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Here's To Being Here
by Jason Collett

Jason Collett reviews
Critic Score
Metascore: 77 Metascore out of 100
User Score  
8.5 out of 10
based on 9 reviews
Read critic reviews
How did we calculate this?
based on 2 votes
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Rate this album

The fourth solo album for the Broken Social Scene member includes appearances by Liam O'Neil, Tony Scherr, and Andrew Whiteman.

LABEL: Arts & Crafts
RELEASE DATE: 05 February 2008
DISCS: 1 disc
GENRE(S): Rock, Indie

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

83
The Onion (A.V. Club)
Here's To Being Here is the best kind of homage, a folk-gospel-blues mash-up that sounds like it could be The Velvet Underground's critically adored long-lost country record, if such a thing existed.
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80
Under The Radar
Collett's persona never feels like an act or a put-on, he's the real deal. [Winter 2008, p.81]
80
PopMatters
Thoroughly mature, endlessly melodic, and superbly crafted, Here’s to Being Here is a joyful noise.
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80
NOW Magazine
There’s good understated playing throughout, strong songwriting and a casual, immediate feel that comes from recording an entire album in six days.
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80
Slant Magazine
Even though the album's production aims for and achieves a vintage AM radio sound, Collett's willingness to subvert the conventions of songwriters like Dylan or Kristofferson makes Here a definitively modern record and perhaps the first of Collett's solo albums to sound like a real classic.
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74
Pitchfork
This mannered, understated virtuosity permeates Collett's music, just like it did the Band's.
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70
Spin
Collett achieves both scope and cohesion on these tenderly twanging tunes, making his way assuredly through slow-burning swoons ("Henry's Song"), nimble boogies ("Charlyn, Angel of Kensington"), and back-porch laments ("No Redemption Song").
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70
All Music Guide
High-pitched coos gatecrash the song's chorus like they've just been kicked out of the Rolling Stones' "Sympathy for the Devil," and a harmonized keyboard solo injects a bit of the Steve Miller Band into an otherwise minimalist, Southern-styled slow jam. Such unexpected moves seem to be a new thing for Collett, and they combine to make this his strongest solo effort yet.
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60
Rolling Stone
Here's to Being Here, is full of smart touches--some harmonica here, a laser-beam synth line there.
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What Our Users Said

Vote Now! The average user rating for this album is 8.5 (out of 10) based on 2 User Votes
Note: User votes are NOT included in the Metascore calculation.

John S. gave it a9:
With the exception of a few standout tracks (ie. Roll on Oblivion) this album took a few listens for me to get into. Now I can't stop listening to it. This is an excellent album that shows a lot of progression from his last.

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