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Off With Their Heads
by Kaiser Chiefs

Kaiser Chiefs reviews
Critic Score
Metascore: 70 Metascore out of 100
User Score  
3.8 out of 10
based on 19 reviews
Read critic reviews
How did we calculate this?
based on 122 votes
Read user comments
Rate this album

The follow-up to the Leeds rock band's top selling sophomore album features Lily Allen and New Young Pony Club as guests.

LABEL: Motown
RELEASE DATE: 28 October 2008
DISCS: 1 disc
GENRE(S): Rock

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

91
Paste Magazine
Both anxious and anthemic, the third most famous band from Leeds, England (behind Gang of Four and the Mekons) lobs social commentary as sharp as drummer Nick Hodgson’s ties, and tackles subjects as brainy as evolutionary biology ('Like It Too Much,'), the tenets of self-help ('Tomato In the Rain') and gender politics ('Remember You’re A Girl'), all at breakneck speed.
Read Full Review
80
All Music Guide
This is easily some of the Kaisers' finest--and most consistent-- music.
Read Full Review
80
Alternative Press
Singer Ricky Wilson holds it together with his charismatic personality, demanding you sit up and listen the second he opens his mouth to kick things off. [Dec 2008, p.146]
80
Q Magazine
Off With Their Heads affirms the undying pleasures of smart, catchy pop music does well. [Oct 2008, p.137]
80
Observer Music Monthly
Mostly band and producer Mark Ronson have done what both parties needed to do in late 2008: avoid the ordinary and obvious, namely glossy stadium-indie and retro-soul horns respectively, and aim for the extraordinary.
Read Full Review
80
Uncut
This is regal, majestic pop music played with a roundheaded bluntness. Off with their heads indeed.
Read Full Review
80
Rolling Stone
Off With Their Heads is great British pop in the dynamic lethal-irony tradition of the mid-Sixties Kinks, the early Jam and, with that vintage-New Wave tone of Nick Baines' keyboards, XTC's 1979 album, "Drums and Wires."
Read Full Review
70
Dot Music
Off With Their Heads is, thankfully, a subtler, cannier beast, even if it does suffer from some of the same problems as its predecessor.
Read Full Review
70
Boston Globe
The hurtling, new wave keyboard rush of 'Never Miss a Beat,' the pop-radio swirl of 'Like It Too Much,' and the casually brilliant bass-bounce of 'Good Days Bad Days' prove the band still has more than enough hooks, and brash charm, to get it through even the longest of songwriting winters.
Read Full Review
68
Pitchfork
It's not all great--'You Want History' can't overcome rhyming "mystery" with "history" or its leaden coda, for example--but it is at least as good as their debut, if not just a tick better for its relative dynamic and tonal variety.
Read Full Review
63
The Phoenix
Beyond a couple of guest-vocal spots from fellow Ronson client Lily Allen and an out-of-place rap from English MC Sway, Off with Their Heads covers pretty much the same territory as the Chiefs' first two discs.
Read Full Review
60
The Guardian
Off With Their Heads is more football chant schmindie, with only the briefest of diversions up Psycho Rock Avenue.
Read Full Review
60
Mojo
Off With Their Heads deftest creations may fall just short of the Kasier Chief debut's ruddy-faced string of exhuberant big hitters, 'Never Beat A Beat,' 'Addicted To Drugs' and the huge 'Like You Too Much' are still sizeable cut above some of "Yours Truely's" tepid misfires. [Nov 2008, p.104]
50
Hartford Courant
Whereas its early tunes built from twitchy verses to shout-along choruses, the new material skews glossy and nondescript.
Read Full Review
50
PopMatters
Its first half is genuinely brimming with energy in a way that promises a return to the joyful pop of the Kaisers Chiefs’ debut. It does, however, tail off badly.
Read Full Review
50
New Musical Express
Half-knowing, half-full of anthems and lyrically halfway to hell, Off With Their Heads is musically halfway there. Kaisers have barely missed a beat on the highway to massive-dom, but they’re hardly raising our heart rates.
Read Full Review
50
musicOMH.com
Erratic songwriting is evident from start to finish on the record.
Read Full Review
40
Spin
These trebly, trenchant Brits have truly gone pear-shaped.
Read Full Review
40
NOW Magazine
Ronson lowers Ricky Wilson’s maddeningly limited vocals and amps the bass, but the disc still fails to come alive.
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 3.8 (out of 10) based on 122 User Votes
Note: User votes are NOT included in the Metascore calculation.

Discuss this album in our forums

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