Secrets of restoring typewriters OK, I admit it. My secrets are no more mysterious than those of many hundreds of typewriter collectors in Europe and America but give me a break – I’m a journalist. It’s my job to be sensational! What I can offer is the knowledge and skills I’ve accumulated over a number of years of typewriter restoration – and I’ll even throw in a few real secrets as well. For the really dedicated restorer, I have put together some specialist guides to restoring and cleaning individual brands, which also contain reproductions of the original manufacturer's instruction manuals For details of Guides to Restoring the Remington Portable, Underwood Portable, Corona Portable, Imperial Good Companion and Royal Portable, click here. The steps covered in this general guide are
Disassembly How to proceed When I disassemble a sub-assembly (such as the carriage) I replace the screws in the holes they come from as I go along, so I won’t lose them and I’ll know where they go. I take lots of pictures with a digital camera as I go and load them onto my PC, so I’ve got a source of references if needed. I like to work with a tray on the desk or bench in front of me. I keep all the parts I’m working on together on the tray and hold parts over the tray while I’m screwing or unscrewing them, so that if I drop something it’s easy to find again. I line the tray with kitchen roll paper to mop up any cleaning fluids I use and keep parts dry. Parts of the typewriter Make sure you use engineer’s or clockmaker’s screwdrivers, not carpenter’s or general household screwdrivers. Engineering screwdrivers are ground so that the edges of the blade that fits into the slot in the screw head are parallel. Carpenter's screwdrivers merely come together at an angle and hence are liable to slip, damaging the head. Make sure you have screwdrivers that are the same size as the screw head. Using a small driver in a large slot is likely to result in it slipping and damaging the slot. Also make sure the blade is seated properly in the slot. Put firm, but not excessive pressure on the blade and exert a steady force, increasing as and when necessary. You should feel a sticky screw ‘give’ after a short while. If the screw remains stubborn, on no account try to force it – you will almost certainly end up damaging the head (and possibly yourself.) I promised you a few secret tips that would make typewriter restoration easy and here is my first. Buy two steel engineer’s rules, a foot rule and a six inch rule. Don’t buy cheap ones. You can find good quality used ones in flea markets. If you have a screw that is stuck, tackle it with a steel rule. Start with the six inch and use the short, straight end with the ruler held vertical. You will find you can exert quite a lot more pressure than with a screwdriver blade. If the screw is countersunk, then use the centre of the curved end. If you still feel stiff resistance, then turn the rule through 90 degrees and use the long edge to get more leverage. You won’t be able to do this with a countersunk screw, so go straight to the 12-inch ruler and try the curved end. In the case of screw heads that stand proud and are still stiff, you can use the 12-inch ruler on its long edge to get more leverage. I have never found a screw that I couldn’t undo in this way, while also avoiding damage to the head. Rusty screws can be loosened sometimes by squirting WD40 on them. I’m not very keen on this as it’s usually messy and puts an oily coating on surfaces that I prefer to keep dry in order to treat directly with rust remover or metal polish. Set Screws Tool kit Flat and round needle files A Note on power tools The Dremel is well worth considering. However, I’m not myself very keen on it. Maybe it’s the way I use it, but I feel that the Dremel can go too far in producing an artificially bright finish on a machine that is, say, 100 years old and ought in my view to show some fair wear and tear. I strongly advise experimenting with the Dremel, or similar tools, on a practice machine, before using it to restore your prize typewriter. My own preference is to clean each part by hand using the techniques described later. It takes longer, but it is thorough and very satisfying. It also ensures that you don’t inadvertently go too far in taking the surface off. Cleaning and restoration Cleaning materials Always use the gentlest possible cleaning fluids. Soap and warm water is best and this should be applied in small amounts with cotton buds or cotton rags. Surgical spirit can be used to clean off thick grease and dirt but check first that the paint finish is not affected. Always protect any decals from cleaning materials and fluids. My cleaning kit contains the following * Cotton rags Total immersion versus hand cleaning One aid I find indispensable is a model-maker’s airbrush (such as Badger or Devilbis) and a can of compressed air which I use to blow dust and dirt out of the workings as I go long. This is an expensive way to clean (a small can of compressed air costs about $5 or so) but I think it’s well worth it and one can does several machines. The same set-up can, of course, be used to re-paint under some circumstances. Cleaning Light surface corrosion and rust on disassembled parts can be removed in two stages. First carefully apply proprietary liquid rust remover on cotton buds. These usually contain mild phosphoric acid and act fairly slowly, but keep an eye on progress and always test the surface you are treating first. Remove with soap and water. Nickel and other plated surfaces, or plain steel, can be polished using the finest grade steel wool and a chromium polish such as Autosol or Autosolvol sold in car shops. It’s important not to get the tiny steel wool fragments inside the typewriter, so cover up the works with rags. Remove any stray particles with the air bush or a magnet (attached if necessary to a screwdriver to extend its reach into crevices.) Rubber platens can be carefully wiped over either with soap and water or surgical spirit on a clean rag. It is possible to have platens replaced (see contacts) at reasonable cost. Personally I feel that the original platen is more authentic even if less than perfect. You can always look for another machine of the same age and replace the platen with a better example – the same, of course, applies to all parts. Black paintwork Some restorers like to sand blast original paint finishes and repaint them with black enamel. I can’t myself see the point of this; I would rather spend my time and money seeking a good original example and have the pleasure of enjoying an authentic antique. I am prepared to re-nickel plate small parts if the rest of the machine warrants it and you can buy kits for re-plating (see contacts.) This is a matter of personal preference. Some restorers like to remove every bright metal part from a typewriter, sand blast it and re-nickel plate in order to achieve the impression of a new typewriter. My aim in restoration is to bring antiques back to life with a little TLC, looking as authentic as possible, but not to recreate them as something new. Cleaning blued parts Wherever possible it’s best to keep a blued finish if you can. It serves to protect against rust and it’s authentic. If a blued surface has rusted badly, then you’ll have no real alternative than to clean and polish it up until you see bare metal. If the blued surface is merely dirty or has only light corrosion, wipe it over carefully with a soft cloth and a little WD40. Once clean, wipe with a slightly oily rag. Don’t use metal polish or you’ll remove the blue finish. You may also occasionally find parts (usually small bearing shafts) that are bluish or blackish in colour and also show small iridescent patches. These are pieces of mild steel that have been case hardened – they have been dipped in carbon powder and heated to harden the surface to make it more durable. Treat these in the same way as blued surfaces. In the case of parts such as springs, the bluing is part of the heat treatment process, needed to impart springiness to the metal. If you tried to reheat such a part to put back the blue surface, there’s a good chance you would lose its ‘temper’ and hence its spring. In the case of most screws, however, the bluing is merely for show. If you wish, you can try polishing up the head and heating the screw gently until it turns blue – then quickly drop it into a small container of machine oil. Quite a bit of experience is necessary to get a uniform ‘factory finish’ blue and it’s a good idea to practise on a few unimportant screws first. There are a few blued screws which are hardened (like springs) or case-hardened (like bearings) because they perform a special function, not merely holding things together. These should not be heated. To tell if a screw is hardened or merely mild steel, run a flat needle file briefly across the thread end. If you feel the file bite, it’s mild steel and can be safely re-blued. If the file runs straight off as though on glass or stone, then it’s been hardened and should not be heated. Dealing with clockwork motors Beginners are usually nervous of tinkering with motors, in case they cause some irreparable damage or are unable to get the motor back together again. In most cases, this apprehension is misplaced and motors are often very simple in design and easy to deal with. You can always simulate the effect of having the motor connected to the carriage by tipping the typewriter onto its left side so the carriage pokes up in the air to the right at 45 degrees or more. The weight of the carriage will usually be enough to simulate the driving force of the motor, enough for you to test the escapement mechanism. Handling motors safely Clockwork motors are almost always provided with a means to wind them up and a means to let them run down safely. If the winder is not obvious in the form of a key, the look for an alternative. In some cases, you use the casing of the motor, or perhaps a protruding rim, to wind it up. The run-down mechanism is usually some kind of lever attached to a ratchet. Moving the lever allows the motor to run down one ‘click’ of the ratchet. Many clicks are normally needed before you feel the tension leaving the motor entirely. Motor Tension Dealing with carriage straps Soft metal Ribbons and ribbon spools One good place to look for replacement ribbons and spools is on eBay. Scores of different tins are auctioned every day. In some cases they still contain a ribbon, often in its original wrapping. Obviously you’re taking a chance buying these oldies, but at the very least you’re getting the correct spool, and one that’s in unused condition – even if the ribbon itself turns out to be useless. Best of all most ribbons sell for just a few dollars. If you fail to score today, you can try again tomorrow. Reassembly Oiling Adjustment There are too many potential causes of mis-adjustment to list here. In the individual Guides to restoring individual makes and models, I describe the commonest faults found on the Remington Portable, Underwood Portable, Corona Portable, Imperial Good Companion and Royal Portable, and the step-by-step adjustments necessary to cure them. Final Polishing Parts of the typewriter – a glossary
There are a few other mechanisms that are usually present on most machines:-
Contacts One of the best places on the web to read about typewriter restoration is Paul Robert's Typewriter Restoration Site at http://www.xs4all.nl/%7Ecatch55/ typewriters often have gold or blue pinstripes. You can restore these with paint or with thin decals (transfers). Paint kits are available from www.beugler.com and pinstripe decals are sold by Finesse Pinstriping at www.finessepinstriping.com It is possible to have Platens professionally recovered in rubber at reasonable cost.See www.amessupply.com for the site of the long established Ames Supply Company of Illinois. You can buy a nickel plating kit for use at home from Caswell Plating in New York www.caswellplating.com Waterslide decals (transfers) for a number of antique machines are available through The Typewriter Restoration Site at http://www.xs4all.nl/%7Ecatch55/ |
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