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Stars indicate the most critically-acclaimed movies.
76
12
31
American Affair, An
76
Betrayal - Nerakhoon, The
66
Black Balloon, The
49
Blessed Is the Match: The Life and Death of Hannah Senesh
51
Breakfast with Scot
33
Caller, The
44
Chandni Chowk to China
63
Changeling
64
Che
61
Cherry Blossoms
92
Class, The
58
Defiance
45
Delhi 6
43
Donkey Punch
26
Echelon Conspiracy
56
Eleven Minutes
77
Everlasting Moments
66
Examined Life
56
Explicit Ills
xx
Fados
45
Fanboys
69
Fear(s) of the Dark
80
Frost/Nixon
86
Gomorrah
40
Good
84
Happy-Go-Lucky
xx
Horsemen, The
21
House of the Sleeping Beauties
50
How About You
79
I've Loved You So Long
69
Just Another Love Story
79
Katyn
57
Last Chance Harvey
82
Let the Right One In
17
Lodger, The
58
Luck by Chance
64
Medicine for Melancholy
25
Memorial Day
70
Moscow, Belgium
75
Must Read After My Death
43
Not Easily Broken
xx
Objective, The
81
Of Time and the City
34
Otto; or Up with Dead People
53
Phoebe in Wonderland
78
Pray the Devil Back to Hell
82
Rachel Getting Married
58
Reader, The
xx
Reunion
65
Scott Walker: 30 Century Man
80
Serbis
49
Shadows
xx
Sherman's Way
76
Silent Light
86
Slumdog Millionaire
82
Stranded: I Have Come from a Plane That Crashed on the Mountains
67
Synecdoche, New York
66
Tokyo!
11
Trouble with Romance, The
74
Two Lovers
83
U2 3D
xx
Velveteen Rabbit, The
91
Waltz with Bashir
80
Wendy and Lucy
81
Wrestler, The
92
Class, The
91
Waltz with Bashir
86
Slumdog Millionaire
86
Gomorrah
84
Happy-Go-Lucky
83
U2 3D
82
Rachel Getting Married
82
Let the Right One In
82
Stranded: I Have Come from a Plane That Crashed on the Mountains
81
Wrestler, The
81
Of Time and the City
80
Wendy and Lucy
80
Serbis
80
Frost/Nixon
79
I've Loved You So Long
79
Katyn
78
Pray the Devil Back to Hell
77
Everlasting Moments
76
Betrayal - Nerakhoon, The
76
12
76
Silent Light
75
Must Read After My Death
74
Two Lovers
70
Moscow, Belgium
69
Just Another Love Story
69
Fear(s) of the Dark
67
Synecdoche, New York
66
Examined Life
66
Black Balloon, The
66
Tokyo!
65
Scott Walker: 30 Century Man
64
Che
64
Medicine for Melancholy
63
Changeling
61
Cherry Blossoms
58
Luck by Chance
58
Reader, The
58
Defiance
57
Last Chance Harvey
56
Explicit Ills
56
Eleven Minutes
53
Phoebe in Wonderland
51
Breakfast with Scot
50
How About You
49
Shadows
49
Blessed Is the Match: The Life and Death of Hannah Senesh
45
Delhi 6
45
Fanboys
44
Chandni Chowk to China
43
Not Easily Broken
43
Donkey Punch
40
Good
34
Otto; or Up with Dead People
33
Caller, The
31
American Affair, An
26
Echelon Conspiracy
25
Memorial Day
21
House of the Sleeping Beauties
17
Lodger, The
11
Trouble with Romance, The
xx
Velveteen Rabbit, The
xx
Fados
xx
Sherman's Way
xx
Objective, The
xx
Reunion
xx
Horsemen, The
Stars indicate the most critically-acclaimed movies.
|
Wendy and Lucy
Oscilloscope Pictures
MPAA RATING: R for language
Starring
Michelle Williams,
Will Patton,
Larry Fessenden,
Will Oldham,
Walter Dalton,
and
John Robinson
Wendy Carroll is driving to Ketchikan, Alaska, in hopes of a summer of lucrative work at the Northwestern Fish cannery, and the start of a new life with her dog, Lucy. When her car breaks down in Oregon, however, the thin fabric of her financial situation comes apart, and she confronts a series of increasingly dire economic decisions, with far-ranging repercussions for herself and Lucy. Wendy and Lucy addresses issues of sympathy and generosity at the edges of American life, revealing the limits and depths of people's duty to each other in tough times. (Oscilloscope Laboratories)
GENRE(S): |
Drama
|
WRITTEN BY: |
Jon Raymond
Kelly Reichardt
|
DIRECTED BY: |
Kelly Reichardt
|
RELEASE DATE: |
Theatrical: December 10, 2008
|
RUNNING TIME: |
80 minutes, Color |
ORIGIN: |
USA |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Christian Science Monitor
Peter Rainer
Improbably, it's one of the most affecting films of the year, which once again demonstrates that all you need to make a good movie is talent.
100
Philadelphia Inquirer
Steven Rea
Wendy and Lucy is modest, minimalist. But it nonetheless reverberates like a sonic boom.
100
Seattle Post-Intelligencer
Sean Axmaker
It's a tender, tough, uncompromising film, photographed with a disarming directness and seeming simplicity that looks almost naked next to the dramatic constructions of most films. It just makes her precariousness all the more real.
100
The Globe and Mail (Toronto)
Rick Groen
This is where the movie excels. In the classic neo-realist tradition, it's scant in plot yet rich in mood and character, offering us a revealing hint here, a poignant glimpse there, with each revelation filtered through Michelle Williams's superbly muted performance, all the more moving for being so restrained.
91
Entertainment Weekly
Owen Gleiberman
Wendy and Lucy is like "Lassie Come Home" directed by Antonioni. What's piercing about it, and also disturbing, is that Reichardt views the renunciation of society with something close to righteous purity -- as a lefty romantic dream.
91
The Onion (A.V. Club)
Scott Tobias
Having the dog around raises the emotional stakes tenfold, and develops a kinship with Vittorio De Sica's Italian neo-realist classic "Umberto D.," which also revealed societal ills through a poignant dog-owner relationship
91
Portland Oregonian
Shawn Levy
The film is exquisitely realized, with a tremendous, naturalistic performance by Michelle Williams at its heart and a pervasive, assuring sense that Reichardt and Raymond have distilled everything nonessential from their story and imparted exactly the impact they wished.
90
Los Angeles Times
Sam Adams
Williams' performance is remarkable not only for its depth but for its stillness.
90
The New York Times
A.O. Scott
What will happen to her? The strength of this short, simple, perfect story of a young woman and her dog is that this does not seem, by the end, to be an idle or trivial question. What happens to Wendy -- and to Lucy -- matters a lot, which is to say that Wendy and Lucy, for all its modesty, matters a lot too.
90
Village Voice
J. Hoberman
Trembling throughout on the verge of a tearful breakdown, but far too dignified to allow her character to choke up, Williams delivers a sensationally nuanced performance that, were it not so resolutely undramatic, would constitute an aria of stoical misery.
88
Rolling Stone
Peter Travers
Simple story, beautifully told.
88
USA Today
Claudia Puig
An evocative film with a believable and subtly enthralling lead performance that gets deeply under your skin.
88
Chicago Sun-Times
Roger Ebert
Another illustration of how absorbing a film can be when the plot doesn't stand between us and a character.
88
Boston Globe
Wesley Morris
Wendy Carroll is a character we rarely see in movies anymore, a woman left alone with her thoughts. That a moviegoer would care what she's thinking testifies to the power in Williams's brand of solitude.
80
Chicago Reader
J.R. Jones
Masterful low-budget drama.
80
Wall Street Journal
Joe Morgenstern
In a minimalist film of muted emotions, Michelle Williams gives as lovely a performance as a moviegoer could ask for.
80
Salon.com
Andrew O'Hehir
Reichardt is a tremendously conscientious filmmaker, and not out to torture the audience. Yes, this is a fraught and agonizing story, but the way it ends, although heartbreaking, is absolutely right.
80
Variety
Scott Foundas
"Old Joy" helmer Kelly Reichardt plays to her strengths in Wendy and Lucy, a modest yet deeply felt road movie about an idealistic young drifter, her faithful canine and the wide-open spaces of the Pacific Northwest.
78
Austin Chronicle
Kimberley Jones
Because Wendy and Lucy is so lean on plot and dialogue, there are long spaces to contemplate Wendy and her situation, and the logistics are mind-boggling.
75
San Francisco Chronicle
Mick LaSalle
A film that might have seemed faintly academic six months ago becomes an anxious expression of its historical moment.
75
Baltimore Sun
Michael Sragow
Too often when actors portray complicated or enigmatic characters, they seem to be flirting with the audience, playing hard to get. Not Williams.
75
Chicago Tribune
Michael Phillips
If a Warner Bros. social-protest film from the early 1930s somehow got into bed with an American indie from the 1970s, how would the love-child turn out? Like this.
75
New York Post
Lou Lumenick
Reichardt doesn't so much tell a story as paint a finely detailed portrait of human suffering in this miniature marvel.
75
ReelViews
James Berardinelli
The transformation undergone by Michelle Williams to play this role is nothing short of astounding.
75
TV Guide
Josh Ralske
Reichardt is such a canny filmmaker that one could almost believe that she intentionally leaves Wendy underwritten and a bit of a cipher, because Wendy is far more effective as a bold-faced symbol of the downtrodden than as a fully realized human character.
70
The New Yorker
David Denby
She's infuriating, but the movie, for all its morose impassivity, is beautiful and haunting.
70
Film Threat
Don R. Lewis
Unless you're an antsy movie-goer or have a cold heart, by the end of Wendy and Lucy, you'll be engrossed, hoping for the best possible outcome.
60
Washington Post
John Anderson
For all its virtues, Wendy and Lucy seems like the most overrated of art movies. Yes, it's obscure and distancing and makes you pay attention. Williams's performance is nuanced, moving and well worth any awards she gets. But Wendy is also anonymous.
60
Empire
Anna Smith
Slow, ponderous, meticulously rendered realism that will appeal to specific audiences of slow, ponderous, meticulously rendered realism, with a heart.
50
The Hollywood Reporter
Staff (Not credited)
Michelle Williams does her best but she cannot prevent Kelly Reichardt's Wendy and Lucy, a weak tale about being broke and on the road in rural America, from dwindling into boredom.
20
New York Daily News
Joe Neumaier
Like a worst-case-scenario, indie-movie cliché, Wendy and Lucy throws every bone it can at the screen.
The average user rating for this movie is 6.6 (out of 10) based on 20 User Votes
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