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Stars indicate the most critically-acclaimed movies.
31
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58
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84
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50
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79
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57
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82
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17
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58
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63
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25
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81
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34
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82
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58
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65
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80
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49
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76
Silent Light
86
Slumdog Millionaire
82
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67
Synecdoche, New York
11
Trouble with Romance, The
75
Two Lovers
83
U2 3D
xx
Velveteen Rabbit, The
91
Waltz with Bashir
80
Wendy and Lucy
81
Wrestler, The
92
Class, The
91
Waltz with Bashir
86
Slumdog Millionaire
86
Gomorrah
84
Happy-Go-Lucky
83
U2 3D
82
Rachel Getting Married
82
Let the Right One In
82
Stranded: I Have Come from a Plane That Crashed on the Mountains
81
Wrestler, The
81
Of Time and the City
80
Wendy and Lucy
80
Serbis
80
Frost/Nixon
79
I've Loved You So Long
79
Katyn
78
Pray the Devil Back to Hell
76
Betrayal - Nerakhoon, The
76
Silent Light
75
Must Read After My Death
75
Two Lovers
70
Black Balloon, The
70
Moscow, Belgium
69
Just Another Love Story
69
Fear(s) of the Dark
67
Synecdoche, New York
66
Examined Life
65
Scott Walker: 30 Century Man
64
Che
63
Medicine for Melancholy
63
Changeling
61
Cherry Blossoms
58
Luck by Chance
58
Reader, The
58
Defiance
57
Last Chance Harvey
56
Eleven Minutes
51
Breakfast with Scot
50
How About You
49
Shadows
49
Blessed Is the Match: The Life and Death of Hannah Senesh
45
Delhi 6
45
Fanboys
44
Chandni Chowk to China
43
Not Easily Broken
43
Donkey Punch
40
Good
34
Otto; or Up with Dead People
33
Caller, The
31
American Affair, An
27
Echelon Conspiracy
25
Memorial Day
21
House of the Sleeping Beauties
17
Lodger, The
11
Trouble with Romance, The
xx
Velveteen Rabbit, The
xx
Objective, The
Stars indicate the most critically-acclaimed movies.
|
International, The
Columbia Pictures (Sony)
MPAA RATING: R for some sequences of violence and language
Starring
Clive Owen,
Naomi Watts,
Armin Mueller-Stahl,
and
Brían F. O'Byrne
In The International, a gripping thriller, Interpol Agent Louis Salinger and Manhattan Assistant District Attorney Eleanor Whitman are determined to bring to justice one of the world’s most powerful banks. Uncovering myriad and reprehensible illegal activities, Salinger and Whitman follow the money from Berlin to Milan to New York to Istanbul. Finding themselves in a high-stakes chase across the globe, their relentless tenacity puts their own lives at risk as their targets will stop at nothing – even murder – to continue financing terror and war. (Sony Pictures)
GENRE(S): |
Drama
|
Suspense/Thriller
|
WRITTEN BY: |
Eric Warren Singer
|
DIRECTED BY: |
Tom Tykwer
|
RELEASE DATE: |
Theatrical: February 6, 2009
|
RUNNING TIME: |
118 minutes, Color |
ORIGIN: |
USA | Germany | UK |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
75
Chicago Sun-Times
Roger Ebert
Clive Owen makes a semi-believable hero, not performing too many feats that are physically unlikely. As the plucky DA, Naomi Watts wisely plays up her character's legal smarts and plays down the inevitable possibility that the two of them will fall in love.
75
Boston Globe
Ty Burr
I can promise you a fairly good thriller with mixed-bag elements: preposterous plot, smartly elegant direction, one of the worst recent performances by a major actress, and a dynamite stick of an action scene that can stand close to the greats (the car chase in "The French Connection," the single-take battle sequence in "Children of Men") and from which the movie never really recovers.
75
San Francisco Chronicle
Mick LaSalle
Won't go down as an action thriller for the record books, but it's a pretty good one for right now. First of all, the villain is a bank. How's that for timing?
70
The Hollywood Reporter
Sura Wood
Punctuated with bursts of explosive energy, this is a contained, cerebral film.
70
NPR
Bob Mondello
Tykwer being something of an architecture freak, controlling Third World debt also requires a trip to the rooftops of Istanbul, to Zaha Hadid's BMW factory, and to Daniel Libeskind's Jewish Museum in Berlin. All great fun in a story that's more kinetic than compelling.
70
Washington Post
Ann Hornaday
The compulsively watchable Owen makes for an ideal leading man of both action and angst. The film's eye-popping set piece, a shootout at the Guggenheim Museum, is an extravagantly choreographed valentine to philistines everywhere.
70
Salon.com
Stephanie Zacharek
This is a thriller where the cutting, even in most of the action sequences, is meticulous but leisurely. The elaborate set pieces are so beautifully worked out that you could take them apart, shot by shot, and fit the pieces back together like an intricate Chinese puzzle.
67
Seattle Post-Intelligencer
Sean Axmaker
For all its impressive set pieces and breathless momentum, it's neither passionate nor urgent.
67
Entertainment Weekly
Lisa Schwarzbaum
There's something almost endearingly out of sync about the sleek but now dated Euro-thriller The International.
67
Christian Science Monitor
Peter Rainer
What it's mainly about is movie stars skittering from locale to locale while bullets whiz by and the plot thickens – or, more to the point, curdles.
63
ReelViews
James Berardinelli
The International possesses the look and feel of a thriller, but not the heart or soul of one.
63
Baltimore Sun
Michael Sragow
Overall, though, the movie lacks the dash, wit, authority and character to become a first-class thinking-man's thriller.
63
Chicago Tribune
Michael Phillips
While its globe-trotting itinerary recalls the mad whirl of a "Bourne" picture, nothing about this film's style resembles the second or third "Bourne" outings (which I loved).
63
Philadelphia Inquirer
Steven Rea
Where "Run Lola Run" was like a perpetual-motion machine, The International seems to forever be stopping in its own tracks. Tykwer takes coffee breaks to explain the convoluted and dicey plot.
63
Miami Herald
Rene Rodriguez
An hour after seeing it, you may not remember what The International was about. But you'll certainly remember that shootout. That is something to behold.
63
USA Today
Claudia Puig
Though not as action-packed as some thrillers, The International is noteworthy for its unusually scenic and architecturally dazzling locations.
63
Rolling Stone
Peter Travers
A decent thriller that should have been dazzling, is nothing if not topical.
60
Time
Richard Corliss
If you take Tykwer's film even half-seriously, it will be like one of those horror movies that you leave, suspecting that the crazy, ingenious super-killer is waiting for you outside. A warning, then, to the susceptible: After seeing The International, don't dare go to an ATM.
58
Portland Oregonian
Shawn Levy
There's a nifty shootout at the Guggenheim Museum and a lot of scenic travel, but little in it compels.
58
The Onion (A.V. Club)
Nathan Rabin
Ultimately feel so empty and forgettable.
50
The Globe and Mail (Toronto)
Rick Groen
An action thriller with some decent action and a few thrills, but all embedded in a yarn so hopelessly tangled that even the loose threads have knots.
50
Austin Chronicle
Josh Rosenblatt
I couldn't help feeling that The International was stuck in second gear, like it couldn't decide whether to be fun or meaningful and so settled for being neither.
50
Los Angeles Times
Kenneth Turan
Despite being structured in an intriguing way -- bits of confusing action are shown first and explained later -- The International never finds its footing.
50
TV Guide
Cammila Albertson
Despite all the points it gains for furrowed brows and kick-ass gunfights, the film loses quite a few for being dry as burnt toast.
50
Chicago Reader
J.R. Jones
It's almost worth seeing, though, for the incredible action set piece at the center.
50
Variety
Todd McCarthy
Graced with well-chosen location eye candy, Tom Tykwer's biggest production to date is proficient but lacks the added tension and characterization to put it anywhere near the top tier of contempo action suspensers.
50
Premiere
Olivia Putnal
There’s an over-abundance of dialog that can be downright boring, especially when it’s sandwiched between fast-paced car chases and all-out gun fights.
50
New York Magazine
David Edelstein
It's good enough that you forget how much better Brian De Palma could do it. The rest is a slow road to nowhere, less clunky than "The Interpreter" but bogged down by its own cynicism.
40
The New Yorker
David Denby
There’s a big hole in the middle of the movie: the director, Tom Tykwer, and the screenwriter, Eric Warren Singer, forgot to make their two crusaders human beings.
40
The New York Times
A.O. Scott
So undistinguished that the moments you remember best are those that you wish another, more original director had tackled.
40
New York Daily News
Joe Neumaier
The International almost seems like a Monty Python spoof on spy-game thrillers in which the phrase "secret agent" is constantly replaced by "banker," resulting in lines like, "...If I die, 100 other bankers take my place."
38
New York Post
Lou Lumenick
Remarkably dull thriller.
30
Village Voice
Scott Foundas
Both actors (Owens and Watts) seem mildly aggrieved (and not at all convincing) at having to play characters considerably less intelligent than themselves in a movie that plays even dumber.
20
Wall Street Journal
Joe Morgenstern
Motion is in copious supply -- a frenzied shootout at Manhattan's Guggenheim Museum grows interminable -- but the workings of the abstract plot are unfathomable, the characters are unpleasant and a couple of assassinations leave us as cold as the corpses.
The average user rating for this movie is 6.1 (out of 10) based on 30 User Votes
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