie.
Chad S. gave it a6:
Talk about being a consummate professional, before filming began on Michael Radford's "Il Postino", Italian actor Massimo Troisi said, "Wait a minute/wait a minute," to the heart surgeon instead of the fictitious "Mr. Postman". Talk about being a trooper; Troisi suffered a massive coronary because of his selfless dedication. The postman died. In a motion picture about sixties-era soul music that features a posthumous performance by a then-ailing man, the 1964 Marvelettes hit "Please Mr. Postman" and the five-time Oscar nominated film from 1996 seems relevant to mention. Without a doubt, Bernie Mac's untimely death is responsible for many wince-inducing moments that lend a ghoulish fascination to the filmic proceedings. In one pointed scene, he emerges from a coffin like Screamin' Jay Hawkins. In another, he's mixing sleeping pills and alcohol like David Ruffin. Gallows humor, or ironical foreshadowing, call it what you want; seeing Mac before his Mac attack definitely raises the game of this servicable tribute to old-school rhythm and blues. So is The Real Deal more of a Stax, or a Motown act? My money is on Stax(the cameo of stacked porn star Vanessa Del Rio plays like a referential inside joke) as being the label that "Soul Men" pays homage to(also, the late Issac Hayes recorded for the independent Memphis record company), since "Dreamgirls" already essayed the Berry Gordy-run empire. When it comes to black artists in the music biz, especially concerning the little matter about royalties, everybody knows that many R & B pioneers were ripped off. What's notable about "Soul Men" is that the people doing the stealing from black artists are other black people. Like comedian Chris Rock, the star of "The Bernie Mac Show" never was one to shy away from talking hard truths to America, and this includes criticism about his own kind. In particular, the film's attack on sampling in rap is revelatory, when Floyd Henderson(Bernie Mac) and Louis Hinds(Samuel L. Jackson) take issue with an upstart rapper's "borrowing" of a Real Deal bassline. Back in the late-eighties, Alternative hip-hoppers De La Soul sampled the sixties pop group The Turtles' "You Showed Me" for their music collage track "Transmitting Live from Mars", and seriously pissed them off. They sued. Floyd and Louis, like Howard Kaylan and Mark Volman(of The Turtles), concur with ex-Icicle Works frontman Ian McNabb's assertion about "rappers stealing everything"(from "Great Dreams of Heaven"). In many instances, the music industry specialized in the thievery of black artists, but "Soul Men" has the honesty and integrity to demonstrate that thievery is often colorblind(remember: Stax's founders Jim Stewart & Estelle Axton were white, and Atlantic Records stole their masters).
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