A Modern Herbal
The Medicinal, Culinary, Cosmetic and Economic Properties, Cultivation and
Folk-Lore of Herbs, Grasses, Fungi, Shrubs & Trees with their Modern
Scientific Uses
Mrs. M. Grieve F.R.H.S.
Edited and introduced by
Mrs. C. F. Leyel
The
following are the Introductory pages to the book
Biblographical Note
It is impossible to give a complete list of the works consulted for reference
in the compiling of this HERBAL.
Mrs. Grieve has of course drawn her knowledge from books as well as from
plants.
As Editor I have confirmed her facts with those in Bentley and Trimen's Medicinal
Plants in four volumes, Clarke's Dictionary of Materia Medica in
three volumes, and Potter's Cyclopaedia of Botanical Drugs and Preparations.
I have also consulted Anne Pratt's Flowering Plants of Great Britain
in four volumes, Stephenson and Churchill's Medical Botany in three
volumes, Dr. Fernie's Herbal Simples, Rhind's History of the Vegetable
Kingdom, and the English and French official Pharmacopoeias.
HILDA LEYEL
Editor's Introduction
BOTANY and medicine came down the ages hand in hand until the seventeenth
century; then both arts became scientific, their ways parted, and no new herbals
were compiled. The botanical books ignored the medicinal properties of plants
and the medical books contained no plant lore.
The essence of a herbal was the combination of traditional plant lore, the
medicinal properties of the herbs, and their botanical classification. From the
time of Dioscorides down to Parkinson in 1629 this herbal tradition was
unbroken. Culpeper's popular herbal was discredited with scientific people
because it was astrological.
The death of the herbal was one of the reasons why, with a few exceptions,
the only plants which have retained their place in the Allopaths' pharmacopoeias
are poisonous ones like Aconite, Belladonna, Henbane and the Opium Poppy.
Dandelion, Gentian and Valerian for some reason have survived and the
Homeopaths use many more, but such useful plants as Agrimony, Slippery Elm,
Horehound, Bistort, Poplar, Bur Marigold, Wood Betony, Wood Sanicle, Wild
Carrot, Raspberry leaves, and the Sarsaparillas are now only used by Herbalists.
All serious Herbalists have long realized that a new Herbal is badly needed -
a herbal which must include the traditional lore and properties of plants, and
the modern use of properly standardized extracts and tinctures which were
unknown in the days of Gerard and Parkinson, and even in the days of Culpeper,
and which have been made possible by the development of modern chemistry.
The interest for the amateur can only be an historical one, because the
herbal tinctures and extracts are too potent to be prescribed or experimented
with by the unskilled or the inexperienced; in fact, it is as dangerous for
amateurs to doctor themselves indiscriminately with herbs, as is would be for
them to administer drugs in their alkaloid form.
A knowledge of herbs is as necessary as a knowledge of Pathology, if herbal
treatment for all but the simplest ailments is to be successful.
Each herb has its own indications for use, and successful prescribing depends
upon the correspondence between these indications and the patient's symptoms.
Then, and only then, will the result be altogether successful.
Most of the modern scientific work on the right use of herbs we owe to
Hahnemann and his successors.
That famous head master, Edward Thring, first taught me botany when I was a
baby, in the School House garden and Uppingham fields. I still remember the
pride I felt when he strapped the black japanned tin lined with green to my tiny
back, and though at the time I was only four and much too young to enjoy
searching in the heat for rare plants like Ladies' Tresses and Green Hellebore,
the names of the plants, like the dates of the English kings, were impressed
upon my mind so vividly that it has been impossible for me ever to forget them.
After Edward Thring's death, his daughter Sarah carried on my lessons, and I
have never lost touch with the subject.
At one time there was an idea of my entering the medical profession, but I
was put off by my first lesson in dissection.
I have always experimented in the innocent alchemy of scent blending and
cooking, but it was not until I had written my first book on herbs that the idea
came to me to found the Society of Herbalists, and since 1926 I have done
nothing else but research work in herbal medicine.
Just before I opened Culpeper House, a list of Mrs. Grieve's monographs on
herbs came to me through the post. I made her acquaintance, and after examining
the pamphlets, thought they might be the nucleus of the much-needed modern
herbal.
I took the monographs and the suggestion to Mr. Cape, who agreed to publish
them if I would collate and edit them and see that the American herbs were also
included.
Mrs. Grieve's original pamphlets only included the English herbs, many of
which she grew in her Buckinghamshire garden
During the War, when there was a shortage of medicinal plants because they
could no longer be imported from abroad, Mrs. Grieve made practical use of her
knowledge and trained pupils in the work of drying and preparing herbs for the
chemists' market.
She did a great deal to revive the herb industry in England.
The arrangement and the editing of the vast quantity of material which Mrs.
Grieve had accumulated has been a task of some difficulty. I have arranged the
plants alphabetically under their most familiar names, hoping to interest
flower-lovers as well as doctors, and in this way they are as easily found as
the words in a dictionary. The country names are in the index.
This is not the orthodox arrangement either from the Herbalist's, or the
Homeopath's, or the Allopath's, point of view.
Herbalists talk about Jalap and Black Haw, but to the uninitiated Bindweed
and Guelder Rose are far more familiar, and it is under these names that they
will be found in this herbal.
In homeopathy the Anemone and the Forget-me-not are known as Pulsatilla and
Myosotis, and chemists accustomed to the Latin names may be shocked to find
Taraxacum under Dandelion, Podophyllum under Mandrake, and Calendula under
Marigold.
The very names of the plants are so interesting; the names are often derived
from their original use in medicine, and the traditional use has been derived
from some peculiarity of the plant based on the doctrine of signatures, its
shape, growth, colour, scent or taste, or habitat.
For instance, the flower of the Scullcap, one of the best cures for insomnia,
has a strong resemblance to the shape of the human skull. The Yellow Cedar has a
curious sinister appearance and is used to cure fungoid growths. The little blue
flower of the Eyebright with its yellow centre suggests the human eye, and is so
useful for tired eyes that the French have called it 'casse lunettes.'
The flowers of many of the herbs which purify the blood are red in colour,
e.g. the Scarlet Pimpernel, the Burdock, the Red Clover.
The medicinal value of Nettles is indicated by their sting; they are used
internally to stimulate the circulation.
When a plant has a particularly unpleasant smell like the stinking Arrach, it
usually points to a particular use - the stinking Arrach is used for foul
ulcers.
The bark of the Willow cures rheumatism brought on by damp, and the tree
grows in wet places.
Most of the flowers used for jaundice are yellow, like the Dandelion, Agrimony, Celandine, Hawkweed and Marigold.
Viper's Buglass is considered an antidote to snake-bite, and its seed is not
unlike the reptile's head.
Lungwort, because of its spotted leaves, was used for diseased lungs.
The classical names often embody the tradition which goes back to legendary
times. For instance, Bellis Perennis chronicles the wound-healing properties of
the Daisy. Tussilago Farfara is the botanical name for the Coltsfoot, which is
used to cure coughs and colds, and Valerian is derived from the Latin word Valere.
Surely it makes a garden more romantic and wonderful to know that
Wallflowers, Irises, Lupins, Delphiniums, Columbines, Dahlias and
Chrysanthemums, every flower in the garden from the first Snowdrop to the
Christmas Rose, are not only there for man's pleasure but have their
compassionate use in his pain. HILDA
LEYEL
Reprinted from "A
Modern Herbal" (1931)
Mrs. M. Grieve, Edited by Mrs. C.F. Leyel
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