The Oscars
The critics' picks, the Carpetbagger on the prelude and George Clooney's nostalgic streak.
He has been a Yugoslav and a Serb and worked under Tito and Milosevic. So it makes sense that the place where Goran Paskaljevic really likes to work is Ireland.
“Woman on the Beach” is a bittersweet accounting of the geography of desire.
“The Business of Being Born” is a passionate ground-level examination of home childbirth.
There’s not a single wrong note in “Liberty Kid,” Ilya Chaiken’s poignant drama about marginal lives strained to breaking by the aftermath of Sept. 11.
The announcement came in response to the threat of pickets from the Writers Guild of America.
“An Affair to Remember,” reissued in a beautifully remastered two-disc 50th-anniversary edition, is one of the best and best-loved films of classical Hollywood.
A deal between United Artists and the Writers Guild of America West may have opened the door to a full-blown brawl.
“A Bloody Aria,” by the Korean director Won Shin-yun, is a sort of Asian “Deliverance.”
“One Missed Call” is the latest Japanese knockoff to fetishize death by technology.
Andrew Piddington’s devastating re-enactment of events leading up to, including and immediately after the murder is taken from interviews, depositions and court transcripts.
The critics' picks, the Carpetbagger on the prelude and George Clooney's nostalgic streak.
David Carr on the Directors Guild nominations, plus more on the Golden Globes.
Marjane Satrapi and Vincent Paronnaud, co-directors of "Persepolis," discuss turning their drawings into animation.
Articles, multimedia and additional coverage.
This guide includes links the original reviews from the archives of The New York Times.
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