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OH (Ohio)
by Lambchop
The latest album for the band from Nashville was produced by Mark Nevers and Roger Moutenot.
| LABEL: |
Merge |
| RELEASE DATE: |
07 October 2008 |
| DISCS: |
1 disc |
| GENRE(S): |
Rock, Country, Alternative |
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
91
Entertainment Weekly
Chief Lambchopper Kurt Wagner's magpie tendencies are fully displayed on the band's lovely 10th proper album.
90
PopMatters
OH (ohio) is flat-out one of the best records Lambchop has made, and certainly their best since 2000’s classic "Nixon."
83
Lost At Sea
With OH (ohio), Wagner has crafted a soundtrack of specific detail for that lazy mid-morning melancholy that comes to anyone who feels like the world is turning without them. Enjoy it.
83
Paste Magazine
Whatever: just
listen to the damn disc.
80
Dot Music
As ever, Wagner's narratives, such as on 'National Talk Like A Pirate Day,' are impressionistic, shifting time and perspectives, like the Norman Raeburn-influenced Dylan of 'Blood On The Tracks.'
80
Boston Globe
His dry, enunciative singing style still achieve a remarkable combination of pretension and playfulness. Lambchop may be evolving, but its capacity for sounding like nothing else remains intact.
80
All Music Guide
OH (Ohio) is a singular accomplishment, and it's hard to imagine anyone but Lambchop doing this so well--or even imagining it at all.
80
Uncut
Their tenth LP OH (ohio) lands with some nervous expectation attached. As it turns out, it’s their best record since 2000 landmark, "Nixon."
80
Dusted Magazine
Taken as a whole, however, OH consists of more stellar stuff from a band that’s always taken the tortoise’s view of the race.
80
Billboard
While the upbeat Lambchop records of the past are missed, OH (ohio) is a well-paced and engaging trip through Wagner's lush, scenic tunes.
80
Mojo
'Of Raymond' one exquisite lick of brass sends out enough light to illuminate the whole record. [Nov 2008, p.106]
79
Pitchfork
Consider OH the "most Lambchop" of Lambchop releases, as it swings through almost every tone in the band's history of influence-collisions, arriving at a soul of its own.
70
Tiny Mix Tapes
That is part of Lambchop’s charm--irony might be the hipster flavor for the time being, but you’d be hard-pressed to find less ironic and more modestly beautiful sentiment than on OH (Ohio).
70
Drowned In Sound
Its restrained combination of new and old, tradition and innovation, sums up the strengths of OH (ohio), an album which isn't another Lambchop masterpiece, but rather a fine addition to an extraordinary body of work.
70
musicOMH.com
Give Oh Ohio time--there's more than enough here to breath life back into a resurgent band.
70
Spin
Oh (Ohio)'s languid chamber folk murmurs as expected with Wagner sketching vivid relationship dramas like a master painter. Should it all sound overly proper, a closer listen revals sly humor in the details. [Nov 2008, p.96]
70
Under The Radar
The album's pace quickens on tracks such as 'Sharing A Gibson With Martin Luther King, Jr.' and 'Popeye,' only to drift back into the lilt that makes OH (Ohio) one of Lambchop's finest. [Fall 2008, p.76]
70
Blender
OH (Ohio) ends with a straight-faced rendition of the hokey country standard 'I Believe in You,' with lyrical mush about dogs and babies, but Wagner sings it like he wants to believe every word.
67
The Onion (A.V. Club)
OH (ohio) gets the sophistication and tone right, but something's slightly off.
60
The Guardian
OH (Ohio), typically for the Lambchop, is at its best when it's specialising in tight-wound reserve.
40
Observer Music Monthly
After nine albums the Nashville oddball's parade of styles has dissolved into ambient noodling.
40
Q Magazine
Aside from the relatively oomph-laden, piano-driven 'Sharing A Gibson Withh Martin Luther King Jr.' and a lonesome cover of Don Williams's 'I Believe In You,' there's barely a melody to savour. [Nov 2008, p.118]
40
NOW Magazine
The Nashville band’s ninth studio album is definitely sleepy and nuanced, only Wagner’s halted singing is disintegrating further into the background as the overall sound inches closer to adult contemporary.
The average user rating for this album is 9.2 (out of 10) based on 4 User Votes
Note: User votes are NOT included in the Metascore calculation.
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