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Stars indicate the most critically-acclaimed albums.
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Theater Of The Mind
by Ludacris
The sixth album for the rapper features such diverse guests as Ving Rhames, Rick Ross, Chris Rock, Spike Lee, T.I., T-Pain, Jay-Z, Nas, Chris Brown, and Jamie Foxx.
| LABEL: |
Def Jam |
| RELEASE DATE: |
25 November 2008 |
| DISCS: |
1 disc |
| GENRE(S): |
Rap |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
90
RapReviews.com
While Ludacris may be professing loudly to do it for hip-hop on his latest album, it's refreshing to know he can do it for hip-hop and still do it for the mainstream who may not realize just how artful he really is.
80
NOW Magazine
Yes, it is Christopher Bridges’s best work (relatively) but ultimately, he might not be capable of a Whut?! Thee Album-level classic.
Top track: I Do It For Hip Hop, co-starring Nas and Jay-Z
NOW | November 26-December 3, 2008 | VOL 28 NO 13
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All comments are reviewed.
80
Billboard
This one's stuffed with massive, flamboyant beats; overloud dirty-comic vocals; and all the usual lyrical stops.
80
Boston Globe
Even Spike Lee appears to show he got game. All this would be distracting if the 14 tracks weren't so darn good. Luda's lyrics are so sharp and supremely witty throughout.
75
Entertainment Weekly
We've watched this movie more than a few times, but it's always fun to see this many talented pals cutting loose together.
75
Prefix Magazine
There’s no telling if Ludacris will ever be given the level of respect he desires, but this help proves that he deserves it.
70
All Music Guide
While his previous effort, 2006's "Release Therapy," was much more the thematically tight album and deserved a concept, this loose set of tunes is all-together more entertaining, thanks in no small part to a highly inspired Luda and all the punch lines he lands.
70
Rolling Stone
If the cred-grabbing lyrics feel rote alongside guests like Jay-Z and Lil Wayne, Luda's thundering cadence and pop-wise club jams are strong.
64
Paste Magazine
Ludacris’ force-of-nature vigor attempts the Herculean task of yoking the mess together but can’t quite tame a rambling array of singles.
63
Los Angeles Times
His sixth album, proves that the rapper-actor-restaurateur has mastered Hollywood's most abiding lesson: Stick to formula. Each song plays like a scene in a movie, a motif that makes for richly visual storytelling but many a familiar situation.
60
Blender
Punch line for punch line, Luda is still the best in the business (e.g., promising to get ladies “wetter than Michael Phelps”), but these sex jams and hater disses feel too flat and perfunctory for his thousand-watt personality.
60
Village Voice
As a consequence of his preoccupation with acting and "lyricism," Luda neglects to do what he does best: make fun music.
60
Slant Magazine
Luda has suggested he wanted this album to have a cinematic through line, maybe in order to consolidate his diversified media representations, but Theater doesn't cohere in a manner that would satisfy anyone short of Paul Haggis, or anyone who has listened to an album by Prince Paul or Madvillain, for that matter.
50
PopMatters
Theater of the Mind, ultimately, is a difficult record to absorb. It’s not so much Ludacris’ persona that’s changed and yet this album tries to almost completely change his sound.
34
cokemachineglow
Theater of the Mind is a disappointment and more--snickering through both high-minded social consciousness and insipid cash cows, the album, so flat and fucking boring, serves absolutely no one but Ludacris himself.
The average user rating for this album is 10.0 (out of 10) based on 5 User Votes
Note: User votes are NOT included in the Metascore calculation.
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