December 18, 2008
The Teenage Print ShopWhile cleaning up the mess I call my office yesterday, I found a wonderful relic from my childhood. It is the type sampler from the Teenage Print S......
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ABOUT THIS BLOG
For years, RGB color has been treated as a pariah color space by most printers and prepress people. Even today, Adobe InDesign will flag documents with embedded RGB images as having “errors.”
With the rise of electronic publishing, and publishing in multiple media – print on sheet-fed, print on newsprint, PDF, etc. – it has become more common to see documents created in RGB, and converted to CMYK only when going to press. This makes sense.
Digital cameras and scanners generate RGB files with a large color gamut. We use these digital color images in almost every document, and we should be taking advantage of the extraordinary color qualities of the images. And, as a larger number of documents are published electronically, we should be leaving color in its original space for those documents that are made into PDF. Such documents look and print better on desktop printers than the same documents with images converted to CMYK.
There is another compelling reason for using RGB images in documents destined for print: converting to CMYK should be done with the specific press/paper/ink combination in mind. So, keeping color in its original space until the time of platesetting makes great sense. Then – and only then – choose an ICC profile that is fine-tuned to the printing parameters of the job.
Then, as is often the case, if the paper changes, or the job needs to be reprinted on another press, the only thing that need be changed is the output profile at the time of platesetting.
Many printers think that SWOP is an appropriate profile for sheet-fed printing (Adobe sets SWOP as default in its Creative Suite applications). It most definitely is not, and there are much better profiles that are better-suited to sheet-fed printing. SWOP is a compromise for sheet-fed printers, and those who use it are short-changing their customers of some of the best color available on their presses. When imaging plates for sheet-fed printing, it is much better to choose an appropriate sheet-fed profile that allows for the best qualities of sheet-fed printing to show.
Caveat coloro
But leaving the images in a publication in their original color space only works if the page layout person acknowledges the embedded profiles that are in most images today. All consumer digital cameras are factory-set to use the sRGB color space, while better cameras allow the photographer to change the color space to a larger gamut (like Adobe RGB 1998). When these cameras write images to the memory card, they embed the profile into those images, establishing a color pedigree. If everyone who touches the images in the reproduction chain is respectful of the embedded profiles, then output to CMYK is certain to be better than any generic conversion of color into CMYK.
Making device-specific PDF files
Once a document is complete, the operator can apply the correct ICC profile as the PDF is generated. This makes it relatively easy to prepare files for print or electronic delivery. If a document is headed to the web for electronic delivery, then an RGB profile is applied to the PDF; if the job is headed to a printing press, then the correct ICC profile for CMYK is applied.
Heresy?
Just about now, some will shout “Heresy!” I promise – it’s a good idea to adopt an RGB work flow (where source images are provided in RGB color) and then deliver CMYK or RGB color finished work according to the output intent. This is the new era of document delivery, and we must be flexible to survive and prosper in this era.