The Walkmen's latest isn't showy, but when peeled reveals itself to be darker and more engaging than on first listen. It might be their best album yet…
They might borrow from forefathers to lay solid foundations, but Late Of The Pier prove that they’ve ability well beyond the sum of influential parts…
So not Audioslave, One Day As A Lion's debut sees Zack de la Rocha and Jon Theodore delivering lyrically zealous, bass-heavy hip-hop…
Donkey doesn't build on CSS's self-titled debut, and its flat production fails to capture the dynamism of their live show…
Even when 03/07 – 09/07 seems too cute or too pussy it’s still kind of heartening. All told High Places must be doing something right, right? Right…
Much of New Zealander Liam Finn's alluring live chaos is jettisoned here, in favour of a pop-friendly, Lennon and McCartney-loving template…
The Hold Steady, nutshell: a bar band trying to discover the mid-point between The Replacements and John Cougar Mellencamp…
Having followed troubadour angles, Mugiboogie sees Mugison communicate a diverse and borderline schizophrenic musical vision…
Volume One is a collection that proves She & Him's Zooey Deschanel has a talent that's eluded other movie stars turned singers …
Gravel-voiced Texan Micah P Hinson has seen his share of tragedy, and on his third LP, … And The Red Empire Orchestra, sorrow and apprehension seem to dog him still…
Looks like the recent disco brilliance of Hercules & Love Affair requires us to now endure the disco-flavoured pop-rock of New York’s Heloise & the Savoir Faire…
Feral Children's Second To The Last Frontier is an eclectic and varied debut, amongst the cream of current sounds emanating from the US…