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Woman on the Beach
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Women, The
89
Man on Wire
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Dark Knight, The
72
Woman on the Beach
72
Ghost Town
71
Horton Hears a Who!
67
Flow: For Love of Water
66
Patti Smith: Dream of Life
64
Brideshead Revisited
64
Pineapple Express
64
Appaloosa
63
Burn After Reading
62
Duchess, The
61
Bustin' Down the Door
61
Wackness, The
60
Traitor
60
Blind Mountain
58
Express, The
58
City of Ember
57
Towelhead
56
Save Me
55
House Bunny, The
55
Ping Pong Playa
54
Hamlet 2
51
Mamma Mia!
51
Savage Grace
49
Children of Huang Shi, The
49
Family That Preys, The
47
Swing Vote
43
Eagle Eye
43
Anamorph
43
Death Race
40
Igor
36
Righteous Kill
35
Mirrors
34
My Best Friend's Girl
32
Repo! The Genetic Opera
31
Max Payne
31
Mummy: Tomb of the Dragon Emperor, The
27
Women, The
26
Babylon A.D.
24
Bangkok Dangerous
20
American Carol, An
19
Saw V
16
Surfer, Dude
15
Disaster Movie
xx
Eden Lake
xx
Alphabet Killer, The
Stars indicate the most critically-acclaimed movies.
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Pride and Glory
New Line Cinema (Warner Bros. Pictures)
FILM:
MPAA RATING: R for strong violence, pervasive language and brief drug content
Starring
Edward Norton,
Colin Farrell,
Jon Voight,
Noah Emmerich,
Jennifer Ehle,
Frank Grillo,
Rick Gonzalez,
and
Shea Wigham
Pride and Glory is an authentic, gritty, and emotional portrait of the New York City Police Department. The film follows a multi-generational police family whose moral code is tested when one of two sons on the force investigates an incendiary case involving his older brother and brother-in-law. The case forces the family to choose between their loyalties to one another and their loyalties to the department. (New Line Cinema)
GENRE(S): |
Crime
|
Drama
|
WRITTEN BY: |
Robert Hopes
Greg O'Connor
Joe Carnahan
|
DIRECTED BY: |
Gavin O'Connor
|
RELEASE DATE: |
DVD: January 27, 2009
Theatrical: October 24, 2008
|
RUNNING TIME: |
125 minutes, Color |
ORIGIN: |
USA |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
Baltimore Sun
Michael Sragow
It overflows with a combustible blend of street sensitivity and testosterone.
83
Entertainment Weekly
Gregory Kirschling
Edward Norton is in top form as Ray, a burned-out detective whose investigation into the deaths of four cops leads him to suspect his brother-in-law, Officer Jimmy Egan (Colin Farrell, also terrific).
75
Rolling Stone
Peter Travers
Its value is unquestionable as drama and moral provocation.
70
The Hollywood Reporter
Michael Rechtshaffen
The stark drama harkens back to Sidney Lumet classics like "Serpico" and "Prince of the City"-filmmaking that went after an unadorned, jagged realism, with acting to match.
63
ReelViews
James Berardinelli
The final 15 minutes are so awful that it's difficult to believe that the bulk of the film is actually decent.
63
Premiere
Karl Rozemeyer
If you enjoy a cop drama, regardless how packed with trite and worn plot points, Pride and Glory should do the trick.
60
Salon.com
Mary Elizabeth Williams
What makes the characters in Pride and Glory real -- and raises the movie above the standard corrupt-cop fare -- is their capacity to live and die in shades of gray.
58
Christian Science Monitor
Peter Rainer
At times, Pride and Glory seems to be about a war between actors, not cops. Nobody comes off well.
50
The Globe and Mail (Toronto)
Liam Lacey
A talented cast and moments of brutal violence can't dislodge a sense of ho-hum predictability in Pride and Glory.
50
Boston Globe
Ty Burr
Everything in this good-cop/bad-cop action drama is shrouded in gray and attended by wailing. This isn't a feel-good genre, granted, but does it have to feel this bad?
50
Miami Herald
Rene Rodriguez
It's lifted from pretty much every movie or TV show you've ever seen about police corruption, only not done as well.
50
Variety
Todd McCarthy
Feels like a film that should have been made at least 25 years ago. Or made as a period piece. Heavy, doom-laden and, unfortunately, entirely predictable.
50
Chicago Tribune
Michael Phillips
Full of interesting little grace notes, and the cast is excellent, yet it grows more and more frustrating.
50
Philadelphia Inquirer
Steven Rea
Gritty, jumpy and rife with cliches.
50
Seattle Post-Intelligencer
Sean Axmaker
You can feel the debt to Sidney Lumet's '70s studies in police corruption and cop brotherhood, but O'Connor never captures the edge of danger, anger and moral stands being ground up in compromise.
50
Chicago Sun-Times
Roger Ebert
It follows the well-worn pathways of countless police dramas before it.
50
The New York Times
A.O. Scott
Not especially good, but there is enough rough artistry in Mr. O’Connor’s direction to make you wish the film were better.
42
Portland Oregonian
M. E. Russell
A movie full of actors improvising their idea of how cops in a Scorsese flick would talk. It's a special sort of cartoonishness, a hard-to-pin-down brand of emotionally grandstanding fakeness you sometimes see in movies trying way too hard to be "gritty."
40
Los Angeles Times
Carina Chocano
The movie is as histrionic as it is ham-fisted, a bad combination that leads to scenes such as the one in which officers threaten to torture a baby to get their point across.
40
New York Daily News
Joe Neumaier
Overshoots the mark by spinning its implausible, hyperviolent tale around too tight a family circle.
40
Austin Chronicle
Marjorie Baumgarten
It's a good thing this movie has been sitting on the shelf for a year or more, because, apart from the difference in release dates, there's little to distinguish this new cop drama from last year's cop drama "We Own the Night."
40
Film Threat
Rick Kisonak
There’s something fundamentally unconvincing and contrived about the story. Forget the fact that O’Connor hauls out every cliché in the bad cop handbook and the dialogue is more boilerplate than hard-boiled. The premise itself is just plain preposterous.
38
TV Guide
Cammila Albertson
Pride and Glory would be a pretty cool movie if it were made in 1982.
38
New York Post
Kyle Smith
Edward Norton plays Ray, a (possibly) honest cop wearing an unexplained scar positioned just so on his cheek. It looks like it was bought in the markdown aisle of Halloween Mart on Nov. 1.
38
USA Today
Claudia Puig
It's déjà vu all over again. There isn't much more to say about "We Own the Night 2." Oops, make that Pride and Glory.
30
Washington Post
Ann Hornaday
Pride and Glory would be risible if it weren't so reprehensible.
25
The Onion (A.V. Club)
Nathan Rabin
Norton is infamous for rewriting scripts and acting as a de facto director on his movies yet he seems lost and defeated here.
25
San Francisco Chronicle
Mick LaSalle
A single 125-minute monstrosity of a cop movie.
20
Village Voice
Robert Wilonsky
How ironic that a movie filled with police officers should end up feeling like a hostage situation.
The average user rating for this movie is 8.7 (out of 10) based on 11 User Votes
Note: User votes are NOT included in the Metascore calculation.
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