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O
by Tilly And The Wall

Tilly And The Wall reviews
Critic Score
Metascore: 73 Metascore out of 100
User Score  
9.3 out of 10
based on 11 reviews
Read critic reviews
How did we calculate this?
based on 6 votes
Read user comments
Rate this album

The third album for the indie rock band was produced by Mike Mogis.

LABEL: Team Love
RELEASE DATE: 17 June 2008
DISCS: 1 disc
GENRE(S): Rock, Indie

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

83
The Onion (A.V. Club)
Tilly And The Wall are excellent at writing instantly infectious pop songs ("Dust Me Off" may be their best yet), and they've finally corralled a full palate to go with it.
Read Full Review
80
Alternative Press
O finds Tilly And The Wall perfecting the art of looking at the world through rose-colored glasses--without losing their inherent sweetness or zest for music's restorative qualities. [July 2008, p.150]
80
Under The Radar
The result is an expansion of the band’s sound, which offers some pleasing diversions into the dark (musically) and profane (lyrically) to offset a tendency that often leans toward the saccharine. [Summer 2008]
80
Billboard
Tilly and the Wall stick with their signature combination of half-shouted words and harmony vocals. But the group also breaks new ground with punk rock riffs and percussion that well surpasses the standard of tambourines and Jamie Pressnall's tap dancing.
Read Full Review
76
Pitchfork
Despite the evolution of their sound, Tilly and the Wall haven't forgotten about what made them appealing in the first place: bright co-ed harmonies, rousing choruses, and their overall open-hearted good nature.
Read Full Review
70
Spin
Yet here they are on their third full-length, and rather than calcify into indie-scene shtick, Tilly's music has gotten funnier and more vibrant.
Read Full Review
70
Slant Magazine
The Tillys have managed to keep the tap alive by focusing on quality songwriting while at the same time preserving their youthful wonder and elegant sensibilities.
Read Full Review
65
Almost Cool
In the end, it's not going to change the world, but it shows that the group is definitely expanding (in a good way) their sound from their early days.
Read Full Review
60
All Music Guide
As it stands, this one just squeaks by on the power of some very good songs and their typically energetic performances.
Read Full Review
60
Paste Magazine
Now mature pop songwriters, the Omaha quintet sounds more like a conventional band on O, favoring rousing sing-along choruses, richly layered pianos and trumpets, and even standard drum kits.
Read Full Review
50
PopMatters
On the album’s strongest songs, the band displays a strong sense of self, infusing their previous sound with unexpected sonic twists and turns. On the weaker songs, however, they betray their core aesthetic, adopting attitudes and sounds that make them sound disingenuous at best and at worst, like self-conscious poseurs.
Read Full Review

What Our Users Said

Vote Now! The average user rating for this album is 9.3 (out of 10) based on 6 User Votes
Note: User votes are NOT included in the Metascore calculation.

Tim E. gave it a9:
AMG is the biggest hypacrit. They complain when a band sounds the same throughout their career yet they have the nerve to criticize this amazing record because it's too "angry and agressive." Because the guy in the band doesn't sing any more. Guy/Girl harmonies are all you hear nowadays. That's why they changed to girl vocals. She has a better voice and it sounds best without male background vocals. If you want to hear guy/girl harmonies listern to Los Campesinos or every other british artrock band in the country. This band is about being different than all the rest and to bitch about it like AMG just tells us that they're off their game and they need to get with the times. This album is incredibly diverse and clever it's no wonder why some publications don't get them. The tapdancing replacing drums is beyond brilliant and even catchier than most drummers can play. The harmonies are as gorgeous as the band. Expect this album to be a massive hit. Otherwise you're missing out.

Chad S. gave it a9:
"Dust Me Off" and "Alligator Skin" are catchy, Beulah-catchy, like lost tracks from "When Your Heartstrings Breaks" with a special guest female vocalist. Tilly and the Wall have the ability to write propulsively tuneful songs that are substantially weightless. I think they're a band for hipsters who aren't afraid to admit they like Kelly Clarkson's "Since You've Been Gone". In other words, the band doesn't have an ounce of pretension in them. "Potkettle Black" is the standout. Great grrr-ly vocals. They sound like one of those all-female K, or Kill Rock Stars bands from the Northwest. After the quiet opening track, it's a surprise that they rock this convincingly.

Erika W gave it a9:
A great album with a couple key listening-list tracks. An improvement from their last album.

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